"...the nuance of the playing and interaction is what lifts them from bleak and repetitive drone into something far more layered and interesting" - Ian Maleney on Mohammad's Som Sakrifis.
Joined13th May 2010
Articles168
'At times Jealous Heart feels like ambient music, working its way quietly through textures and shapes, but it has a tenacious ability to surprise, to resist sedation' - Ian Maleney on Mark Templeton's Jealous Heart.
'Minimal, bass-heavy and expertly detailed, these are tracks that will feel equally at home on headphones or over top-quality systems' - Ian Maleney on Cassegrain's Tiamat.
Prostitutes' second LP is "Subtle but never underwhelming" says Ian Maleney.
"I think listeners are more willing to be surprised than they're often given credit for." Black Twig Picker Mike Gangloff speaks to Ian Maleney ahead of a solo appearance in Whelan's next week.
'This record is powerful because of the way it brings not just the sounds into this performative space, but invites the listener in as well.' Ian Maleney on the new LP from Japanese/Norwegian quintet, Koboku Senju.
Resident Berghain DJ Norman Nodge talks Berlin, techno and family life with Ian Maleney.
A four-track collection of the Greek composer's work presents 'an unapologetic dedication to modernism which was often repulsive and engaging at the same time'.
Newcastle singer and all-round legend Richard Dawson talks to Ian Maleney ahead of his Irish tour this weekend.
The singular Dutch producer talks to Ian Maleney ahead of his appearance at the Sugar Club this Friday.