I would say that's exactly it.
Plainview representing greed/avarice/capitalism and Sunday as faith/religion.
It's just a movie guys, movies don't have meanings.
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I would say that's exactly it.
Plainview representing greed/avarice/capitalism and Sunday as faith/religion.
The Iraq context does not work for me; in the movie, if you wish to see religion and greed/capitalism as the two big themes these two are at absolute loggerheads; in the real world the twin heads of religion and oil/capitalism in America feed and compliment each other.I would say that's exactly it.
Plainview representing greed/avarice/capitalism and Sunday as faith/religion.
Nah, I don't think that's necessarily it. I think the film takes a longer-term view.Mitchum said:The Iraq context does not work for me; in the movie, if you wish to see religion and greed/capitalism as the two big themes these two are at absolute loggerheads; in the real world the twin heads of religion and oil/capitalism in America feed and compliment each other.
Nah, I don't think that's necessarily it. I think the film takes a longer-term view.
Historically, the drive for valuable commodities was part of the underlying logic of colonialism. The rise of American power is tied to coal and oil, but also to the strange accomodation between raw avarice and extreme religion as it developed into an early industrialiser, which you see in the film as the mining technology develops. So, you ended up with the Manifest Destiny as America's ideology of exceptionalism and expansionism.
This accelerated after WWI with America 'buying up' (conquering) large swathes of oil-rich Latin America and Arabia. Cut to the 1960s and you have Henry Kissinger-style realpolitik that accepted that you have to lie about appealing to higher values to get the job done. The only difference between Plainview and Ely were they were at either end of the same pole. Without any real perspective beyond greed, the well runs dry and they destroy everyone around them and themselves.
I don't think this is literally the 'well' in Iraq running dry, it's more the natural exhaustion of an empire. All that's left is a desperate charlatan and a broken industrialist, drunk and exposed for the husks they are. And the point at which heads said the American empire began to die was around 1978 - end of the Vietnam war, the oil crisis and America leaving the gold standard. They started getting really desperate.
I should probably make some deadly joke here. Anyway, that's what's going on in my head.
It's just a movie guys, movies don't have meanings.
Nah, I don't think that's necessarily it. I think the film takes a longer-term view.
Historically, the drive for valuable commodities was part of the underlying logic of colonialism. The rise of American power is tied to coal and oil, but also to the strange accomodation between raw avarice and extreme religion as it developed into an early industrialiser, which you see in the film as the mining technology develops. So, you ended up with the Manifest Destiny as America's ideology of exceptionalism and expansionism.
This accelerated after WWI with America 'buying up' (conquering) large swathes of oil-rich Latin America and Arabia. Cut to the 1960s and you have Henry Kissinger-style realpolitik that accepted that you have to lie about appealing to higher values to get the job done. The only difference between Plainview and Ely were they were at either end of the same pole. Without any real perspective beyond greed, the well runs dry and they destroy everyone around them and themselves.
I don't think this is literally the 'well' in Iraq running dry, it's more the natural exhaustion of an empire. All that's left is a desperate charlatan and a broken industrialist, drunk and exposed for the husks they are. And the point at which heads said the American empire began to die was around 1978 - end of the Vietnam war, the oil crisis and America leaving the gold standard. They started getting really desperate.
I should probably make some deadly joke here. Anyway, that's what's going on in my head.
Word. I went back a second time about a week after the first time i'd seen it to see if i'd missed anything - not really. Great performances and all but overall a bit of a snoozefest.I thought this film was mutli-snoozey.
Reding about everyone's appreciation for all the scenery, Danny Day and tension being created by camera shots and awesome scenery and shit... it doesn't make up for the fact that it was generally quite boring and nothing happened that I particularly cared about.
I thought the priest dude was fucking cool but that was about it.
Here, mark, you do know i'm not in H4H, right? Thanks for making me the subject of this month's anonymous attack all the same. I feel all special.thats cause toy story 2 would be more your sort of movie RSJ ya dimwitted fuck.
Maybe it's the projector in Dundrum, but half the time, it seemed this film was slightly out of focus.
Did anyone else notice this, or should I get myself down to Specsavers?
If it's not just me, Roger Deakins was robbed.
I guess. Just found it fairly distracting...
Apart from Eli not ageing a day in twenty years, I can't find ANYTHING else wrong with it though!
There was alot of deep focus shots in it alright. Plainview's face would be in close-up focus and you could have something literally a foot behind him in complete blur. all part of the grammar innit!
i was wondering why he got them THREE drinks as well.
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