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Puss in Boots. Great fun. Especially the cat that goes ''oooooooohh''
not that much to recommend here. can't see the HBO drama version with big name actors working at all either
IFI in Dublin are screening my favourite film of all time this weekend
http://www.irishfilm.ie/cinema/dispfilm_07.asp?filmID=7696&Date=25/02/201&PageID=15
Jean-Pierre Jeunet’s wonderfully quirky and irresistibly enchanting Amélie makes a welcome return to the big screen in a new digital restoration to celebrate its 10th anniversary. After a lonely childhood with a father who showed her little physical affection, the adult Amélie (an adorable Audrey Tautou) waitresses in a Montmartre café filled with eccentric staff and customers (including Jeunet regular Dominique Pinon). The accidental discovery of a boy’s treasure box in the wall of her bathroom prompts her to trace the owner, now a grandfather. On seeing the joy this brings him, Amélie becomes a guardian angel of sorts, devising elaborate and secret stratagems for bringing happiness to those around her. In the process, she finds that there may be a chance at happiness for her too, thanks to the arrival of Nino (Mathieu Kassovitz). Jeunet’s Paris is probably the most fairytale-perfect depiction of the city ever committed to celluloid, and the film remains as heartwarming as ever. (Notes by Kevin Coyne).
You should go see Hugo
IFI in Dublin are screening my favourite film of all time this weekend
http://www.irishfilm.ie/cinema/dispfilm_07.asp?filmID=7696&Date=25/02/201&PageID=15
Jean-Pierre Jeunet’s wonderfully quirky and irresistibly enchanting Amélie makes a welcome return to the big screen in a new digital restoration to celebrate its 10th anniversary. After a lonely childhood with a father who showed her little physical affection, the adult Amélie (an adorable Audrey Tautou) waitresses in a Montmartre café filled with eccentric staff and customers (including Jeunet regular Dominique Pinon). The accidental discovery of a boy’s treasure box in the wall of her bathroom prompts her to trace the owner, now a grandfather. On seeing the joy this brings him, Amélie becomes a guardian angel of sorts, devising elaborate and secret stratagems for bringing happiness to those around her. In the process, she finds that there may be a chance at happiness for her too, thanks to the arrival of Nino (Mathieu Kassovitz). Jeunet’s Paris is probably the most fairytale-perfect depiction of the city ever committed to celluloid, and the film remains as heartwarming as ever. (Notes by Kevin Coyne).
A lecturer in my college actually gave us a short chat about how Amelie is a racist movie because the only non white characters are a simpleton and a one legged tap dancer.
Some people huh ?
A lecturer in my college actually gave us a short chat about how Amelie is a racist movie because the only non white characters are a simpleton and a one legged tap dancer.
Some people huh ?
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