Deaglan
New Member
THE DILLINGER ESCAPE PLAN
+
THE ICARUS LINE
Temple Bar Music Centre
Sunday 8th Sept. Doors 7:30pm
Tickets €15 from Ticketmaster and usual outlets.
...Bring on the Noize!
***********************************
THE DILLINGER ESCAPE PLAN
The Dillinger Escape Plan creates maniacally intense, crushingly metallic, and decidedly hardcore punk-infused jazz time-signature invoking compositions displaying an unparalleled musical bravery, precision musicianship, meticulously thought-out, and complex structuring and rigorous physical endurance. The band's guitarists and drummer are regular features in publications geared toward the guitar and drum-playing set. The depth of extremity and mental challenge presented by their music virtually defies description, at once recalling the mind-wandering spirit of MahavishnuOrchestra, the complex heavy metal of later-era Death, Cynic's solitary death metal achievement, and the progressive hard rock of Rush. Their performances bring to mind the anarchic charge of early Guns N' Roses shows, and the sophistication that drives their craft should awe fans of classy art rock bands like Radiohead.
The beginning of the Dillinger Escape Plan can be traced back to a relatively average hardcore band called Arcane, which during its last performance featured vocalist Dimitri Minakakis, guitarists Ben Wienman and Derrick Brantley, drummer Chris Pennie, and then fill-in bassist Adam Doll. The band played two shows with this lineup under the name Dillinger Escape Plan, before Brantley exited the group. They next recorded a demo, which a then new label called Now or Never Records offered to release on CD. New guitarist John Fulton was recruited shortly before the band's first tour. Dillinger Escape Plan's frenetic, intense, and sometimes violently spastic performances became the talk of the hardcore scene. Relapse Records representatives heard about a particularly engaging performance at Philadelphia's Stalag 13 and went to see them at another PA gig. Soon after, a multi-record deal was inked. Fulton left the band shortly before the 1998 release of the band's debut EP for the label, Under the Running Board, on which Weinman handled all guitar duties. The three-song teaser built up anticipation for their 1999 debut full-length record, Calculating Infinity, a jaw-droppingly intense, mathematical, and inspired opus of immense technical proportion. Before the record was made, Doll was involved in a serious car accident that resulted in him being partially paralyzed and unable to continue recording or performing with the band. Around the same time, Jesuit guitarist Brian Benoit joined the band, replacing Fulton. The album was a smash success in the underground, igniting a succession of imitators and accolades from the underground and more mainstream press alike. Calculating Infinity also garnered the attention of former Faith No More vocalist Mike Patton, who, after seeing a videotape of the band in action, invited them to come out on the road supporting his avante-garde act Mr. Bungle. The band enlisted former M.O.D. bassist and fellow New Jersey native Jeff Wood as temporary touring help. Following the Mr. Bungle tour, Dillinger Escape Plan embarked upon a long string of headlining dates and co-headlining shows with Candiria, trekking back and forth around the United States. Their live shows became increasingly intense, incorporating samples, a light show, fireworks, and, at one time, a fire breather. After several months of heavy duty road work, including notable festival appearances on the Warped Tour and March Metal Meltdown, the group relieved Wood -- who continued to front his own Shat project -- of his duties, enlisting a more permanent replacement for Doll in the form of a Philly resident named Liam. 2000 saw Now or Never re-release the band's self-titled record with bonus tracks. Sometime after a trip to Europe with their friends in Botch, the Dillinger Escape Plan parted ways with Minakakis. They played a few shows as an instrumental act and a couple of final shows with Minakakis, one as part of Japan's Beast Feast Festival and another near their hometown. After that, they embarked on a nationwide search for the singer's replacement via their website, putting up a vocal-less version of the song "43% Burnt" and asking prospective hopefuls to download it, record their own singing, and send it to the group. While collecting CD-R's from fans and wannabe singers, the Dillingers stayed busy, recording two songs for a Black Flag tribute album, a new EP's worth of material (which Patton agreed to sing on), and playing Krazy Fest in Louisville, KY, with friend and Coalesce vocalist Sean Ingram guesting. In late 2001, the group met with a singer named Greg Puciato who had greatly impressed them with his CD-R submission. After two practices, they offered him the job and he graciously accepted. He made his debut appearance with the band at the 2001 CMJ Music Festival in New York City. His hulking physical presence and spot-on screaming won over fans as they embarked upon a national headlining tour, which was cut short when System of a Down offered to bring the group over to Europe in the spring of 2002. In March of 2002, Dillinger Escape Plan announced that they would be releasing their Mike Patton-fronted EP Irony Is a Dead Scene via California label Epitaph
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theIcarusLine
Joe Cardamone vocals
Jeff Watson drums
Aaron North guitar
Alvin DeGuzman guitar
Lance Arnao bass
Pregnant women and people with heart ailments should avoid this ride. Remember back at being a child at one of those Von’s parking lot carnivals, being strapped against the wall, side by side in a circle... They start spinning you around at speeds that are lethal on the highway, your face pinned to the matted wall behind you... out of the corner of your eye you can see the expressions on your pathetic comrades’ faces across the sphere. Then the bottom drops out and your feet have nothing to touch for security. The patheticness turns to pure fear and the smell of vomit rises in the air. Just when you think you’re gonna pass out or cry or urinate yourself, the spinning slows to a stop, the floor returns and you’re released, smiling, grinning, asking your friend, "Wanna go again?"
That’s the feeling you might get when seeing The Icarus Line live. It’s powerful, savage, and abusive. It’s fucking scary. But there is a joy in being scared. It’s a rush, and when you get comfortable with it, you find its niche, relate to its void. The Icarus Line’s live show is like seeing Satan having a temper tantrum, but knowing he’s not mad at you, thus enabling you to enjoy the carnage. Joe Cardamone’s thundering vocals can cut through glass smoother than a Ginzu knife, while Aaron and Alvins’s guitars aesthetically antagonize the listener like nobody since Greg Ginn when Black Flag was hunting people down in the early eighties.
In under two years of existence, Los Angeles, CA’s, The Icarus Line have a half a dozen tours under their belt, covering most of the US, and solidifying a strong following up and down the west coast. After a few 7"s (Buddyhead, Hellcat) and a blood curdling ep (New American Dream), the band has found a home on Crank!, where they will release their debut full length, entitled "Mono", on May 8th. "Mono" was produced by Alex Newport (At The Drive-In, Knapsack, Godheadsilo, Sepultura) and clocks in at 55 minutes; yet it seems to fly right by. If your face is still attached by the end of "Mono", you won't be able to get these songs out of your head. With the ground swell already happening, once kids get this disc in their hands, the rock world will be out of control.
+
THE ICARUS LINE
Temple Bar Music Centre
Sunday 8th Sept. Doors 7:30pm
Tickets €15 from Ticketmaster and usual outlets.
...Bring on the Noize!
***********************************
THE DILLINGER ESCAPE PLAN
The Dillinger Escape Plan creates maniacally intense, crushingly metallic, and decidedly hardcore punk-infused jazz time-signature invoking compositions displaying an unparalleled musical bravery, precision musicianship, meticulously thought-out, and complex structuring and rigorous physical endurance. The band's guitarists and drummer are regular features in publications geared toward the guitar and drum-playing set. The depth of extremity and mental challenge presented by their music virtually defies description, at once recalling the mind-wandering spirit of MahavishnuOrchestra, the complex heavy metal of later-era Death, Cynic's solitary death metal achievement, and the progressive hard rock of Rush. Their performances bring to mind the anarchic charge of early Guns N' Roses shows, and the sophistication that drives their craft should awe fans of classy art rock bands like Radiohead.
The beginning of the Dillinger Escape Plan can be traced back to a relatively average hardcore band called Arcane, which during its last performance featured vocalist Dimitri Minakakis, guitarists Ben Wienman and Derrick Brantley, drummer Chris Pennie, and then fill-in bassist Adam Doll. The band played two shows with this lineup under the name Dillinger Escape Plan, before Brantley exited the group. They next recorded a demo, which a then new label called Now or Never Records offered to release on CD. New guitarist John Fulton was recruited shortly before the band's first tour. Dillinger Escape Plan's frenetic, intense, and sometimes violently spastic performances became the talk of the hardcore scene. Relapse Records representatives heard about a particularly engaging performance at Philadelphia's Stalag 13 and went to see them at another PA gig. Soon after, a multi-record deal was inked. Fulton left the band shortly before the 1998 release of the band's debut EP for the label, Under the Running Board, on which Weinman handled all guitar duties. The three-song teaser built up anticipation for their 1999 debut full-length record, Calculating Infinity, a jaw-droppingly intense, mathematical, and inspired opus of immense technical proportion. Before the record was made, Doll was involved in a serious car accident that resulted in him being partially paralyzed and unable to continue recording or performing with the band. Around the same time, Jesuit guitarist Brian Benoit joined the band, replacing Fulton. The album was a smash success in the underground, igniting a succession of imitators and accolades from the underground and more mainstream press alike. Calculating Infinity also garnered the attention of former Faith No More vocalist Mike Patton, who, after seeing a videotape of the band in action, invited them to come out on the road supporting his avante-garde act Mr. Bungle. The band enlisted former M.O.D. bassist and fellow New Jersey native Jeff Wood as temporary touring help. Following the Mr. Bungle tour, Dillinger Escape Plan embarked upon a long string of headlining dates and co-headlining shows with Candiria, trekking back and forth around the United States. Their live shows became increasingly intense, incorporating samples, a light show, fireworks, and, at one time, a fire breather. After several months of heavy duty road work, including notable festival appearances on the Warped Tour and March Metal Meltdown, the group relieved Wood -- who continued to front his own Shat project -- of his duties, enlisting a more permanent replacement for Doll in the form of a Philly resident named Liam. 2000 saw Now or Never re-release the band's self-titled record with bonus tracks. Sometime after a trip to Europe with their friends in Botch, the Dillinger Escape Plan parted ways with Minakakis. They played a few shows as an instrumental act and a couple of final shows with Minakakis, one as part of Japan's Beast Feast Festival and another near their hometown. After that, they embarked on a nationwide search for the singer's replacement via their website, putting up a vocal-less version of the song "43% Burnt" and asking prospective hopefuls to download it, record their own singing, and send it to the group. While collecting CD-R's from fans and wannabe singers, the Dillingers stayed busy, recording two songs for a Black Flag tribute album, a new EP's worth of material (which Patton agreed to sing on), and playing Krazy Fest in Louisville, KY, with friend and Coalesce vocalist Sean Ingram guesting. In late 2001, the group met with a singer named Greg Puciato who had greatly impressed them with his CD-R submission. After two practices, they offered him the job and he graciously accepted. He made his debut appearance with the band at the 2001 CMJ Music Festival in New York City. His hulking physical presence and spot-on screaming won over fans as they embarked upon a national headlining tour, which was cut short when System of a Down offered to bring the group over to Europe in the spring of 2002. In March of 2002, Dillinger Escape Plan announced that they would be releasing their Mike Patton-fronted EP Irony Is a Dead Scene via California label Epitaph
***************************************************
theIcarusLine
Joe Cardamone vocals
Jeff Watson drums
Aaron North guitar
Alvin DeGuzman guitar
Lance Arnao bass
Pregnant women and people with heart ailments should avoid this ride. Remember back at being a child at one of those Von’s parking lot carnivals, being strapped against the wall, side by side in a circle... They start spinning you around at speeds that are lethal on the highway, your face pinned to the matted wall behind you... out of the corner of your eye you can see the expressions on your pathetic comrades’ faces across the sphere. Then the bottom drops out and your feet have nothing to touch for security. The patheticness turns to pure fear and the smell of vomit rises in the air. Just when you think you’re gonna pass out or cry or urinate yourself, the spinning slows to a stop, the floor returns and you’re released, smiling, grinning, asking your friend, "Wanna go again?"
That’s the feeling you might get when seeing The Icarus Line live. It’s powerful, savage, and abusive. It’s fucking scary. But there is a joy in being scared. It’s a rush, and when you get comfortable with it, you find its niche, relate to its void. The Icarus Line’s live show is like seeing Satan having a temper tantrum, but knowing he’s not mad at you, thus enabling you to enjoy the carnage. Joe Cardamone’s thundering vocals can cut through glass smoother than a Ginzu knife, while Aaron and Alvins’s guitars aesthetically antagonize the listener like nobody since Greg Ginn when Black Flag was hunting people down in the early eighties.
In under two years of existence, Los Angeles, CA’s, The Icarus Line have a half a dozen tours under their belt, covering most of the US, and solidifying a strong following up and down the west coast. After a few 7"s (Buddyhead, Hellcat) and a blood curdling ep (New American Dream), the band has found a home on Crank!, where they will release their debut full length, entitled "Mono", on May 8th. "Mono" was produced by Alex Newport (At The Drive-In, Knapsack, Godheadsilo, Sepultura) and clocks in at 55 minutes; yet it seems to fly right by. If your face is still attached by the end of "Mono", you won't be able to get these songs out of your head. With the ground swell already happening, once kids get this disc in their hands, the rock world will be out of control.
