a letter from music industry... (1 Viewer)

special_k

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From: UMG Corporate Communications
Sent: Wednesday, September 03, 2003 12:12 PM
Subject: A MESSAGE FROM DOUG MORRIS AND ZACH HOROWITZ

Dear Colleagues:

Today we are making a major announcement which we wanted you to hear about directly from us. We have made a decision to significantly reduce our CD prices in the U.S. starting in the 4th quarter. On virtually all top line CDs, we will lower the wholesale price from $12.02 to $9.09, with a Manufacturer Suggested Retail Price of $12.98 (eliminating the $16.98, $17.98 and $18.98 equivalent MSRPs). With this new pricing model, we believe that most retailers will be able to offer our music for less than $10.00, if they so choose.

This is an aggressive move - but the state of the business calls for bold actions. The stores and consumers have been telling us that CD prices are too high. Because many music fans are getting music for free through online piracy, we believe that we need to lower prices to be more competitive with the illegal market. We are also vying for consumer dollars and shelf space with more and more forms of entertainment media. Our new policy will enable music to be offered at a much more appealing price point in comparison to these other entertainment products.

As part of this initiative, we are also planning to significantly increase spending on direct-to-consumer advertising that will greatly raise awareness of our artists and their music as well as highlight our new, everyday low prices. We are confident this will help drive fans back to the stores and increase our overall sales.

If this new pricing initiative is to succeed, we will need a meaningful increase in our sales to offset the reduction in our wholesale prices. All of our research indicates that these new, everyday low prices can lead to dramatic increases in sales at retail. Since UMG is responsible for more than one out of every four albums sold in the U.S., we are uniquely positioned to
implement this new strategy. Our size affords us the critical mass to really give this a chance and, hopefully, reinvigorate the retail business.

At the same time, we are ramping up our efforts to counter the illegal distribution of our music on P2P services. The technical countermeasures we are using to frustrate the P2P experience are working. The dangers of P2P services - including viruses and privacy issues - are being revealed as never before. This month, the Judiciary Committee of the US Senate will hold hearings alerting the public to the uncontrolled dissemination of pornography through P2P services. Oftentimes, a search by the name of a recording artist is the vehicle that leads unsuspecting music fans to pornographic images, including child pornography.

Additionally, in the weeks to come, the industry will begin its lawsuits against P2P users who are illegally distributing our music online. These suits will supplement the educational campaign we launched over a year ago. They will send a strong message that it is illegal to distribute our music online without authorization. And they will make it very clear that those who engage in these activities face serious legal and financial repercussions. The lawsuits, together with the educational campaign and the public awareness of the dangers of P2P use, will lead many to explore purchasing music legitimately again - both online and at retail. Reducing our prices at retail now will underscore that music is a great entertainment value.

And, of course, at the same time, UMG is aggressively making its music available online through an ever-increasing number of legitimate services.We continue to be the most innovative in our offerings and have priced our music so that online retailers can sell it for as low as .99 a track and $9.99 per album.

UMG has consistently re-written the way business is done in the music industry. We have broken all records and set the bar for what a musiccompany can accomplish. We are once again making a bold step with this move. The willingness to take a chance is what makes our company's culture so special.

Doug Morris
Zach Horowitz
Universal Music Group
 
special_k said:
With this new pricing model, we believe that most retailers will be able to offer our music for less than $10.00, if they so choose.


Hmm, the 'if they so choose' bit means HMV will be making even more money right?

Still I guess this is good news if it is reflected in retail prices.
 
A fan replies

Dear Music industry

Well, to be quite frank, I was nothing less then shocked to get your letter. I didn't honestly expect to ever hear from you again. True once or twice I nearly put pen to paper, or picked up the phone wondering could we prehaps just talk, like friends... but the I'd stop and remind myself... how you took advantage of my youthful enthusiasm and joy of life, and simply squeezed me for every nickle and dime my teenage pockets could carry.

Sure in the begining it was fun, you painted me pictures of big thrills and fast times. Damn the guitars sounded loud, damn them drums pounded through my youthful frame, and a certain moustached singer of dubious sexuality hollared and shrieked promises of slutty women, masty parties and invisible men... and boy I bought it, how I bought it all.

As we got to know each other more you showed me your 'sensative' side, the pastrol folk strums of mandolins, the pitter patter of brushed drums, the wail of a hammond organ... I believed it, I believed it all, and I believed you knew me and were labouring over these perfect albums for me and me alone! (oh in hindsight how very fucking fooish I was!). And so it went for a few glorious summer, every album I bought was a masterpiece, every lyric spoke directly to me, every cover shot was of close personal friends I could visit regularly.

And then, something changed... I couldn't say when exactly... but some how boredom sneaked into our realtionship. Where before I would throw an album on the stereo the very second I returned from the record store, crank it up and let the fucker rip around the house, shaking the windows with a fuck you wall of sound!

I slowly found I could happily procrastinate for minutes.. then hours before I threw on my latest purchase, maybe I'd have it on in the other room while I was cooking, maybe on my dsicman on a bus. But at the end of the day, I already knew what the album was going to sound like... drums frim and centered, guitars disorted like a brickwall, or flimsy and transparent like clear contact, bass mouching about and a set of compressed double tracked vocals warbling away.... zzz zzz zzz... haven't we been here before Music Industry? aren't we just treading water? How long can this go on?

Well most of my early twenties apparantly. I kept thinking with every 10, 20, 50 pound note I'd hand over, 'maybe this time!' A new chord discovered by some heroin drenched assholes from New York with cool as fuck haircuts! A forgoteen scale on some lost far eastern instrument rediscovered in a vivid acid trip by some droning prophet from Rugby, a totally new way of tapping out a 4/4 beat, rather then resorting to the rather brutal hitting of skins with sticks (or a shitty electronic imitation of this primitvie practice).

But what did you give me?

Fucking Coldplay? The Coral? The Ravonetters? THE DARKNESS!! If you think I'm taking this shit you are insane... don't you remember? you sold me all this before, back when I was young and eager! don't you remember REM? The Beachboys? Jesus and Mary Chain!! Queen!! or were they lies too? Were they sweet little imitations for pervious lies, which we're imitations of previous lies, which we're... well, you get the picture.

So I watch my younger brother thrill to the Darkness, and I know he believes in them, and in you, with all his heart, and I know you're going to fuck him over like you did me... and most disheartening of all I know there is no point telling him. He won't listen to me pushing my Queen albums on him, telling this has all been been done before, and damn it! done oh so better... he'll look at me like I looked at my father when he showed my Fairport convention albums as I listened to Out of Time... "This dude is SO old!! I'm so much cooler then this!!".

So you're lowering the prices of your CDs? Well I'm sorry, its way too little way too late, I've already wasted thousands of thousands pounds on you, and I'm not about to go there again. Can you promises me anything new? Can you offer my then answers you gave me so freely in my youth? Has the music gotten worse or have the questions gotten harde? No, that doesn't matter, fuck you! You bought and sold my dreams, and if you think offering my the usual jerked off homage to the Velvets at a drop down price is going to win my heart back, you obviously though I was a bigger sap then I could have imagined.

Well, I think I've said enough, there is nothing more to say and I really hop you don't write me again... the wounds are siply to deep. I'll bump into you picking up the odd reissue no doubt, maybe a browse through the new releases... but don't think that means I've forgotten, and don't dare think I've forgiven you!

Regards

Pantone 247
 
I'm confused, who was that tall, deep voiced fella I went to the ambassador with back in April and really enjoyed The Coral, I could have SWORN it was you...

Pantone247 said:
Dear Music industry

Fucking Coldplay? The Coral? The Ravonetters? THE DARKNESS!!
 
playing in bands releasing something i was happy with killed a lot of music for me, or at least took the reckless abandon with which i used to buy records with away. i think i've bough around 4 records in the last 2+ years... i used to buy 3 or 4 every week. i know when i pick something up now, i'm just going to find fault with it, mostly because it will sound like something else. even the old labels which used to release completely amazing stuff... touch & go, hasn't released anything worth going nuts over in so long... and the worst thing, when a band you loved releases that album, the one they should have broken up before releasing, i hate that... still, i guess it's good to have a high opinion of what you do, even if no one else does :) but it does expose a lot of stuff you can sometimes do without knowing...

i had this thing when i was a kid, i didn't like looking inside machines because it made them seem less 'magic'... i didn't want things explained to me... if you don't understand something, you've a much better chance of enjoying it. that's why i wish i was completely stupid... stupid people have much more fun. imagine crapping yourself laughing this:

"a sandwich walks into a bar... the barman says 'sorry, we don't serve sandwiches in here'"...

like, imagine what it would be like if this made you go blue with laughter... imagine how amazing everything else would be!

Pantone247 said:
Dear Music industry

....

Regards

Pantone 247
 
Robbie Analog said:
I'm confused, who was that tall, deep voiced fella I went to the ambassador with back in April and really enjoyed The Coral, I could have SWORN it was you...


yeah it was in the spirit of the rant Neil

jesus :rolleyes:

I produce gold like the ablove and you all nit pick over the semantics

I feel sorry for you, ...all of you!




we're still on for lunch but
 
AlphaRelish said:
i had this thing when i was a kid, i didn't like looking inside machines because it made them seem less 'magic'... i didn't want things explained to me... if you don't understand something, you've a much better chance of enjoying it. !

I often wonder that, did music sound better when I wasn't listening to it going "mm nice guitar, I wonder what amp he used" or "the panning on that kit is amazing!". I can't really remember what I thought before I was aware of guitars and instruments and stuff...

The best one is a bud of mine who has NO interest in music asking me how recording is going, and I said "we have the drums done, some guitars" and he looked al confused... so I explained to him the concept of overdubbling and multitracking... poor bastard thought albums were all recorded by bands in one room in one go... he never thought any further then that.

I felt like a right prick for ruining that on him.
 
Cheap Albums are only brillant! Just brillant. I like buying classic albums at HMV. Once I wear headphones in the shop I can browse all day, oblivious to their Robbie Williams pushing. The Kunucks!
 
Pantone247 said:
I often wonder that, did music sound better when I wasn't listening to it going "mm nice guitar, I wonder what amp he used" or "the panning on that kit is amazing!". I can't really remember what I thought before I was aware of guitars and instruments and stuff...

The best one is a bud of mine who has NO interest in music asking me how recording is going, and I said "we have the drums done, some guitars" and he looked al confused... so I explained to him the concept of overdubbling and multitracking... poor bastard thought albums were all recorded by bands in one room in one go... he never thought any further then that.

I felt like a right prick for ruining that on him.

..shit now I know what we've been doing wrong in the studio. Thanks panty. :D
 
yes mr relish, I used to say how great it would be to love EVERYTHING that was played on the radio. How wonderful life would be if:

You really loved your dead end job because it was good craic
You really loved watching soaps, any soap at all
You really loved talking shite about shite with shitheads
and You really loved having just one pint and an early night.

instead it's all bile and juggling principles

What really gets me is that the above doesn't make you less of a good person...just less interestng to saps who think shit matters.
Shit don't matter if you're happy.

arghmph!
 
Jayzus the angst in here.

I loved this documentary I saw a while ago on Leonardo Da Vinci. He said his inventions were unique and innovative because he had no proper formal education. He was a student of experience. Trial and error if you will. If he really wondered about something that was missing, he'd try invent a remedy. If you apply a similar belief to creating music, you'll find many joys within.

So there......
 
only the most rockinest albums are recording like that :) *self-schamak* *HACH-CHAW*

Pantone247 said:
... poor bastard thought albums were all recorded by bands in one room in one go... he never thought any further then that.

I felt like a right prick for ruining that on him.
 
andy? deal with this guy...

Speed Racer said:
Jayzus the angst in here.

I loved this documentary I saw a while ago on Leonardo Da Vinci. He said his inventions were unique and innovative because he had no proper formal education. He was a student of experience. Trial and error if you will. If he really wondered about something that was missing, he'd try invent a remedy. If you apply a similar belief to creating music, you'll find many joys within.

So there......
 

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