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Amplitube 3.Throw away any mics you use for cabs.Those days are over.
that is all.
so to get feedback ill have to be have my DAW monitors up loads?!
No..not at all.I had no problem getting feedback at normal levels.
In fact you've given me a novel idea!
I've just discovered something MARVELLOUS.
If like me,you have a USB MIDI controller keyboard with knobs on it...well those knobs are easily assignable to any function inside REAPER you like.ie..fader/pan etc.
Thus recording automation is now a walk in the park.And anything at al that can cut down on mouse usuage is defo a big bonus.My right hand is barely strong enough to have a wank with at this stage.
http://www.digido.com/mastering-engineers-discuss-compression-and-mixing.html
http://www.digido.com/mastering-engineers-discuss-dynamics-in-mixing.html
http://www.digido.com/mixing-tips-and-tricks.html
I'm gonna try using no(or very little) compression on my next number.Could be a crazy idea.I love compression.
without compression, how do i get my drums (only a stero track currently) up in the mix but not clipping? without dynamic processing they end up being low and lost (i like lots of guitars in my mixes)
Well,theres gonna be compression on every drum mix..but I tend to have 3 levels of compression by the time the mix emerges from the far end of the 2 bus.And I prolly still will,but not as agressively applied.
Do you put paralel comp on the drum bus?
I'm still only learning..theres a lot of luck involved in my shit..I only like about 1 in 3 of my productions...
So say you're at the most very very basic level where you've just recorded tracks on your DAW ... could anyone recommend a site or page that would tell you what the very very minimal basic things you'd have to do to mix it and stick something up on soundcloud/band camp etc and not have it sound like total dog shit?
After stage 1. Try not to write songs that sound like total dog shit?
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