Louth Contemporary Music Society celebrates some of the most world’s most popular con (1 Viewer)

tedward

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Louth Contemporary Music Society (LCMS) celebrates some of the most world’s most popular contemporary composers in its first-ever CD. The new disc is titled A Place Between, and features world première recordings of works by John Tavener, Arvo Pärt, Valentin Silvestrov, Alexander Knaifel as well as pieces by Henryk Górecki and John Cage. All of these composers have, in various ways, been deeply influenced by profound spiritual, religious or cultural encounters. The CD, which is released on the Society’s Louth Sounds record label on 1 May 2009, comes in a beautiful limited edition release.

The new release features a number of world renowned performers including the soprano Patricia Rozario, the Callino Quartet, pianist Michael McHale, violinist Ioana Petcu-Colan, flautist Vourneen Ryan and percussionist Stephen Kelly. The recordings were made in the acoustically superb historic setting of St. Peter’s Church of Ireland in Drogheda, and the mixing, mastering and editing were carried out in the state-of-the-art Rainbow Studios in Oslo. A Place Between will be available for purchase both as a CD and online at the iTunes Store and CD Baby from 1 May 2009.

The CD intersperses, to wonderful effect, beautiful works for string quartet (Silvestrov's meditative “Ikon”, Tavener's deeply moving “Ikon of Joy/Sorrow," Pärt's reflective “Da Pacem Domine”) with two solo piano works (Pärt's uplifting “Hymn to a Great City," Cage’s melodic and expressive “In a Landscape”). Górecki's memorial for Michael Vyner "Good Night" and Knaifel’s mystical “O Heavenly King” both feature the haunting voice of soprano Patricia Rozario. Silvestrov's 25.X.1893 lullaby is a melancholic and lyrical piece for violin and piano.

The English composer John Tavener’s (b. 1944) The Ikon of Joy/Sorrow (1999), a first recording, is a beautifully evocative short instrumental piece that opens the recording.

Arvo Pärt’s (b. 1935) Da Pacem Domine, which began life in 2004 as a vocal setting gets a first recording in a version for string quartet by the acclaimed Callino Quartet. Hymn to a Great City is scored for two pianos (double-tracked for this CD recorded by Michael McHale, winner of the Terence Judd/Hallé Award 2009), and was written in 1984 as a tribute to New York.

The Polish composer Henryk Górecki's (b. 1933) Good Night (1990) is a requiem in memory of Michael Vyner, the artistic director of the London Sinfonietta. Scored for soprano, alto flute, piano and three low-pitched gongs it is meditation on death and dying that evokes an ecstatic timelessness that has been described as "saintly stillness." Only in the last movement does the soprano sing the words that the music has already been implying. Magnificently sung here by Patricia Rozario, the final moments of the third movement are indeed chilling.

Like Pärt and Górecki, the Ukrainian composer Valentin Silvestrov (b. 1937) has attracted increasing attention in the west. Arvo Pärt has declared that Silvestrov is “undoubtedly the most interesting composer of today, even if the majority is sure to understand that much later on.” Silvestrov’s view that “music is not a philosophy, but a song sung by the world about itself, a sort of a musical testimony of existence” — is embodied in the first recording of the subtle counterpoint of Ikon for string quartet performed by the Callino Quartet, and in the Lullaby from 25.X.1893 ... in memoriam P. I. Tch (2004), a memorial to Tchaikovsky performed here by Ioana Petcu-Colan and Michael McHale.

Alexander Knaifel's (b. 1943) O Heavenly King (1994) is a setting of a hymn to the Holy Spirit. This version recorded for the first time for celeste/piano, string quartet and voice is performed as an inner, personal meditation reflecting the hymn’s embodiment of the Holy Spirit as the comforter.

The beauty inherent in Californian composer John Cage's (1912–92) nine-minute piano piece In a Landscape (1948) performed here by Michael McHale is simply startling.

A Place Between is presented with funding from the Music Network/Arts Council Music ~Recording Scheme 2008, and financially supported by Drogheda Arts Office, Louth County Arts Office and Dundalk Arts Office.

For more information and sound samples go to www.louthcms.org or http://cdbaby.com/cd/aplacebetween
 

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Re: Louth Contemporary Music Society celebrates some of the most world’s most popular

Wow, some tracklisting! Got my order in and best of luck with the release.
 
Re: Louth Contemporary Music Society celebrates some of the most world’s most popular

In case anyone is interested LCMS have a new CD out. Only got mine in the post this morning so i haven't listened to it yet but their first release was incredibly good.

http://www.louthcms.org/path
 
Re: Louth Contemporary Music Society celebrates some of the most world’s most popular

Great article about this over on state.ie ...
 
LCMS new cd Path

Pathfinalartwork1.jpg

Louth Contemporary Music Society’s new cd Path (2010)

In Ireland the cd is available from Tower Records Wicklow St Dublin.
In the UK, it is available in all good records shops.
The CD is also available by digital download on iTunes and Amazon.
The cd is also available on CD Baby
For mail orders: The cd is available for purchase for €15 ( inclusive of VAT and P & P) from here www.louthcms.org/path

Title: Path
Performers: The Carducci Quartet,Patricia Rozario, Eamonn Dougan, Joachim Roewer, Malachy Robinson, Deirdre O’Leary.Elizabeth Cooney assisted by Tommaso Perego,Doreen Curran,The Dublin Guitar Quartet,Michael McHale, Vourneen Ryan and Ranjana Ghatak
Genre: Contemporary
Label: Louth Contemporary Music
Cat. No.: LCMS1001
Release: 1 November 2010. Dundalk Ireland

Path has already received rave reviews as follows:
Louth Contemporary Music Society is one of the most adventurous music promoters in Ireland. It also stretches its boundaries in the recording studio as well as in concert. ****The Irish Times: Path Louth Contemporary Music Society LCMS 1001

World premieres by Arvo Pärt and John Tavener are the main attractions of this anthology, though supporting material by Uzbek, Serbian and Georgian composers is equally engaging, particularly the two movements of Yanovsky’s “Chang Music IV”, which blend cello glissandi with koto-style pizzicato. ****Andy Gill Friday, 29 October 2010 The UK Independent

Path from Louth Contemporary Music’s own label is one of those rare ‘stop you dead in your tracks’ discs. From the very first bars it is clear that something quite exceptional has been captured; this is an intelligently planned programme of important music played by exceptional musicians and recorded in demonstration quality sound…..what looks to be a strong contender for my 2010 disc of the year.An Overgrown Path

That edge is a recurring feature in the following works. Most are calm, but not so eventless as to be ambient. The programme strikes an impressive balance between spiritual directness and intellectual engagement. The variety of approaches from the various composers means that that balance is reconfigured and re-evaluated with almost every work…..Happily, LCMS is the kind of organisation that is prepared stand out from the crowd. In terms of programming, that’s the real strength of this disc.Classical Cd Reviews

In 1985, the Italian composer Luigi Nono saw an inscription on the wall of the church of San Francisco in Toledo: “Caminantes, no hay caminos, hay que caminar” – “Travellers, there are no roads, but we must go on”. In 2010, Louth Contemporary Music Society (LCMS) take the listener on a rewarding journey on their new cd Path. First recordings of works by John Tavener ( Epistle of Love and Samaveda) and Arvo Pärt ( Von Angesicht zu Angesicht and Summa) are interspersed with new voices and sounds from different paths, Aleksandra Vrebalov from Serbia The Spell III, Uzbekistan courtesy of Dmitri Yanov Yanovsky’s Chang Music IV and Polina Medyulanova’s Ewige Ruhe plus Georgian composer’s Zurab Nadareishvili’s sublime String Quartet No1. The CD, which is released on the Society’s Louth Contemporary Music record label on 1 November 2010, comes in a beautiful limited edition release.

Path features a number of world renowned performers including the soprano Patricia Rozario, the Carducci Quartet, baritone Eamonn Dougan, Joachim Roewer violist, Malachy Robinson double bassist, clarinetist Deirdre O’Leary, pianist Michael McHale, violinist Elizabeth Cooney, flautist Vourneen Ryan and tampura player Ranjana Ghatak. The recordings were made in a number of settings: Potton Hall Suffolk, St.Michael’s Highgate London, St. Paul’s Deptford London and Grouse Lodge, Ireland with the mixing, mastering and editing carried out in Six Productions suite in London.

The CD opens with the beguiling sonorities of Yanov-Yanovsky’s Chang Music IV (1991), where the composer succeeds in transferring the sounds of the Uzbek Chang a traditional Uzbek instrument to the string quartet. Pärt’s Von Angesicht zu Angesicht (2005) is a contemplation on the First Letter of St.Paul to the Corinthians For now we see through a glass, darkly sung with great reverence by Eamonn Dougan and Patricia Rozario. The Dublin Guitar Quartet perform Pärt’s Summa (1997/1991) for the first time in a sumptuous version for guitar quartet under the guidance of the composer. Medyulanova’s meditative Ewige Ruhe (2004) allows a moment of calm for the departed to be followed by Vrebalov’s mystical The Spell III (2008) which includes sampled voices from the vocal group Moba. Tavener’s deeply moving Epistle of Love (2000) features the haunting voice of Patricia Rozario and lute like piano playing of Michael McHale. Nadareishvili’s reflective String Quartet No1,Mvt III (1987) is performed with great sensitivity by the Carducci quaret and the cd closes with the Indian influenced composition Sámaveda (1997) for soprano, flute and tampura.

Path is presented with funding from the Music Network/Arts Council Music Recording Scheme 2009, and financially supported by Create Louth.
 

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