Dublin Film Festival 2010 (2 Viewers)

[ernesto]

MY EYES!

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[7 - No tomorrow]

I booked tickets for Bad Lieutenant in Cineworld. Can I pick up the tickets there or do I have to get them from Filmbase beforehand?

They should have them there.
Definitely so if it's your first movie of the festival.

Give Filmbase a call just to be sure.

 

[IFF]

i think they say that if not collected 45 minutes before hand the showing, you can collect them from the jdiff desk at the cinema in the foyer

 

[7 - No tomorrow]

That was great craic altogether.
Restaurant-quality Cage.

 

[GrumpyEditor]

They should have them there.
Definitely so if it's your first movie of the festival.

Thanks. Got them there alright.

That guy that played Nicholas Cage in the film was great. I laughed heartily.

 

[Jill Hives]

Saw Dogtooth last night. Very good. Trailer contains brief nudity.

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Also Hipsters... very fun. I want all their dresses.

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[Andy_aurel]

Dogtooth looks class. Must check it out, thanks Jill.

 

[Jill Hives]

Dogtooth looks class. Must check it out, thanks Jill.

It was slightly creepy, a tad unsettling but very good. I'm still thinking about it.

 

[7 - No tomorrow]

Dogtooth was sensational.

Loved it.

 

[Jill Hives]

What You Don't See = meh. Althoguh Ludwig Trepte might be the new German Heath Ledger.

The eerie woods and fantastic rock formations of the Brittany Coast form a primordial mindscape in tyro Austrian scribe-helmer Wolfgang Fischer's impressive psychological thriller. Anton (Trepte) has stayed at boarding school since his father's death, and a vacation is meant to bring him closer to his mother (Beglau), and her boyfriend. But kith and kin cannot hold a candle to the fascination exerted by bad boy David (Lau) and his sister, Katja (Dwyer), amoral free spirits who represent everything Anton is not. The three soon become inseparable. Fischer never deals in gimmicky reversals or surprise revelations, relying more on dream logic and spellbinding locations to escalate the atmosphere of dread. Audiences may figure out the secret behind the ambiguity of the couple, but any "aha!" oversimplification pales before the mesmerizing sweep of the landscapes and the relentless certainty of the camera.

 

[dirtyvicar]

The documentary about "Carmilla"'s influence on cinema and visual artist pals of the directors was not great, though it had its moments.