Once Upon a Time in Hollywood is easily Quentin Tarantino’s most personal film, for good and for ill, writes MacDara Conroy
Winter’s Bone director Debra Granik returns with a different kind of backwoods family drama in Leave No Trace, writes MacDara Conroy
The Breadwinner is a weighty story but a feast for the senses, says MacDara Conroy
Jennifer Lawrence’s wings are clipped in the lurid but tedious spy drama Red Sparrow, says MacDara Conroy
Political journalism gets the Spielberg treatment in The Post, writes MacDara Conroy
True-life kidnap drama All the Money in the World is “two distinct films fighting for attention”, says MacDara Conroy
Emma Stone and Steve Carell shine but sport takes a back seat in tennis biopic Battle of the Sexes, says MacDara Conroy
“…a bloodless escapade, lacking in the tension and thrills needed to really pull it off” - MacDara Conroy on NI prison break drama Maze
A genuine connection between the leads is the only thing going for The Drummer and the Keeper, says MacDara Conroy
War for the Planet of the Apes is ‘a superlative cap on a genre trilogy with qualities far above its station’ says MacDara Conroy