GARYXKNIFEDX
Well-Known Member
Hardly. And neither, just dug out an old cassette copy.
Damn,I was hoping you had the 12" version and would sell me it.
Even Aglio e olio doesn't come close.
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Hardly. And neither, just dug out an old cassette copy.
i wouldnt detract from an emulators ability to emulate anything, i think of it in some ways as a homage to music, creatively they could all do with getting away from the big beat formula, to me it nullifies the creativity in whats going on. what i really think about when it comes to performed vs electronic is the subject of colour, synaesthesia i think is the word. samples by thier nature are more perfectly coloured then acoustic (i just dont mean guitar) sounds, even if they are dissonant they are still by nature an information string thats being fed one direcion or the other.. and by being more perfectly coloured they miss out on dissonance, chance and large parts of the audio/sonic spectrum. they all seem to communicate with audience on a one way level, even when faced with somethign like ableton where the manipulation of the stuff is really at hand, its being manipulated in acordance wih an algorythym that has been programmed in ana office months before the fact of perfomance, so to my ears its all just a little bland sonically, essentialy wallpaper made of images previously deemed to be acceptable, with all thier colour and character toned down to the point where they can sit side by side.
all my arguments are fundamentally flawed. i agree with all of you all mostly, thats just my extremicised take on what sound is to me. i explained colour terribly, i'll try again. synaesthesia is the concept where people can see music as well as hear it, like the part of your head that the sound goes in is the same as the port where the light goes in, like thier both on the same usb. in my experience i see D as blueish, and A close to red. at a basic level electro music is sine waves, flawless colours. a seven note scale would be like a cartoon rainbow, with all shades completely seprate, sound from an acoustic source is different, attack/decay/defusion/string temperature/guitar temperature is beyond prediction. it means the same scale played on an acoustic (no two of which are the same) is going to look like a more natural blended rainbow.
i'm completely aware that electro based music went well past the sine waves years ago, and that its a much more diverse palette now, but its that flawless core annoys me. i use samples, terrible electric keyboards loads anyways, its all building blocks really, but in my own version of sound ethics i know which one works well in a powercut.'
some deadly acoustics on this
http://ww.smashits.com/music/oldies...6932/Kora-Kagaz-Tha-Yeh-Man-Mera-Revival.html
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