travispickle
Well-Known Member
All good points and I agree that in some cases, i.e. Polanski, a certain notoriety can ensue which otherwise shouldn't. It is problemmatic. I did say above that one's reading of the work would be coloured by events, but really it shouldn't detract from the work. That should (ideally) still stand for what it is.I really don't know how I feel on the issue of whether or not you can seperate someones art from their behaviour. You don't hear an awful lot of Gary Glitter these days for obvious reasons, but critics can still shower Roman Polanski with praise and very few people will recoil in repulsion. I know their crimes aren't the same, but there are certainly similarities.
The American director Victor Salva (Powder, Jeepers Creepers) was convicted of sex with a young boy - he even taped the incident, yet he still finds work in Hollywood today.
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If you think of say, T.S. Eliot, who was accused of anti-semitic sentiments in his work - I still can read his poetry and be amazed at how fantastic it is, despite my knowledge of his anti-semitism.