hermie
Well-Known Member
I still don't get why he put the Don't Look Now references in.
I think I'll have to watch that one again.
Yeah really didn't get that. Did they just like the idea of doing it and because they reference it, that's ok??
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I still don't get why he put the Don't Look Now references in.
I think I'll have to watch that one again.
Yeah really didn't get that. Did they just like the idea of doing it and because they reference it, that's ok??
Yeah really didn't get that. Did they just like the idea of doing it and because they reference it, that's ok??
Caca?
I assumed it was something to do with all the water/drowning imagery in the Roeg flick and the title 'Submarine'. Just not sure what he was trying to do with it all.
It's a fecking puzzle wrapped up in a conundrum so it is.
By the way, Source Code got 5 stars in the Guardian
Wes was in there. As sure as Sue Townsend, Whit Stillman and Nicolas Roeg were, no?
What say you, Hives?
French or Bradshaw?
Either way, I'm not surprised. I think it will do very well.
It succeeds on its own terms but for me, it is messy and loses its way about half way through.
Also, the first time you hear Chesney Hawkes' One & Only, it sounds clever (it's also featured in Moon), the 5th or 6th time, it sounds a bit like Jones being way too impressed with himself.
The ending is akin to a kid tidying his room - ram everything untidy into the closet and present you with a ta-da smile.
Maybe I'm just a grumpy bastard.
Sucker Punch
Almost like watching someone burn money for 109 minutes.
A waste of everything.
I want to see this.
Bradshaw. Donald Clarke gave it a good review today too. I'm confused, what you're describing sounds risible to me
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