From the Nada Surf website. Bear with me on this..
'i've just started a book called temperament. it's about equal-tempered tuning. i'm only 30 pages into the book, so i still can't explain it quite right, but basically, we collectively decided, somewhere in the middle of the 18th century, to split up the octave into 12 equidistant notes, so that fixed-pitch instruments like pianos and harpsichords could be tuned right across all their keys. the thing is that we didn't hear notes as equidistant before. we heard something ever so slightly different that was actually more "true." but when composers started getting really ambitious and we started relying more and more on fixed-pitch instruments like the piano, they came up against limitations. it was found one could not get a piano to play in tune all up and down the keys. there were notes you had to avoid. so the idea was hatched to "bend" the relationship between notes just a little bit so that it would be more practical, even if it meant sacrificing a little bit of the quality that made certain harmonies sound so pleasant. supporters of the new "equal-tempered tuning" claimed that we would get used to the new way and learn to love it and hear it as normal. and that's exactly what happened.
but there are some people who listen only to music played the old way, to whom modern symphonies sound completely out of tune.'
It goes on. Anyway, does anyone know about this stuff or does a healthy appreciation of Sonic Youth etc mean a person was unwittingly already aware of this?
http://www.nadasurf.com/cgi-bin/readDiary.cgi?0
'i've just started a book called temperament. it's about equal-tempered tuning. i'm only 30 pages into the book, so i still can't explain it quite right, but basically, we collectively decided, somewhere in the middle of the 18th century, to split up the octave into 12 equidistant notes, so that fixed-pitch instruments like pianos and harpsichords could be tuned right across all their keys. the thing is that we didn't hear notes as equidistant before. we heard something ever so slightly different that was actually more "true." but when composers started getting really ambitious and we started relying more and more on fixed-pitch instruments like the piano, they came up against limitations. it was found one could not get a piano to play in tune all up and down the keys. there were notes you had to avoid. so the idea was hatched to "bend" the relationship between notes just a little bit so that it would be more practical, even if it meant sacrificing a little bit of the quality that made certain harmonies sound so pleasant. supporters of the new "equal-tempered tuning" claimed that we would get used to the new way and learn to love it and hear it as normal. and that's exactly what happened.
but there are some people who listen only to music played the old way, to whom modern symphonies sound completely out of tune.'
It goes on. Anyway, does anyone know about this stuff or does a healthy appreciation of Sonic Youth etc mean a person was unwittingly already aware of this?
http://www.nadasurf.com/cgi-bin/readDiary.cgi?0