Originally posted by Alex
because everytime we're about to perform live I can't know if that "X Factor" will be there or not... and this makes the difference between a nice song and a killer tune
Any ideas/comments/suggestions?
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Originally posted by Alex
because everytime we're about to perform live I can't know if that "X Factor" will be there or not... and this makes the difference between a nice song and a killer tune
Any ideas/comments/suggestions?
Originally posted by Juno
I've noticed that in certain music circles it's not knowing how to play your guitar that counts - it's knowing every fucking thing about them
Originally posted by Alex
"X Factor"
Originally posted by Latex lizzie
..thats not the way I look at it. Some people call certain music noise, others call it music..when does it become one or the other..what's the criteria how many chord changes and augmented fifths do you have to have?
Originally posted by Alex
Any ideas/comments/suggestions?
Originally posted by conor
constant worry, not so much for other people's benefit besides not wanting to look/sound like a tit.
OK, I misused the term then... what I meant is that sometimes you play a song and it really rocks, then you play it again and for some strange reason it's not the same: maybe it's all correct but it doesn't sound as good and you can't figure out why, see what I mean?Originally posted by Ed
X-Factor: when used for describing music it roughly translates as - "i don't have a fucking clue why anyone would bother their asses to buy this vomit inducing moronic shite"
Originally posted by herv
i get really fed up if i'm working more than a week on something
Well, I find this as well...one thing I find helps is to rehearse a good bit before the gig, and not play in the meantime...this way, the stuff is fresh, so you can get into it that bit more, which is I think the difference...the aim is to play naturally (i.e. not having to think about technical issues), and to, er, "feel" it properly...then, hope it comes out right. Sometimes it does, sometimes it doesn't. Like being "in the zone" in sporting parlance...if you think too much about it, it doesn't work either...Originally posted by Alex
Apparently it's something you can't really control and this drives me nuts because everytime we're about to perform live I can't know if that "X Factor" will be there or not... and this makes the difference between a nice song and a killer tune
Any ideas/comments/suggestions?
No....I feel your painOriginally posted by egg_
A week? Jesus! Em ... am I alone here in being the sort of fella who'll keep chipping at something for years?
Originally posted by Alex
OK, I misused the term then... what I meant is that sometimes you play a song and it really rocks, then you play it again and for some strange reason it's not the same: maybe it's all correct but it doesn't sound as good and you can't figure out why, see what I mean?
Originally posted by Ed
Ah, i thought you were talking about the way people refer to travis as having an x-factor. I tend not to read things properly
Originally posted by michaelknight
one thing I find helps is to rehearse a good bit before the gig, and not play in the meantime...
Originally posted by egg_
and then it can be taken out of the set, reconfigured and tried out again in a new guise (sometimes contained within a totally different song).
Originally posted by egg_
A week? Jesus! Em ... am I alone here in being the sort of fella who'll keep chipping at something for years? If I have an idea I think is good it'll take at least a few months before it makes it into a song that appears at a Stoat gig ... and then it can be taken out of the set, reconfigured and tried out again in a new guise (sometimes contained within a totally different song).
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