Shearwater
The Button Factory
February 23rd
On January 22nd, Shearwater will release Jet Plane and Oxbow, their new full-length studio album, on CD / 2xLP / DL worldwide through Sub Pop. The album, which features the highlights “Quiet Americans” and “Only Child”, was produced by Danny Reisch at studios in Austin and Los Angeles, and mastered by Greg Calbi at Sterling Sound.
This is definitely Shearwater’s biggest and loudest record - it’s easy to imagine these songs roaring from the stage - but it’s also their most detailed and intricate one. Front manJonathan Meiburg and producer/engineer Reisch (who also recorded 2012’s Animal Joy and the off-the-cuff collaborations of 2014’s Fellow Travelers) spent two years crafting Jet Plane and Oxbow with help from drummer Cully Symington, longtime Shearwaterassociates Howard Draper and Lucas Oswald, and tourmates Jesca Hoop, Abram Shook, and Jenn Wasner.
But their secret weapon this time is film composer and percussionist Brian Reitzell, whose soundtracks include The Virgin Suicides, Lost in Translation, The Bling Ring,and 30 Days of Night. Reitzell’s arsenal of strange instruments emphasizes Jet Plane and Oxbow’s cinematic depth and scope, and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener “Prime” or the addled motorik of “Radio Silence” sound more like a metaphor for our own bewildering moment.
Shearwater will begin their 2016 tour in February with three warm-up dates in Texas and New York before heading to Europe, including Dublin, for the rest of the month.
Jet Plane and Oxbow is now available for preorder through Sub Pop Mega Mart and iTunes. LP preorders though megamart.subpop.com will receive the limited “Loser” edition on blue colored vinyl while supplies last. Additionally, pre ordering Jet Plane and Oxbow will allow listeners to stream the album before its street date, and provide access to an exclusive Shearwater podcast, “Headwaters,” which features demos and outtakes from the new record and a conversation between Meiburg and WNYC's John Schaefer (host of New Sounds and the Soundcheck podcast). An edited version compiled and broadcast by Schaefer is available for streaming on the WNYC siteHERE.
“It’s like joining us on an expedition,” Meiburg says of the podcast, only half in jest. Along the way, he and Schaefer listen to field recordings of howler monkeys, musician wrens, and other strange creatures from remote parts of Guyana and Brazil, and they talk about everything from the ideas and influences that fed the new album to David Bowie's idea of "social protest music”, the fearsome teeth of the vampire fish, and the last days of Lawrence of Arabia. Shearwater’s longtime fans won’t be surprised by Meiburg’s wide-ranging interests, but new listeners will enjoy meeting an unlikely front man who seems to be part rock star, part David Attenborough.
The Button Factory
February 23rd
On January 22nd, Shearwater will release Jet Plane and Oxbow, their new full-length studio album, on CD / 2xLP / DL worldwide through Sub Pop. The album, which features the highlights “Quiet Americans” and “Only Child”, was produced by Danny Reisch at studios in Austin and Los Angeles, and mastered by Greg Calbi at Sterling Sound.
This is definitely Shearwater’s biggest and loudest record - it’s easy to imagine these songs roaring from the stage - but it’s also their most detailed and intricate one. Front manJonathan Meiburg and producer/engineer Reisch (who also recorded 2012’s Animal Joy and the off-the-cuff collaborations of 2014’s Fellow Travelers) spent two years crafting Jet Plane and Oxbow with help from drummer Cully Symington, longtime Shearwaterassociates Howard Draper and Lucas Oswald, and tourmates Jesca Hoop, Abram Shook, and Jenn Wasner.
But their secret weapon this time is film composer and percussionist Brian Reitzell, whose soundtracks include The Virgin Suicides, Lost in Translation, The Bling Ring,and 30 Days of Night. Reitzell’s arsenal of strange instruments emphasizes Jet Plane and Oxbow’s cinematic depth and scope, and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener “Prime” or the addled motorik of “Radio Silence” sound more like a metaphor for our own bewildering moment.
Shearwater will begin their 2016 tour in February with three warm-up dates in Texas and New York before heading to Europe, including Dublin, for the rest of the month.
Jet Plane and Oxbow is now available for preorder through Sub Pop Mega Mart and iTunes. LP preorders though megamart.subpop.com will receive the limited “Loser” edition on blue colored vinyl while supplies last. Additionally, pre ordering Jet Plane and Oxbow will allow listeners to stream the album before its street date, and provide access to an exclusive Shearwater podcast, “Headwaters,” which features demos and outtakes from the new record and a conversation between Meiburg and WNYC's John Schaefer (host of New Sounds and the Soundcheck podcast). An edited version compiled and broadcast by Schaefer is available for streaming on the WNYC siteHERE.
“It’s like joining us on an expedition,” Meiburg says of the podcast, only half in jest. Along the way, he and Schaefer listen to field recordings of howler monkeys, musician wrens, and other strange creatures from remote parts of Guyana and Brazil, and they talk about everything from the ideas and influences that fed the new album to David Bowie's idea of "social protest music”, the fearsome teeth of the vampire fish, and the last days of Lawrence of Arabia. Shearwater’s longtime fans won’t be surprised by Meiburg’s wide-ranging interests, but new listeners will enjoy meeting an unlikely front man who seems to be part rock star, part David Attenborough.
