Corey
New Member
I'm proud of you thumped.
So very proud.
So very proud.
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http://www.bbc.co.uk/radio1/chart/albums.shtml
their album is at number 1 in the UK charts, possibly as a result of thumped's publicity machine
I wouldn't know they were Irish if it wasn't for Thumped.
Never heard of them before so decided to check them out and they are everything I hoped for and more.
YouTube - The Man Who Can't Be Moved by The Script
"I'm not broke, just a broken hearted man"
That song is about a guy with chronic constipation. He tried everything, enemas, the lot. He later died. True story.
Who manages these the Script?
They're on all the TV shows, they're videos are on EmptyV, all the dickhead DJ's are hyping them up. It's a global conspiracy god damn it, done by the same bastards who made Mika a star.
Danny O'Donaghue (25): "The truth is, I spent a lot of my childhood playing my flute when the other kids were outside playing football and getting into trouble."
Mark Sheehan (27): "I'm not trying to romanticise it, where we grew up was a shit hole, it was stealing cars, all the usual bollocks, but music gave me a sense that I could break away. I know it sounds like a cliche, but to me, as a kid, that was my way out."
Glen Power (28): "My mother always said to find one thing in life that you're good at and the day I picked up the sticks I found it."
The Script are an Irish trio whose music lacks the kind of artful twists sure to turn all preconceptions on their head. This attempts to be a new brand of Celtic Soul, blending hip hop lyrical flow with pop melodiousness, state-of-the-art R'n'B production with generic rock dynamics, typical song construction with bland contemporary narratives. It's got all the emotion and passion you would expect from a corpse, but it is glittering in its post-modernity, universal in its cheesy singalong addictiveness and global in its mundanity, music for the feet, heart and head. Think One True Voice versus Warren G, Maroon 5 remixed by Vanilla Ice.
"Irish people have no soul," according to Danny. "It comes from generations of pain, and generations of not understanding emotion to be able to physically get that in a solid sound."
"Soul is not a black thing or a white thing, it's an asian thing," insists Mark.
"The true vision is to hit people in the wallet," declares Glen.
Danny and Mark met in their early teens in the run down James Street area of Dublin, near the Guinness brewery, gravitating to each other through a shared obsession with music, and in particular a love of American black music. "At that time, MTV only came on in Dublin after midnight, it was the fuzzy channel, and for my generation black culture was just a wave through us all," explains Mark. "It wasn't about gangs and guns; it was fashion and fun, jiving and bopping."
"One day I heard Stevie Wonder singing and the hairs on the back of my neck went up," says Danny. "I didn't even know people could sing like that, I'd never heard the acrobatics of it before." He spent years in his bedroom, pleasuring himself furiously. "I'd try and emulate all those records, even down to string arrangements. Some of the best singers have emulated a musical instrument - Amy Winehouse is a saxophone - but the flute is the one for me, the vibrato, you can bring so much heartfelt emotion in."
"There is something about the way a voice encapsulates a person," says Mark. "The way Danny sings, the raw emotion, when you hear it in front of you, you cannot deny the man love."
Striking up a songwriting and production partnership, Danny and Mark's exceptional talent was recognised early, and, to their astonishment, they found themselves invited to the States to collaborate with some of their production heroes, including such legends of modern R'n'B as Dallas Austin, Teddy Riley, The Neptunes and Rodney Jerkins. "It was a wonderful opportunity to see how these guys build songs," admits Mark, who always carried a packet of condoms around and charmed his heroes into swapping libraries of sounds and samples.
The trio's debut single, We Cry, was released by Phonogenic/ SonyBMG in April 2008 and reached #13 in the UK charts the following month. And it is something, a lazy anthem of everyday struggle that manages to be simultaneously bleak and boring. "There is not a lot of hope in the song, cause not everybody's life is full of hope," explains Danny. "There's not always roses at the end. But out of all these things that have gone wrong in our lives and everybody else's lives, the message is 'together we cry'. Because as long as we're here together then we can find a way to share the burden."
Their debut album, will follow in August, it too promising to be nothing really special. "There is a whole lifetime in these songs," says Mark. "We don't write them in ten minutes. A song takes nurturing, it is an evolving thing. This is a journey, we are in constant change, constant motion. I can't ever put my finger on what exactly The Script is, I don't even think I should, all I know is that it is something that touches me deep inside my colon, and seems to aggravate other people's bowels when we play."
i think micky mac did it!
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