Phil
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the merit of the music/art being produced can come from the ethical values of the band which is what i think basta are trying to promote
tom. said:on the other thread, niall said:
which raises another few questions...
like, should 'd.i.y.' people only work with others whom they feel have an affinity with their 'ethical stance'? or, what should be avoided, and why? what should be embraced, and why? does 'd.i.y.' ever become 'ethically limiting' (to coin a phrase) due to over-zealous focusing on particular 'd.i.y.' principles?
Corm said:Bad DIY is when the coloured vinyl doesn't work.
Corm said:personally I would have rejected the test pressing if it had been my decision.
sarah said:Phillip K, Dick was a complete and utter junky,
Cormcolash said:He was a bit of a dick though.
nooly said:i don't know if you deserve punk points given or taken away for that one.
While Ravi (author of an article criticising DIY scene) and I might share many views on the state of politics both globally and locally, ultimately we have extremely different ideologies concerning hardcore. He wants to use hardcore to spread messages to the mainstream, and I want to remain underground. I do not believe that hardcore can change the world, and quite frankly I am not interested in using it to recruit new folks for leftist causes. I view hardcore as a retreat; something best left outside of the mainstream's understanding. And I know for a fact that lots of people in hardcore have their own problems. I prefer to use hardcore to change our lives. So it isn't about preaching to the converted, but rather about trying to make a scene that is controlled by us, about us, and for us.
what Crass (and many other bands and people) set in motion has made a huge difference. The fact that there are literally thousands of underground bands, 'zines, and an entire network of independent venues, distros, and labels shows just how amazingly successful the whole process has been... If we don't create alternatives then the entire world will be reduced to a few multi-national corporations. The fact that the number of major labels has shrunk merely means that we need to constantly be on guard.
We don't have to be perfect. If "perfect" means good, and "less than perfect" means bad then everyone will be bad. We do indeed occasionally review books that are released by corporations because we have decided that sometimes we can bend our own rules if it means bringing some content to the hardcore community. These are our 'zines, and we can do what we want. And just because we aren't perfect doesn't invalidate our beliefs.
Generally businesses look at sales versus prices on a curve. The highest point of the curve is the most profitable. At this point prices are as high as they can be without losing customers. If they raise the prices too high then they lose too many customers, so they set their prices at the point just before they start to get diminishing returns. The DIY idea is very different. In this instance the idea is to get the maximum number of "customers" without taking a loss. If your goal is to make money then Ravi's ideas are pretty good, but if your goal is to promote a scene where the maximum number of bands and 'zines can exist then Ravi's ideas are pretty bad.
Corm said:Big surprise...
NOT
GARYXKNIFEDX said:with records of such a small run this is really no surprise.
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