Attenuate THIS, motherfucker!
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(not a joke)
how do you get a drummer to turn down?
I bet Matt Pike was turned way down last night.
Well I'm happy to give Sound Engineers more control, I do realise that by me turning down does give them more scope to use the P.A. Unfortunately my amp is a non master volume so anything below 2 and the tone dies. It really just depends on the engineer that you get, some are cool about it, some aren't. The ones that aren't make my life hell and generally make me sound like i'm playing banjo in a rock band. I'm going to get an attenuator and if I still have problems I'm going to shove that attenuator up their ass.
sure, a residency or two in portadown under your belt then monitoring does become the stuff of dreams. I'm bad at expressing it, but my ideal scenario (only personally) is essentially hearing front of house through the monitors. the way this will happen is by there not being amp cockfights going on on the stage.
Yeah I'm still using the Marshall 2x12, I actually have another 60w 2x12 with Celestion Greenbacks which breaks up sooner and makes more sense at lower volumes. Maybe I should be using that more. It's a smaller cab though so it doesn't have the same kinda BOOM as the big 2x12 cab. It's just annoying because you never know when your going to get hassle. Anyway I just bought a Marshall PowerBrake on ebay, it's switchable from 8 & 16 ohms so it'd be pretty versatile when using other peoples cabs. Please god let this be the end of my problems.
Moose how much would a master volume mod cost?
They usually go for about €200.
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