Call Of The Void's debut Dragged Down A Dead End Path is a 'relentless torrent of downtuned doom grind' says MacDara Conroy
'The soundtrack to accompany fear, excitement and a wish for things to be better' - Niall McGuirk on Carla Bozulich's Boy
'Minimal, bass-heavy and expertly detailed, these are tracks that will feel equally at home on headphones or over top-quality systems' - Ian Maleney on Cassegrain's Tiamat.
'There are no expansive layered sounds here, just straight ahead, in your face funk punk' - Niall McGuirk on Minimum Rock And Roll, the latest from Ian F Svenonius' Chain And The Gang
'disorienting dispatches from a dark dream world' - Hugh McCabe on Chelsea Wolfe's 5th LP Abyss
"Minimalism is the order of the day here, but minimal doesn't have to mean weak or devoid of character." - MacDara's take on Chord's latest, Gmaj7.
Chris Watson's recordings from Lindisfarne Island form "an imagined historical document, an abstract and fictional manifestation of what a particular place might have sounded like at a particular time".
'Chrome were cyberpunk before there was ever such a thing' - MacDara Conroy on the sci-fi punk futurists' lost tracks set Half Machine From The Sun
"Then halfway through he throws that map away, sprinting off on a tangent imbued with a spirit of uncertain joy that's starkly opposed to the source material's nihilistic, misanthropic menace." - MacDara on Cian Nugent's Grass Above My Head / My War Blues 7".
Circle's Terminal is 'one to tune up your air guitar for' says John Kealy