I think we might have a game changer! http://www.thomann.de/ie/orange_micro_terror.htm
WANT!!!!!!!!!!!
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
I think we might have a game changer! http://www.thomann.de/ie/orange_micro_terror.htm
Had this thing for a month now,and have to say I love it. There's a couple of sounds(Twin Reverb and British '70's) I play pretty regular that sound great (to me at least,)especially for the low volume I'm playing at in the house. Definately got what I wanted and more.
Interesting! Tell me this. I'm getting annoyed with sound engineers telling me to turn down at gigs ('Wow, man, this isn't a stadium gig') so I'm either going to get an attenuator or a smaller amp with a master volume. Would you ever considering using something like the Mustang live?
Interesting! Tell me this. I'm getting annoyed with sound engineers telling me to turn down at gigs ('Wow, man, this isn't a stadium gig') so I'm either going to get an attenuator or a smaller amp with a master volume. Would you ever considering using something like the Mustang live?
i disagree with all of you. play at the lowest possible volume on stage that you can still get your desired tone. communicate with the sound man about the monitor mix, unless there is a dedicated monitor engineer there is no way to get a good monitor sound.
think about it it like this, the engineers floor level volume is effected by the fact that your amp is at five, it means they cant turn anything down lower than the summed volume needed to blend with your amp. so the range of mixing (the whole band, not just you) is going to be between 5 and 10. if you can get the same tone at 2, then the range is between 2 and 10.
or in guitar language, its like someone came along and capped all the volume and tone knobs on your amp at half volume.
In the kind of real world venues with shitty or non-existent monitoring I see, I believe the best way for everyone to be happy is to get a good sound off the stage before the PA gets involved.
In the kind of real world venues with shitty or non-existent monitoring I see, I believe the best way for everyone to be happy is to get a good sound off the stage before the PA gets involved.
Eh would it not be more along the lines of having your amp stuck between 5 and 10?
In the kind of real world venues with shitty or non-existent monitoring I see, I believe the best way for everyone to be happy is to get a good sound off the stage before the PA gets involved.
Upgrade your account now to disable all ads...
Upgrade nowWe use essential cookies to make this site work, and optional cookies to enhance your experience.