Nate Champion
Well-Known Member
Don DeLilo's White Noise is going great. I expect I'll read a whole heap more by him now.
There's a lovely soft-back edition of Americana in Chapters, but I'm conflicted - @Shaney only rates it a 4, while @Nate Champion gave it an 8. Hmmm, I'd be interested in hearing what @washingcattle would give it.
White Noise is a good starting point. It's more comic or conspicuously humane than his normal style... I read Endzone first, then Americana - I think - and maybe part of why I rate them so highly. Endzone is shorter and better controlled. Americana kind of gets away from itself (memory does not serve me well here though) I'm planning to reread both early next year along with the one about the rockstar - Great Jones Street? No-one seems to ever talk about that one.
Basically with DeLillo, I expect some strong philosophical ideas and a strong aesthetic. That style can wear thin though. I'm beginning to think Falling Man is better than I gave it credit for, and Cosmopolis tipped along, but seemed to rely heavily on some Baudrillardian ideas. (DeLillo would probably be the first to concede that he's read and been affected by those post-structuralist theory chaps).
Anyway,
difficult to talk about DeLillo without waffling on (his best or most pungent (ballsy?) patches of writing are probably in White Noise and Libra)...
I just finished Ian McEwan's On Chesil Beach and oh my, it was actually quite good. I've always pegged him as a shit Updike [and he does trundle through some drab details in search of metaphysical pungency] and aside from these inadequate Updike stylings and tonal fart notes (jesus, sometimes you want to throttle his gauntily smug, bespectacled face), it is a evocative, crisply structured period narrative.
Just begun Nabokov's The Enchanter.
Also, halfway through The Captive (of 'The Captive and the Fugitive') by Proust. Taking an extended tea-break on that one currently.