mr pharmacist!!!!1
Well-Known Member
Yeah, good for you. Me too.
so, thats 12 funny people in the country.
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Yeah, good for you. Me too.
ah yeah, paths to freedom, which is basically a piss take of people. who talk li tha, or who tark lioke this, hmmm, awwkay. you see, by being a satirical critique of knackers and poshos it seeks to circumvent criticism. it was pretty good tho. i never saw soupy norman, i was busy, but really, ten years of "unprecedented economic growth" (b. aherne) and that's what we have? the one that followed paths, fergals wedding (i think), was fairly poor as well. same template. rip the piss out of people. create caricatures, not characters.Paths to Freedom?
Soupy Norman?
Both succeeded in being funny in the same environment of homogenous sludge.
I don't get that bit at all...
1. i'm talking about art in general. including comedy, painting, music, films, design, food, everything.We're not an especially funny country. We think we are, but we're not.
Apart from anything else, we don't have the critical mass of audience, talent, media, performance spaces or experience that is needed to produce quality comedy.
The somewhat common notion that there's some great heaving mass of comedic talent that the powers in Montrose won't let on the air is misguided.
I reckon anyway.
2. i'm the funniest cunt on earth.
you're not wrongThis is funny for so many reasons.
1. i'm talking about art in general. including comedy, painting, music, films, design, food, everything.
2. i'm the funniest cunt on earth.
Jazes I'd say you'd love me..|..|so many bands i've seen, playing pigeon toed and within themselves, afraid to make eye contact with the audience or perform for fear or being crucified for being "pretentious". i want my artists to be pretentious. i want them to perform. i want them to believe that i've come to see them, and not the other way around.
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ah yeah, paths to freedom, which is basically a piss take of people. who talk li tha, or who tark lioke this, hmmm, awwkay. you see, by being a satirical critique of knackers and poshos it seeks to circumvent criticism. it was pretty good tho. .. /... same template. rip the piss out of people. create caricatures, not characters.
basically until we, as a nation, stop ripping the piss out of everyone who attempts to create, we getting exactly what we deserve. even on this forum, look for hansards once film, laugh at how many times it's called "ponce" or "nonce". in fact, look at the effort some people went to, taking pictures of themselves defacing posters around the city! mad cunts! check out any band who've attempted anything, but aren't regular posters on this site, and see them flayed for trying, and anything rte have tried to produced has been circumcised with a rusty catfood tin here*. i'm not saying that thumped is where i gather my critiques, rather it's microcosmic of the internet, and people say things on the internet that they won't to one's face. this i know from personal experience. and finally, the forth estate all seeking to make names for them selves by being cutting, ribald, viciously concise, like they have standards that cannot be met. at least, not met by people on this sceptered isle. i've read reviews and heard reports of some terrible tosh that comes from abroad and isn't a patch on some of our homegrown talent, and yet the reverse is rarely true. so many bands i've seen, playing pigeon toed and within themselves, afraid to make eye contact with the audience or perform for fear or being crucified for being "pretentious". i want my artists to be pretentious. i want them to perform. i want them to believe that i've come to see them, and not the other way around.
thats bollocks. ive about 6 mates who can make me cry with laughter.
This reminds me, I had a girl working to me (in work like) and we were both trying to dig up some newspaper report or something and she finds it anyway, and I meant to email her back and say 'Bingo, Thanks' but instead I typed 'Bongo, Thanks' as if that was my patronising man servant name for her.
Anyway . . .
paths to freedom was good, don't get me wrong, and it was stand out in terms of what rte produce. what's disappointing is the self congratulatory nature of it. same goes with apres match. lets not work as hard any more, we've clearly made it, etc.I disagree about Paths to Freedom, to me it wasn't so much about the social satire, a simple odd couple compare and contrast. It was more to do with the incredible character acting of the two male leads especially the "posho" (Brendan Coyle) who never once played it for laughs, even in his character's descent into Flatley obsessed madness. You could accuse Rat's character of being painted with broader strokes, but Colyle's performance is both incredibly comic and tragic at the same time. Lot's of really sharp dialogue, well delivered and well realised even in it's (by then) not the most original "fly on the wall" format.
I agree to an extent with what you've said, but at the same time I think you're greatly over estimating the amount people who make music / books / art or whatever care about what people think about what they produce. Not that they don't care at all - i just don't think it effects them that much.
I can't think of any bands that I know from playing around that really care. Not that they don't want to be successful. Not that they don't want to revel in an audience's enjoyment. Not that they get a thrill out of pissing people off. Just that them worrying about how they are going to be received doesn't hamstring them in the way you've described above.
Besides if the artists are as pretentious as you like them to be they really won't give a fuck at all.
Ask the Virgin Prunes in the quagmire of late 70s ireland:
Do you genuinely have experience of performers been that worried about it? That's not a challenge to prove you wrong, I'm just interested. No need to name names.
i've never seen it, does that coount?Anchorman was shit..hated it..on me own w that one.
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