Harmonic presents
Devendra Banhart
The Button Factory
June 26[SUP]th[/SUP], doors 7.30pm
Tickets on sale Friday March 29[SUP]th[/SUP] 9am priced €19.90 (including booking fee) from www.ticketmaster.ie & Ticketmaster outlets nationwide. 0818 719 300 - Republic of Ireland customers 0844 277 4455 - Northern Ireland customers 00353 1 456 9569- International customer
Nonesuch Records Signs Singer/Songwriter Devendra Banhart, Releases Label Debut, Mala, March 12
“One of the more talented and charismatic forces in modern music.”—Pitchfork
“Banhart makes music that interprets so many styles that it belongs in a universe of its own.” —New Yorker
Devendra Banhart releases his Nonesuch debut, Mala, on March 12, 2013. The singer/songwriter co-produced the record with his longtime bandmate, guitarist Noah Georgeson. The complete track list is on the next page. Spring tour dates will be announced soon. Mala may be pre-ordered now on CD and vinyl at nonesuch.com and includes: a limited-edition, autographed print; an instant download of the album track “Für Hildegard von Bingen”; and a download of the complete album available starting release day. The Mala LP is pressed on 140-gram vinyl and includes the album on CD, an additional 7” with two bonus tracks, and an exclusive poster.
Mala, Banhart’s eighth studio album, was recorded in his then-home in Los Angeles. (He now resides in New York City.) He and Georgeson played most of the instruments themselves, using borrowed equipment and a vintage Tascam recorder they’d found in a pawn shop. “A lot of early hip-hop had been made on [the Tascam],” says Banhart. “And knowing my songs are not hip-hop whatsoever, we thought it would be interesting to see how these kinds of songs would sound on equipment that was used to record our favorite rap. Let’s see how this technology would work for us.” It was a new approach for the pair. “In the past we were more like, let’s use the oldest equipment we could find.”
Banhart also notes how his voice has developed over the years: “I don’t really take care of my voice, but, just like with playing guitar, you get more familiar with it, and you get better at it. I’ve always said that I’m very good at not knowing how to play the guitar but, really, it’s just that I’m very comfortable with the utter uncertainty of my approach.”
Banhart’s previous release, 2009’s What Will We Be, received critical acclaim, with Rolling Stone calling it “the best he’s ever made.” The Los Angeles Times said the record “found him making comfortable, laid-back folk that didn’t sound like a compromise—more like an artist growing into his own.”
Devendra Banhart was born in Houston, TX, and moved with his mother to her native Caracas, Venezuela, when his parents separated. The family relocated to Los Angeles during his teenage years; it was there that he learned to speak English, skateboard, and play music. Banhart first began to perform in public while attending the San Francisco Art Institute. He has since lived in Los Angeles, Paris, San Francisco, and New York City.
Banhart first attracted international notice with his 2002 debut album, Oh Me Oh My … The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit—a collection of recordings he had made for himself. Pitchfork said in its review: “Banhart’s promising debut is the sign of someone destined for great, strange things.” Subsequent albums include Rejoicing in the Hands, Niño Rojo, Cripple Crow, and Smokey Rolls Down Thunder Canyon. He has collaborated with fellow musicians including Antony and the Johnsons, Beck, Vashti Bunyan, Os Mutantes, Swans, and Vetiver. He also has performed with both Gilberto Gil and Caetano Veloso, and was part of a David Byrne–curated concert at Carnegie Hall.
An accomplished visual artist, Banhart’s distinctive, minutely inked, often enigmatic drawings have appeared in galleries all over the world, including the Art Basel Contemporary Art Fair in Miami; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts in Brussels; and Los Angeles’ Museum of Contemporary Art. He has created the cover art for most of his records, and in 2010 his artwork and packaging for What Will We Be was nominated for a Grammy.
Devendra Banhart
The Button Factory
June 26[SUP]th[/SUP], doors 7.30pm
Tickets on sale Friday March 29[SUP]th[/SUP] 9am priced €19.90 (including booking fee) from www.ticketmaster.ie & Ticketmaster outlets nationwide. 0818 719 300 - Republic of Ireland customers 0844 277 4455 - Northern Ireland customers 00353 1 456 9569- International customer
Nonesuch Records Signs Singer/Songwriter Devendra Banhart, Releases Label Debut, Mala, March 12
“One of the more talented and charismatic forces in modern music.”—Pitchfork
“Banhart makes music that interprets so many styles that it belongs in a universe of its own.” —New Yorker
Devendra Banhart releases his Nonesuch debut, Mala, on March 12, 2013. The singer/songwriter co-produced the record with his longtime bandmate, guitarist Noah Georgeson. The complete track list is on the next page. Spring tour dates will be announced soon. Mala may be pre-ordered now on CD and vinyl at nonesuch.com and includes: a limited-edition, autographed print; an instant download of the album track “Für Hildegard von Bingen”; and a download of the complete album available starting release day. The Mala LP is pressed on 140-gram vinyl and includes the album on CD, an additional 7” with two bonus tracks, and an exclusive poster.
Mala, Banhart’s eighth studio album, was recorded in his then-home in Los Angeles. (He now resides in New York City.) He and Georgeson played most of the instruments themselves, using borrowed equipment and a vintage Tascam recorder they’d found in a pawn shop. “A lot of early hip-hop had been made on [the Tascam],” says Banhart. “And knowing my songs are not hip-hop whatsoever, we thought it would be interesting to see how these kinds of songs would sound on equipment that was used to record our favorite rap. Let’s see how this technology would work for us.” It was a new approach for the pair. “In the past we were more like, let’s use the oldest equipment we could find.”
Banhart also notes how his voice has developed over the years: “I don’t really take care of my voice, but, just like with playing guitar, you get more familiar with it, and you get better at it. I’ve always said that I’m very good at not knowing how to play the guitar but, really, it’s just that I’m very comfortable with the utter uncertainty of my approach.”
Banhart’s previous release, 2009’s What Will We Be, received critical acclaim, with Rolling Stone calling it “the best he’s ever made.” The Los Angeles Times said the record “found him making comfortable, laid-back folk that didn’t sound like a compromise—more like an artist growing into his own.”
Devendra Banhart was born in Houston, TX, and moved with his mother to her native Caracas, Venezuela, when his parents separated. The family relocated to Los Angeles during his teenage years; it was there that he learned to speak English, skateboard, and play music. Banhart first began to perform in public while attending the San Francisco Art Institute. He has since lived in Los Angeles, Paris, San Francisco, and New York City.
Banhart first attracted international notice with his 2002 debut album, Oh Me Oh My … The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit—a collection of recordings he had made for himself. Pitchfork said in its review: “Banhart’s promising debut is the sign of someone destined for great, strange things.” Subsequent albums include Rejoicing in the Hands, Niño Rojo, Cripple Crow, and Smokey Rolls Down Thunder Canyon. He has collaborated with fellow musicians including Antony and the Johnsons, Beck, Vashti Bunyan, Os Mutantes, Swans, and Vetiver. He also has performed with both Gilberto Gil and Caetano Veloso, and was part of a David Byrne–curated concert at Carnegie Hall.
An accomplished visual artist, Banhart’s distinctive, minutely inked, often enigmatic drawings have appeared in galleries all over the world, including the Art Basel Contemporary Art Fair in Miami; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts in Brussels; and Los Angeles’ Museum of Contemporary Art. He has created the cover art for most of his records, and in 2010 his artwork and packaging for What Will We Be was nominated for a Grammy.
