The Bats (Flying Nun/NZ) - The Guilty Office - **OUT NOW** (1 Viewer)

yesboyicecream

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yesboyicecream is proud to present The Guilty Office, the new album by New Zealand's finest independent popular beat combo, The Bats. The Guilty Office will be available in all self-respecting record shops around Europe from June 1st...distributed by Cargo Records (YBI12CD).

You can pick up a copy of the album for the recession-proof sum of €10 (including postage & packaging) directly from the yesboyicecream shop.

EU/UK tour dates available at: www.yesboyicecream.com

You can also hear an MP3 of my favourite song from the album and watch a hastily-assembled video of everyone else's favourite here

And, for good measure, here's a review...

Review from Artrocker Magazine::::::

The Bats
The Guilty Office
(yesboyicecream)

Now on their seventh album, The Bats have been an alt-indie staple in the US for ages, succeeding there far more than in their homeland New Zealand. Or here. From the opening of 'Countersign', it's clear the Bats are twee as fuck; the guitars jangle and shuffle drums punctuate in a girl group style, rolling nicely in and out of snare fills.

In Robert Scott's vocals I can't help but think of the Pastels or Preston School of Industry, nonchalantly and warmly delivered. There's a constant and wonderful mix of lo-fi guitars, warm shiny guitar solos and melancholy melodies. 'Satellite' has metallic vocals shining over a ride cymbal, softly accompanied by female harmonies; the result is a song that cruises through you, picking you up and transporting you into some kind of slacker-pop paradise.

Throughout the writing is of a high standard. 'Steppin' Out' sits atop the Elephant 6 collective types such as the Ladybug Transistor, Dressy Bessy and the Apples in Stereo, all sharing a warm and progressive take on the past glories of West Coast American music yet the Bats nail the symphonic/lo-fi use melodic mix succinctly, showing the Guilty Office to be this year's alternative pop album.

Jonathan Falcone:::::::::
:::::::::::::::::::::::::

Finally, here's a nice article about Flying Nun from last Friday's Guardian....
 
Nice review from Everett True in the new Plan B --> "as great as anything released from a 'Dunedin sound' band, which means it's about as great as anything released by a guitar-led band, full stop."

:::::::::::::::::::::::::::::::::

The Bats - The Guilty Office (yesboyicecream)

I experienced the dawn of the new millenium in Dunedin, New Zealand. It rained. One face of the town hall clock showed a different time to the other. On the lawn, a covers band struck up a song from Grease. Policemen cautioned teenage boys for knocking over bollards. The Bats are most commonly associated with this unprepossessing college town situated way down south in NZ (even though they're from Christchurch), primarily because founder member Robert Scott was in The Clean - the band that helped gestate the 'Dunedin sound', that heart-warming jangle of guitars and bevy of sturdy riffs that seemed to echo with the loneliness of wide open plains and drab inner city bohemia. (See also, The Chills, Straitjacket Fits, The Bats,....oh wait).

If you're looking for parallels, look no further than London's Stolen Recordings (Pete And The Pirtes, most particularly). How appropriate, then, that this new Bats album was sent via Stolen. It's as wonderful and quietly magical as The Bats have been since they formed in 1982: it sneaks its way into my car stereo and work headspace when I least require randcour and most need reassurance. It contains songs the equal of even The Go-Betweens, and one ('The Orchard') that is as great as anything released from a 'Dunedin sound' band, which means it's about as great as anything released by a guitar-led band, full stop.

Everett True.

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Thanks random internet people for your wishes of support.

May you all be forcefed - to the point of collapse - debonairness for the rest of your lives.

Here's another good review (from SoundsXP).....there does appear to be an element of consistency about these. I'll probably stop posting them fairly soon.

The Bats
The Guilty Office
(yesboyicecream)
Ged M - May 19, 2009.

This is indiepop heaven: chiming guitars, understated melodies and a gently melancholic feel – in short, warm sounds from a cold climate. The Bats are New Zealand national treasures, a key component of the legendary early 1980s Dunedin sound released on Flying Nun Records. They’re also still making their gloriously simple lo-fi pop nearly 30 years after they first started.

Their seventh album (22 years after their first) evokes the simple, direct New Zealand guitar pop sound without the slightest notion of retro and is as good as anything they’ve done since their first 12” EPs. They sound as if they were inspired by the Velvet Underground and the Modern Lovers and in turn their own sound is buried deep in the DNA of all sorts of alternative US bands like Pavement; the Bats have always been more appreciated Stateside than in Europe or their home country.

The Guilty Office sounds best when the Bats are at their most stripped down; on ‘Like Water In Your Hands’, just the strummed-guitar gorgeousness of the song is enough while the insistent riff of 'Satellites' will blow your cerebellum, They add strings to good effect, especially the stunning guitar and violin interplay on the optimistic ‘The Orchard’, but almost go awry on ‘Castle Lights’ by adding too much layering.

This is a band to be spoken off in the same reverent terms in which we describe the likes of Galaxie 500, the difference being the Bats are not yet extinct. It’s blissful, elegant and classy indiepop, showing other indie bands how it should be done. If we awarded stars for reviews, this album would have a constellation.
 

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