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Would this be 'Fun House' or 'Persepolis'? I'm presuming the former. I felt just the same, I thought it was going to be unbearably smug for the first 20 pages or so, but then you just grow to really care about her and her dad and agh. I just thought despite the layer upon layer of almost un-real/hyper-real, there were just some stunningly appropriate moments. Particularly the telephone conversations she has with him when she's away at college. Anyway, I'm just an absolute sucker for a father daughter narrative.
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The very opposite, so far at least. Short book but I find myself rereading whole passages. First foray into Coetzee so it's exciting.
it is but it's way too long and my interest was waning towards the end, the first half of the book is brilliant though, much funnier than the inbetweenersWell now, this went completely bananas at the end. Not so much an unsatisfying as a "what the fuck?" ending. Have since read some analyses which have shed some light on it but have to admit, I'm still pretty confused.
Just bought Skippy Dies, hope it's good Bernie Lomax!
it is but it's way too long and my interest was waning towards the end, the first half of the book is brilliant though, much funnier than the inbetweeners
it's mostly about a bunch of teenage misfits who are obsessed with sex and bodily functions - there's a good deal more to it than that though, and it's much darker and funnier than that would suggestEh, what's the inbetweeners connection?
Motion to have the word 'dark' revoked of it's descriptive term status
what about if its describing night-time?
It's never describing nighttime. Only a DARK children's book. A DARK fairytale. The new film is much DARKER.
FUCK OFF AND DIE YOU CLOSET GOTH.
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