Hi,
Just to let you know,
there will be 200 tickets available for this saturdays Andrew Weatherall gig on the door. there are still a few available from city discs and road
have a good weekend,
u:mack
U:MACK present
STATIC
First Saturday of every month in the shelter, vicar street
ANDREW WEATHERALL
ALAN OBOYLE (DECAL)
GILES & SIMON (ELECTRICITY)
SATURDAY MAY 1
DOORS 11pm
TICKETS E 16 FROM ROAD, CITY DISCS, SELECTAH AND ON THE DOOR
upcoming:
Saturday June 5 British Murder Boys (live) (featuring DJ Surgeon and Regis)
Hi,
just to let you know, Andrew Weatherall is Djing at the next static. Weatherall has been playing u:mack events since we first started running nights in the funnel in the mid ninties. His dj set in a circus tent in a forest in west cork in 1999 (where he performed for the cost of his flight and his dinner) remains the best Ive ever seen. His ability to rock any dance floor weather its a banging techno affair or a dub reggae night, along with his ongoing comitment to playing any event he thinks might be interesting, regardless of the size of the venue or the fee has always set him apart from other dj's. He is currently in the studio with Keith Tenniswood, working on the new Two Lone Swordsmen album, due to be released in warp this summer
His biog is attached below
I'm what you might describe as the classic underachiever. I tread that fine line between boffin-dom and the grand amateur."- Andrew Weatherall, 1997.
Andrew Weatherall has always been good for a quote. From the deep, dark days of early acid house to the deep, dark days of the modern-day Two Lone Swordsmen if you're looking for an opinion on the largely insipid world of dance music then Andrew's always had that happy knack of cutting straight to the chase delighting and upsetting in roughly equal measures.
The swaggering original moody DJ. The pop star producer. Bastion of the underground. One-time (ahem) Balearic figure-head. Electronic experimentalist. Peerless explorer of the minimal techno sound. Arch grumbler. Londoner. Honorary Yorkshireman. All these notions have been bandied about by punters and critics alike in a bid to pin down Weatherall's role in music. Yet none of them quite fits the bill. And even when they do hit the mark they're often far too paradoxical to make much sense. In the dull as ditch-water world of dance music personalities Andrew Weatherall comes across as a refreshing and involving character. This has always been reflected in all his musical output since those formative days remixing Primal Scream's rocky original into the pivotal 'Loaded'.
Weatherall's history goes back far to the beginning of the British acid house scene having swung gigs for himself at Danny Rampling's legendary Shoom night off the back of the sort of sounds recently showcased on Andrew's compilation for Nuphonic entitled 9 O'Clock Drop. Subsequent to this his connections with the original Boys Own record label (and fanzine) led to artist releases, remixes and a string of legendary London clubs such as Blood Sugar, Circulation, and of course Sabresonic (where the fledgling David Holmes cut his teeth). It was through Primal Scream though that Andrew first made his name. As the producer of Screamadelica he took The Primals, twisted them (best not to ask how) and in turn created the hybrid of narcotically challenged rock and acid house now seen as a generation-defining release.
It was through the club Sabresonic and Andrew's remix productions that he tied in with Jagz and Burns forming the live/ studio Sabres of Paradise band. More often than not shows would see Andrew standing at the side of the stage possibly doing fuck all other than smoking fags. No one was quite sure. What is certain is that these experiences drew Andrew away from the Screamadelica-inspired lime-light that beckoned and back into the subterrain to develop the dark, experimental sounds he has subsequently become known and respected for.
After the demise of Sabres (and the record label inspired by the outfit) following a string of albums and singles (on Warp) Andrew teamed up with fellow Sabres cohort Keith Tenniswood to form Two Lone Swordsmen. Keith himself has a string of prior musical convictions working with The Aloof, David Holmes and Red Snapper. More recently he has made really fucked electro breaks to wrong-foot the dancefloor under the name Radioactive Man for the Andrew’s new label R.G.C. Keith's ear for the production of low-end frequencies is unrivalled.
Quietly toiling away in their Rotter's Club studio the pair honed their own brand of lo-fi emissions delighting experimentalists equally frustrating the folk waiting for Andrew to stop being up his own arse and get on and knock out more of those dubby Balearic tracks he initially made his name with. Thankfully this never happened. Instead Fifth Mission - Return to the Flightpath Estate was released, a sprawling, dense double CD soundtrack lurching between leftfield dancefloor and your fucked head all shot through with an alarming disregard for genre or expectations. As if to confound admirers further Andrew also made deep house releases as Lino Square, Rude Solo and a whole host of yet to be discovered pseudonyms. After a couple more releases on his own Emissions label Andrew and Two Lone Swordsmen re-signed to Warp and became quietly prolific with a string of releases such as 'Sticky/ Gay Spunk', 'A Virus With Shoes' and 'A Bag of Blue Sparks'. Then back to Primal Scream taking the track 'Stuuka' and re-writing it as a supremely morbid piece of reggae-heavy electro. Then there was the second TLS album ‘Stay Down’, its title as revealing as it was succinct. The third album ‘Tiny Reminders’ and then a fourth ‘Further Reminders’ when once again Andrew [and Keith] threw the cat amongst the pigeons making music with machines like no one else.
All the while Andrew has been maintaining his output through various alternatives projects. A mix CD in the Heavenly Social series with Richard Fearless took the dark route to the heart of the dance floor.
Just to let you know,
there will be 200 tickets available for this saturdays Andrew Weatherall gig on the door. there are still a few available from city discs and road
have a good weekend,
u:mack
U:MACK present
STATIC
First Saturday of every month in the shelter, vicar street
ANDREW WEATHERALL
ALAN OBOYLE (DECAL)
GILES & SIMON (ELECTRICITY)
SATURDAY MAY 1
DOORS 11pm
TICKETS E 16 FROM ROAD, CITY DISCS, SELECTAH AND ON THE DOOR
upcoming:
Saturday June 5 British Murder Boys (live) (featuring DJ Surgeon and Regis)
Hi,
just to let you know, Andrew Weatherall is Djing at the next static. Weatherall has been playing u:mack events since we first started running nights in the funnel in the mid ninties. His dj set in a circus tent in a forest in west cork in 1999 (where he performed for the cost of his flight and his dinner) remains the best Ive ever seen. His ability to rock any dance floor weather its a banging techno affair or a dub reggae night, along with his ongoing comitment to playing any event he thinks might be interesting, regardless of the size of the venue or the fee has always set him apart from other dj's. He is currently in the studio with Keith Tenniswood, working on the new Two Lone Swordsmen album, due to be released in warp this summer
His biog is attached below
I'm what you might describe as the classic underachiever. I tread that fine line between boffin-dom and the grand amateur."- Andrew Weatherall, 1997.
Andrew Weatherall has always been good for a quote. From the deep, dark days of early acid house to the deep, dark days of the modern-day Two Lone Swordsmen if you're looking for an opinion on the largely insipid world of dance music then Andrew's always had that happy knack of cutting straight to the chase delighting and upsetting in roughly equal measures.
The swaggering original moody DJ. The pop star producer. Bastion of the underground. One-time (ahem) Balearic figure-head. Electronic experimentalist. Peerless explorer of the minimal techno sound. Arch grumbler. Londoner. Honorary Yorkshireman. All these notions have been bandied about by punters and critics alike in a bid to pin down Weatherall's role in music. Yet none of them quite fits the bill. And even when they do hit the mark they're often far too paradoxical to make much sense. In the dull as ditch-water world of dance music personalities Andrew Weatherall comes across as a refreshing and involving character. This has always been reflected in all his musical output since those formative days remixing Primal Scream's rocky original into the pivotal 'Loaded'.
Weatherall's history goes back far to the beginning of the British acid house scene having swung gigs for himself at Danny Rampling's legendary Shoom night off the back of the sort of sounds recently showcased on Andrew's compilation for Nuphonic entitled 9 O'Clock Drop. Subsequent to this his connections with the original Boys Own record label (and fanzine) led to artist releases, remixes and a string of legendary London clubs such as Blood Sugar, Circulation, and of course Sabresonic (where the fledgling David Holmes cut his teeth). It was through Primal Scream though that Andrew first made his name. As the producer of Screamadelica he took The Primals, twisted them (best not to ask how) and in turn created the hybrid of narcotically challenged rock and acid house now seen as a generation-defining release.
It was through the club Sabresonic and Andrew's remix productions that he tied in with Jagz and Burns forming the live/ studio Sabres of Paradise band. More often than not shows would see Andrew standing at the side of the stage possibly doing fuck all other than smoking fags. No one was quite sure. What is certain is that these experiences drew Andrew away from the Screamadelica-inspired lime-light that beckoned and back into the subterrain to develop the dark, experimental sounds he has subsequently become known and respected for.
After the demise of Sabres (and the record label inspired by the outfit) following a string of albums and singles (on Warp) Andrew teamed up with fellow Sabres cohort Keith Tenniswood to form Two Lone Swordsmen. Keith himself has a string of prior musical convictions working with The Aloof, David Holmes and Red Snapper. More recently he has made really fucked electro breaks to wrong-foot the dancefloor under the name Radioactive Man for the Andrew’s new label R.G.C. Keith's ear for the production of low-end frequencies is unrivalled.
Quietly toiling away in their Rotter's Club studio the pair honed their own brand of lo-fi emissions delighting experimentalists equally frustrating the folk waiting for Andrew to stop being up his own arse and get on and knock out more of those dubby Balearic tracks he initially made his name with. Thankfully this never happened. Instead Fifth Mission - Return to the Flightpath Estate was released, a sprawling, dense double CD soundtrack lurching between leftfield dancefloor and your fucked head all shot through with an alarming disregard for genre or expectations. As if to confound admirers further Andrew also made deep house releases as Lino Square, Rude Solo and a whole host of yet to be discovered pseudonyms. After a couple more releases on his own Emissions label Andrew and Two Lone Swordsmen re-signed to Warp and became quietly prolific with a string of releases such as 'Sticky/ Gay Spunk', 'A Virus With Shoes' and 'A Bag of Blue Sparks'. Then back to Primal Scream taking the track 'Stuuka' and re-writing it as a supremely morbid piece of reggae-heavy electro. Then there was the second TLS album ‘Stay Down’, its title as revealing as it was succinct. The third album ‘Tiny Reminders’ and then a fourth ‘Further Reminders’ when once again Andrew [and Keith] threw the cat amongst the pigeons making music with machines like no one else.
All the while Andrew has been maintaining his output through various alternatives projects. A mix CD in the Heavenly Social series with Richard Fearless took the dark route to the heart of the dance floor.
