"The dreariness of the surroundings only serves to accentuate the gleeful extravagance of the Giallo-style violence" - Hugh McCabe on Censor
Ad Astra desperately wants to be spoken of in the same breath as Kubrick’s 2001, writes MacDara Conroy
Once Upon a Time in Hollywood is easily Quentin Tarantino’s most personal film, for good and for ill, writes MacDara Conroy
The new Child’s Play is a smart reboot for the demon doll franchise, writes MacDara Conroy
John Wick: Chapter 3 - Parabellum loads up on too much of a good thing, writes MacDara Conroy
"Funny how there’s so much blood abounding in such a lifeless movie" - Dara Higgins on Nicolas Cage revenge flick, Mandy
Accusations of sexism at Pixar undermine Incredibles 2’s feminist message, writes MacDara Conroy
A one-sided and unsubtle sermon on behalf of a flawed and suspect movement - Bryan O'Connell on MRA documentary The Red Pill
Winter’s Bone director Debra Granik returns with a different kind of backwoods family drama in Leave No Trace, writes MacDara Conroy
The Breadwinner is a weighty story but a feast for the senses, says MacDara Conroy