LEAVE GARETH ALONEIts population concentration thats the issue - what proportion of that 6 million would have to travel more than 2-3hrs to see a gig in dublin?
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LEAVE GARETH ALONEIts population concentration thats the issue - what proportion of that 6 million would have to travel more than 2-3hrs to see a gig in dublin?
LEAVE GARETH ALONE
LEAVE GARETH ALONE
what on earth are you talking about?I assume Gareth Brookes is the English equivalent?
what on earth are you talking about?
Yeah that's what I said, Gareth Brooks.His name is GARTH not GARETH.
ErrYeah that's what I said, Gareth Brooks.
Except that it isn't. Another common misconception. Glasgow and Baltimore have populations only marginally bigger than Dublin. Portland and Calgary are actually smaller.It's soooooo true! Part of Ireland's biggest problem is it's size. You can't really make a career as a musician just here. Well. Very very very very few people can. And most of those have no success when they try and leave the island.
I suppose someone from Portland isn't stuck only playing Portland and the immediate surrounding area though.Except that it isn't. Another common misconception. Glasgow and Baltimore have populations only marginally bigger than Dublin. Portland and Calgary are actually smaller.
Major cities like London, New York and Paris tend to produce innane, poseury, shouting-the-loudest-to-be-heard nonsense most of the time.
Except that it isn't. Another common misconception. Glasgow and Baltimore have populations only marginally bigger than Dublin. Portland and Calgary are actually smaller.
Major cities like London, New York and Paris tend to produce innane, poseury, shouting-the-loudest-to-be-heard nonsense most of the time.
I'm sorry I have to return to this post just because there are so many things wrong with it.I'd say that the suggestion that Whelans should be shut down because it doesn't always pay bands is absurd and if it did shut it would be a loss for the scene.
Casually saying places like that deserve to shit unless they do the so-called "ethical" thing is ridiculous.
It's also a great example as it has an endless stream of live bands, many of them playing to empty rooms.
There's no tax credit or law that can make it financially feasible for them to pay dozens of extra people a week.
I'm sorry I have to return to this post just because there are so many things wrong with it.
First off nobody suggested shutting Whelan's down, there you go again with the straw man.
The other thing is that Whelan's actually does pay to play already. A fellow Thumpeder put that in place if I recall. So your argument of 'they don't do it now and are not likely to anytime soon' is rather nonsensical.
Lastly Whelan's is packed every night of the fucking week almost exclusively putting on original music bands.
I understand that other places which host live music can't all be like this established, capital city venue but that's another discussion altogether.
Cover artists get paid when nobody shows up.
What do we need small venues who don't pay artists for? I'd rather have less venues paying ethically than many venues paying nobody. You seem to be hell bent on defending the present model by just saying 'its like that so i'll defend it'. Why not defend yourself, or your band mates? You seem to agree its unethical and immoral yet want to defend it, or explain it to people who have more experience of the same thing than you do. Why?
Ask them again I just missed them.
As for your suggestion that a certain number of people are going to see gigs, no matter who playing, ergo less venues means larger crowds, it's seriously stupid.
By that logic if there was only one venue in Ireland it would be sold out every single night, no matter who was playing.
Who knows - maybe you believe that.
The truth is, most nights in most music venues, the crowd is people that chose to go see a band at that venue.
If that band wasn't playing the majority of punters wouldn't be there.
In fact, on a Tuesday night, when many venues aren't open, the venues that are are pretty typically empty.
So no, closing all the venues you think are unethical won't make the venues you happen to like wildly more popular; choice and options aren't destroying the live music scene.
How about the logic that dublin grew at an exponential and unchecked rate for a very long period time and a lot of what was built at that time was based on sustainability that only related to the amount of cash that was floating about, and to consider a sort of music 2.0 environment of good sustainable venues then 'less' [venues] would probably be first on the list. The lads talking about DIY on this thread know a LOT about sustainable music.
See thread for questions I asked...
selective quoting of ann posts quotes
ann post said:Why not defend yourself, or your band mates? You seem to agree its unethical and immoral yet want to defend it, or explain it to people who have more experience of the same thing than you do. Why?
Look dude. You've missed the point. You can quote me all you like but you are building a point out the bits you like and ignoring the bits you don't like. Did I 'double down'? No, I just realized that you can't absorb information that you don't agree with. I tried a softer line, it didn't work. I gave up on you.
I'm not sure i want to make a point in this post other than that - simply for the fear that you'll write a paragraph in response. You refused to read over my earlier posts. If you are going to respond to one question, with another essay, make it this one.
I think you don't understand the fact that if you play a gig anywhere you should be paid simple as that and everything else in that post is so patronising it borders on offensive so I'm going to completely ignore you from now on.I think you don't understand the relationship between art and money. Since the birth of art as a commodity, artists have had to earn a living. The idea that artists deserve money without anyone buying their art is ridiculous and not "moral". It might be nice. But it's not a moral issue.
Bands, like artists, that are better at PR, have easier lives. Even in communist countries, being good at self-promotion makes you more successful.
Success is seen, by the vast majority of people, as a sign of quality. That's not always right or fair, but it's true.
Museums are full of popular artists. The radio is full of popular artists - so are most music blogs.
Every single aspect of every single art "genre" is controlled by money, almost everywhere.
Writing? Yep.
Art? Yep.
Music? Yep.
Theatre? Yep.
And on and on.
This is not a moral issue; this is reality.
Most musicians I actually know in real life in multiple countries either know about PR, or wish they did. They want people to hear their music. And they would happily pay for PR if they could afford it. Their heroes do. The labels their favourite bands are on, do. They'd do it to if they could.
People that engage with the music INDUSTRY don't think that it's a moral problem to want to be successful. It's not either.
In 2014 a band is a small business. Many, many small business owners forgo pay for ages, sometimes years. They do it willfully to try and make a sustainable business. That's what a band is. Yes, it's art, but it's also commerce. Necessasarily. In fact many many many musicians are closer to artisans than fine artists.
You should consider that before you judge people and the industry for not living up to your moral standards.
I think you don't understand the fact that if you play a gig anywhere you should be paid simple as that and everything else in that post is so patronising it borders on offensive so I'm going to completely ignore you from now on.
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