Robert Redford’s cinematic swan-song The Old Man & the Gun is a thoroughly nice film, if not a great one, writes MacDara Conroy Read More
Joined30th March 2011
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Accusations of sexism at Pixar undermine Incredibles 2’s feminist message, writes MacDara Conroy Read More
Winter’s Bone director Debra Granik returns with a different kind of backwoods family drama in Leave No Trace, writes MacDara Conroy Read More
The Breadwinner is a weighty story but a feast for the senses, says MacDara Conroy Read More
‘The plot is stripped to the bone, and it’s all in the execution’ - MacDara Conroy on Lynne Ramsay’s superlative thriller You Were Never Really Here Read More
Jennifer Lawrence’s wings are clipped in the lurid but tedious spy drama Red Sparrow, says MacDara Conroy Read More
There’s something fishy about woman-meets-gillman romance fantasy The Shape of Water, says MacDara Conroy Read More
Political journalism gets the Spielberg treatment in The Post, writes MacDara Conroy Read More
Barbed black comedy Three Billboards Outside Ebbing, Missouri is “a film better thought or talked about than a story worth feeling”, says MacDara Conroy Read More
True-life kidnap drama All the Money in the World is “two distinct films fighting for attention”, says MacDara Conroy Read More