Went to see Be Kind, Rewind on Saturday. It's not very good.
I was going to goo and see it, a very funny idea - could be great, but the fact that it's Michael Gondry puts me off; cause I think his films are overrated shite.
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Went to see Be Kind, Rewind on Saturday. It's not very good.
"Michael Clayton" - quite good
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finally .|..|
Tarkovsky's "The Sacrifice" at the IFI yesterday. Couldn't do anything after cos life is shit and anyway we're all doomed.
I saw No Country For Old Men today. I'm not really a Coens devotee (despite it not being what I'd consider to be a typical Coens film), it was alright.
Chigurgh is an idea of morality. Chigurgh is not meant to be a character in the *conventional* sense. He's an object of drama, a symbol. He doesn't change. Again, I reckon this is symbolic. In a fillum which can seem to be deliberately ambiguous, it's still clear that Chigurgh has a sort of moral code and that of all the characters in the film, his code is the most unflappable. Philosophically speaking, Chigurgh is the most perfect example of a moral code. He does at the end what he promises to do at the beginning. In certain terms, he is the most honest individual in the film.
What's hard to stomach here is that the honesty comes with so much darkness. In essence, if this is morality with honesty, then pure morality is too dark for normal people.
You want to reconsider?
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For the second time, it's still an incredible film.
I completely disagree with you on almost all of this. I enjoyed the film and felt it warrants repeated viewing. I don't think he set out to make the mother a "baddy" in this, as opposed to the Father in Squid and the Whale. That's just too simplistic and the film to me is more complex than that. She's an unlikeable character, but not a "bad" person as such. Her tragedy perhaps (if she has one) is being so self-absorbed that she can't see how unlikeable she is. Certainly some things didn't work (i.e. Jack's running away) but it did bring some light relief.
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