(lol wat? it's an infographic)
please check the thread title. You specifically refer to Camden Crawl. I think my comment was both accurate and fair.
Your arrogance is quite staggering.
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(lol wat? it's an infographic)
I'm not going to comment on everything written here, because it's not my responsibility to educate you all.
you responded to my musings about gender in different genres with "don't give me that "no one supports women in music"" when my whole point was that there are plenty of women in most genres of music. you ignored what i had actually said to give out about something i never said.
could this be the evidence that the more 'alternative' types of musos are a bunch of sexist pricks?
@Mormen Nailor
Tokenism tends to be less than 15%. Are you even aware of the concept of tokenism??? Honestly, you should take some time to read about it. Or you know, just stop talking. Please don't use transphobic language such as "hermaphrodites". If you don't know why this is transphobic, just google the term and "transphobic".
@ everyone else
Do you agree with Mormen Nailor? Because, if you don't, it looks like you do from here.
I have absolutely no idea what you are trying to say here about tokenism, and I suspect you don't either. Are you saying that the current female bands on the line-up are tokens, because that is probably more offensive to them than anything I have to say? And personally I think your suggestion of adding an arbitrary quota is the very definition of tokenism.
Okay let me try one last time. I've actually spent some time writing this out and trying to make it really clear so here goes:
Tokenism is defined as less than 15%. Under this number the token member of a discriminated group is forced to always be representing their group. So when you claim that increasing the number to 30% is tokenism, that just doesn't make sense. Because the point of the 30% number is that is commonly accepted (amongst people who research issues such as structural discrimination, etc) as the number above which critical mass can be achieved. Putting in one female musician amongst 9 male ones and claiming to have achieved a feminist space - that is tokenism. Realising the achievement of 30% of female musicians playing at a festival is not tokenism, but the direct opposite. It is the point at which critical mass starts happening.
I said nothing about the current female musicians on the line-up fulfilling a tokenistic role, don't put your words and your ideas into my mouth.
I also never said ANYTHING about there being a big conspiracy. I am really surprised that some facts and a suggestion of how to improve things has been met with this defensiveness.
also, if you are not a woman who has played in a band or has wanted to play in a band, and you think that it is equally easy for everyone to do so, here's one good read: http://dickparty.tumblr.com/
Also a fun read for girls and women who play in bands!
could this be the evidence that the more 'alternative' types of musos are a bunch of sexist pricks?
....here's one good read: http://dickparty.tumblr.com/
GirlsRockCamp: What started the gender investigation? Did girl bands come to you complaining or are you pushing some sort of self-construed agenda?
I have no idea where to weigh in on this, but are more men involved in bands because more men are socially pathetic and need some sort of crutch (band/5 a side) as an excuse to hang out with other humans. Useless bastards.
So, basically to sum up, there's no problem here, nothing to worry about ... let's all just move on, and she can just go and "get a grip", yeah?
I don't really have the energy or inclination to take on an argument with about 10 different people but let me just say this. Suppose you are all correct and there are absolutely no barriers to women participating fully in the music scene. It's an absolutely level playing field. Gender is irrelevant. There is no negative bias towards female musicians. There are no structural, cultural or societal factors that influence whether or not girls form bands and whether or not they manage to do this successfully enough to get invited to play at events such as the Camden Crawl. They can do all this just as easily (or with the same level of difficulty) as boys.
If all this is the case, then why then do so few of them (relatively speaking) actually do it?
It seems to me that there are only two possible answers. One is that they are simply not good at it, and the other is that they are not interested in it. Most people here seem to, either explicitly or implicitly, be saying the latter. I suppose this is something of a relief as its way better than the girls-are-crap argument, but I still think it's bullshit for the following reason.
Someone at the very beginning asked something like "how many blacks are playing at it?". Ha ha. The obvious answer to this is "not very many .. possible none .. I don't know exactly". But, the related question is "how many blacks are attending it?". I imagine the answer to that is also "not very many .. possibly none .. I don't know exactly". It might be reasonable to conclude from this that they are not that interested. Anyone whose gig in the Workmans or something over the weekend was completely overrun with Nigerians can contradict me on this if I am wrong.
However, there are plenty of women at all these gigs (right?) so clearly they are interested. Is it really credible that they want to be in the audience but not on the stage? Is it really credible that you can have fairly equal levels of participation in other fields of cultural production such as theatre and visual art but not here? And that there is no possibility of any kind of underlying structural reason (or set of reasons) for this situation? Really? I just don't buy that.
build girls' self-esteem through music creation and performance.
Girls can play any kind of music they want.
Creative voices of girls and women need to be amplified to create social change.
Girls need positive role models and support for their creative endeavors.
…in creating a community where girls support each other rather than tear each other down.
…in empowering girls to recognize, understand, and respond to discrimination.
“Girls Rock” is more than just a slogan.
We want to destroy the traditions and eradicate the myths that prevent women* and girls* from participating in the (until now) male dominated Irish and international music scene.
I'm sure nearly every man here would love nothing more than having more women involved in music. (and less punks)
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