The Velvet Underground - The Velvet Underground & Nico (1967) (4 Viewers)

Title: The Velvet Underground & Nico
Artist: The Velvet Underground
Genre: Rock
Released: 1967

Tracks:
1 - Sunday Morning - 2:58
2 - I'm Waiting for the Man - 4:41
3 - Femme Fatale - 2:40
4 - Venus in Furs - 5:10
5 - Run Run Run - 4:24
6 - All Tomorrow's Parties - 6:02
7 - Heroin - 7:14
8 - There She Goes Again - 2:43
9 - I'll Be Your Mirror - 2:16
10 - The Black Angel's Death Song - 3:13
11 - European Son - 7:46

Overview:
The Velvet Underground & Nico is the debut album by American rock band The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain notoriety for its experimentalist performance sensibilities, as well as the focus on controversial subject matter expressed in many of their songs including drug abuse, prostitution, sadism and masochism and sexual deviancy.
Though a commercial and critical failure upon release, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine's list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress.
i missed that unfortunately, but another former member of this parish was also in geek maggot bingo. i have a vague memory of suggesting a name when he mentioned needing to pick one though, but my suggestion was not used - 'war is menstrual envy'.
 
Well, the whole slow core thing, some of it is proto-industrial, "space rock" or whatever you might call Spiritualized, you find it all on that record.
I get that the attitude influenced a lot of people, dark, literary, sometimes noisy (goth and post-punk) but I know very little that really sounds like the first album. I tend to think that the space rockers and paisley underground people sound more like an amped up version of the third album. The only band I relate directly to the possibilities of the first two albums is Sonic Youth - the idea of encompassing that scope of prettiness and noise etc in one unit. SY never touched on the minimalism thing generally though.
 
Spacemen 3 would be the only band that really gives off a strong VU vibe in terms of style but given that so many bands from so many different scenes cite VU as an influence in their early interviews (i.e. it’s not something they have retrospectively decided) - clearly different people were getting different things from them.
 
In my head Gorky's Zygotic Mynci, Super furry animals, Bill Callahan all kinda echo that first album in ways.

Any here's Nico:

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what can I say, man. I was 13. I didn’t know anything.

I do very strongly remember the sense-impression that I had that this band had to be a contemporary one.

and so, in trying to reach back into the mind of my 13-year-old self, this is my theory of what I was thinking back then: ‘heroin’ sounds weird and dangerous and scary. I think that my 13-year-old self sort of assumed that anything that sounded so strange was somehow ‘not allowed’ to have been made in the 1960s. the 60s were all just flowers. weirdness was only permitted for then-current music.

it doesn’t make any sense, but then... it doesn’t really have to. I was a kid. anyway, point was, it changed things for me
Thats great! There's an entire novel in there.
 

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