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das nugs said:www.myspace.com/xretardsx
The songs on our myspace are all home recorded. It's probably very obvious for the most part.
"Chinese Girl" is from the most recent batch, which I was pleased with.
RED(tape)MENACE said:Well, I've yet to hear digital clipping sound any less than totaly cock and balls. I guess I'll just crank up a preamp or throw a pedal in the loop somewhere long before I'll resort to digital distortion.
Also, anytime I've tried to dirt/fuzz something up with a plugin it's sounded like complete ASS. That's just me though.
kraster said:It's interesting that you previously referred to the Flaming Lips drum sound. That monster sound on the Soft Bulletin was acheived by hammering a submix of the drums through a dat machine.
I do agree on the cock and balls comparison, generally digital distortion sounds like shit.
aoboa said:Using a recording process to come up with new sounds is as old as recording itself. Where do you think the idea for your distortion/phaser/flanger/etc pedals came from???
aoboa said:I listened to that stuff a few weeks back. Sounds really great.
Pantone247 said:snares with gated reverb!
aoboa said:This whole 'digital distortion is bad' argument is so tired. Digital clicks, glitches and distortion have been used everywhere by now from pop to rock and most notably in electronic music - there's a million glitch sub genres at this stage.
Using a recording process to come up with new sounds is as old as recording itself. Where do you think the idea for your distortion/phaser/flanger/etc pedals came from???
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