Deaglan
New Member
For a preview of Toots & the Maytals brilliant live show; check them out on Jools Holland this Fri 11th June.
Toots & the Maytals play Vicar St on Tues 29th June with a 14 piece band. Tickets now on sale. More details below…
*************************************************************
CrawDaddy presents
TOOTS & THE MAYTALS
with full 14 piece band
Vicar St. Ph: 01 454 6656
Tues 29th June. Doors 8pm
Tickets €27.50 standing/€30 seated from Ticketmaster and usual outlets. Ph: 0818 719 300. Book online at 1www.ticketmaster.ie
One of the most popular reggae artists of all time TOOTS & THE MAYTALS comes to Vicar St for what it sure to be a memorable show at Vicar St on Tuesday 29th June. This show will feature some 14 members including a brass section and will cover all Toots classics such as Funky Kingston, Pressure Drop, Time Tough, Pomp & Pride, Bam Bam.. the list could go on.
This tour is to promote the release of Toots’ new album ‘True Love’ on VC2 records on 11th June. In a fitting tribute to the massive influence Toots’ music has had on other musicians over the decades; everyone from Keith Richards and Willie Nelson to The Roots and Eric Clapton have collaborated with Toots on the new album. Full list as follows: Ryan Adams, Trey Anastasio, Jeff Beck, Ken Boothe, Eric Clapton, Bootsy Collins, Marcia Griffiths, Ben Harper, Terry Hall, Willie Nelson, No Doubt, Bonnie Raitt, Rahzel, Keith Richards, The Roots, Shaggy, The Skatalites, U-Roy, Bunny Wailer, Rachael Yamagata.
This will be Toots & the Maytals first show in Ireland since a blinding sell out show at the old Mean Fiddler venue in 1995.
TOOTS & THE MAYTALS
Toots Hibbert is one of the great voices of Jamaica; a legend whose career spans every development in Jamaican music, from ska through rock-steady to reggae. Toots and the Maytals have helped to chart the course of Jamaican music with unrivaled delivery and dynamism, setting new standards of excellence, and becoming the most enduring of all Jamaica's groups.
Born in Maypen in the parish of Clarendon, Jamaica - the youngest of seven children - Toots began singing in the church choir at the age of seven. He left home in his teens to go to Kingston where he met Raleigh Gordon and Jerry Matthias and formed the original Maytals in 1962. They were also sometimes recorded as the Vikings.
The Maytals began their career at Studio One, the headquarters of Clement 'Coxsone' Dodd, in Kingston, Jamaica. The group's debut release, HALLELUJAH, was an immediate hit throughout the island, and featured a mix of Jamaican rhythms and gospel vocal influence that would mark much of the Maytals music. Further successes followed, including I'LL NEVER GROW OLD and JUST GOT TO BE ME, each one building a reputation for the Maytals and their energetic straight-from-church style of singing and their "spiritual" ska beat.
Despite the initial successes, the group soon left Coxsone and linked up with another legendary figure in the Jamaican music business, Prince Buster, the number one sound system operator on the island. The Buster-produced Maytals singles were popular successes in Jamaica and England, where this new type of "ska" music became a sensation in dancehalls. The relationship between Buster and The Maytals produced some of the best records from the original ska era, including DOG WAR, aka BROADWAY JUNGLE.
In 1966, the Maytals began to work with Byron Lee and the Dragonaires and won the first Jamaican Festival Song Competition with the song BAM BAM. The Maytals were poised for stardom, but just as their fortune seemed set, Toots was arrested for possession of marijuana and was incarcerated for 18 months, despite his plea of innocence.
The Maytals returned with a vengeance in 1968, recording with famed producer Leslie Kong. The era of ska was ending, giving way to the more complex sounds of Reggae evolving from Kong's Beverleys Label. Although these years of post-independence marked a more violent era of Jamaica's history, Toots and the Maytals were far closer to soul and gospel influences than many of the "revolutionary" young artistes of the late 60's. Nevertheless, the Maytals first single in two years, 54-46 (THAT'S MY NUMBER), combined the story of Toots' arrest with a powerful downbeat to create one of the greatest rock steady/reggae singles of all time.
As rock steady became reggae (and the Maytals single DO THE REGGAY was the first published use of the word), the Maytals consolidated their position as leaders in Jamaican music. They recorded the hit MONKEY MAN and the classic SWEET AND DANDY which won the 1969 Festival Song Competition and was featured, along with their dance-floor smash, PRESSURE DROP, on the soundtrack to THE HARDER THEY COME, one of the great reggae albums of all time.
won the Festival Song prize in 1972 for POMP AND PRIDE. They released their first album for Dynamic, FUNKY KINGSTON in 1973-- a masterful album in every respect and one that helped bolster the group's international audience.
In 1975 Toots and the Maytals signed a worldwide recording contract with Island Records. The following year the group hit the British singles charts with REGGAE GOT SOUL, the title track to their new album. They also toured America, Europe and Britain. The REGGAE GOT SOUL album was a superb showcase for Toots' soulful vocals embellished by fine musicianship from a cosmopolitan studio band that included such talents as Steve Winwood, Eddie Quansah, Dudu Pukwana, Rico Rodriguez and Tommy McCook.
On September 29, 1980, Toots and The Maytals made history when the band played at London's Hammersmith Palais. Less than 24 hours later, a live album from that show was on sale in record stores throughout Britain. It was the fastest live album in recording history and, according to some critics, TOOTS LIVE ranks alongside Bob Marley Live At The Lyceum, James Brown At The Apollo and Otis Redding in Europe as one of the finest live records ever made.
The latest album, TRUE LOVE, finds Toots and the Maytals revisiting some of the band's most classic works with a host of musical friends onboard - Keith Richards, Shaggy and Rahzel, Bonnie Raitt, Jeff Beck, Ben Harper, No Doubt, Marcia Griffiths, Ken Boothe, Ryan Adams, Bootsy Collins and the Roots, Eric Clapton, Jeff Beck, Terry Hall and the Skatalites and Trey Anastasio - for delightful fresh-ear journey through Toots' musical history. Add in the surprise tracks- Willie Nelson and Toots groovin' on Willie's STILL IS STILL MOVIN TO ME, Rachel Yamagata pleading on the newer BLAME ON ME and Bunny Wailer's vocal comradery on the never-before released TAKE A TRIP for an unparalleled reggae joy ride.
Indeed Toots and the Maytals artistry spans every phase of Jamaican music's evolution, earning him the reputation as one of Jamaica's most consistent and inspired performers, and one of the greatest reggae/r&b singers of all time. Generations of fans - old and new- are discovering that Toots and the Maytals were - and are - masters of reggae and the live performance. The combination of great reggae rhythms, heartfelt vocals, and soulful gospel influence remains potent and powerful --probably the most cohesive mix of reggae and soul music ever, and still going strong.
Three Grammy Nominations:
Skafather, Toots in Memphis, Toots Live
Three First Place Festival Songs (and two second places), including the first year of the contest 1966 BamBam, Sweet and Dandy, Pomp and Pride
Record Holder for number one Hit Parade Songs in Jamaica (31)
Record for having two number one songs on one 45 release in Jamaica. (Daddy/ Its you)
Guiness World Record for shortest time between the recording and release of a live album-
TOOTS LIVE at the Hammersmith Palais
***Gold, and number one in various countries for :
Knock Out album (Beautiful Woman number one in Australia/album gold in New Zealand)
Toots in Memphis album
Spiritual Healing 12" (South Africa)
(***still researching, uncertain how many gold and possibly platinum)
The Harder Thay Come - one of Vanity Fair's Top 10 Best Soundtracks of all time- contains 2 tracks from Toots and the Maytals, who were also featured in the film.
Toots & the Maytals play Vicar St on Tues 29th June with a 14 piece band. Tickets now on sale. More details below…
*************************************************************
CrawDaddy presents
TOOTS & THE MAYTALS
with full 14 piece band
Vicar St. Ph: 01 454 6656
Tues 29th June. Doors 8pm
Tickets €27.50 standing/€30 seated from Ticketmaster and usual outlets. Ph: 0818 719 300. Book online at 1www.ticketmaster.ie
One of the most popular reggae artists of all time TOOTS & THE MAYTALS comes to Vicar St for what it sure to be a memorable show at Vicar St on Tuesday 29th June. This show will feature some 14 members including a brass section and will cover all Toots classics such as Funky Kingston, Pressure Drop, Time Tough, Pomp & Pride, Bam Bam.. the list could go on.
This tour is to promote the release of Toots’ new album ‘True Love’ on VC2 records on 11th June. In a fitting tribute to the massive influence Toots’ music has had on other musicians over the decades; everyone from Keith Richards and Willie Nelson to The Roots and Eric Clapton have collaborated with Toots on the new album. Full list as follows: Ryan Adams, Trey Anastasio, Jeff Beck, Ken Boothe, Eric Clapton, Bootsy Collins, Marcia Griffiths, Ben Harper, Terry Hall, Willie Nelson, No Doubt, Bonnie Raitt, Rahzel, Keith Richards, The Roots, Shaggy, The Skatalites, U-Roy, Bunny Wailer, Rachael Yamagata.
This will be Toots & the Maytals first show in Ireland since a blinding sell out show at the old Mean Fiddler venue in 1995.
TOOTS & THE MAYTALS
Toots Hibbert is one of the great voices of Jamaica; a legend whose career spans every development in Jamaican music, from ska through rock-steady to reggae. Toots and the Maytals have helped to chart the course of Jamaican music with unrivaled delivery and dynamism, setting new standards of excellence, and becoming the most enduring of all Jamaica's groups.
Born in Maypen in the parish of Clarendon, Jamaica - the youngest of seven children - Toots began singing in the church choir at the age of seven. He left home in his teens to go to Kingston where he met Raleigh Gordon and Jerry Matthias and formed the original Maytals in 1962. They were also sometimes recorded as the Vikings.
The Maytals began their career at Studio One, the headquarters of Clement 'Coxsone' Dodd, in Kingston, Jamaica. The group's debut release, HALLELUJAH, was an immediate hit throughout the island, and featured a mix of Jamaican rhythms and gospel vocal influence that would mark much of the Maytals music. Further successes followed, including I'LL NEVER GROW OLD and JUST GOT TO BE ME, each one building a reputation for the Maytals and their energetic straight-from-church style of singing and their "spiritual" ska beat.
Despite the initial successes, the group soon left Coxsone and linked up with another legendary figure in the Jamaican music business, Prince Buster, the number one sound system operator on the island. The Buster-produced Maytals singles were popular successes in Jamaica and England, where this new type of "ska" music became a sensation in dancehalls. The relationship between Buster and The Maytals produced some of the best records from the original ska era, including DOG WAR, aka BROADWAY JUNGLE.
In 1966, the Maytals began to work with Byron Lee and the Dragonaires and won the first Jamaican Festival Song Competition with the song BAM BAM. The Maytals were poised for stardom, but just as their fortune seemed set, Toots was arrested for possession of marijuana and was incarcerated for 18 months, despite his plea of innocence.
The Maytals returned with a vengeance in 1968, recording with famed producer Leslie Kong. The era of ska was ending, giving way to the more complex sounds of Reggae evolving from Kong's Beverleys Label. Although these years of post-independence marked a more violent era of Jamaica's history, Toots and the Maytals were far closer to soul and gospel influences than many of the "revolutionary" young artistes of the late 60's. Nevertheless, the Maytals first single in two years, 54-46 (THAT'S MY NUMBER), combined the story of Toots' arrest with a powerful downbeat to create one of the greatest rock steady/reggae singles of all time.
As rock steady became reggae (and the Maytals single DO THE REGGAY was the first published use of the word), the Maytals consolidated their position as leaders in Jamaican music. They recorded the hit MONKEY MAN and the classic SWEET AND DANDY which won the 1969 Festival Song Competition and was featured, along with their dance-floor smash, PRESSURE DROP, on the soundtrack to THE HARDER THEY COME, one of the great reggae albums of all time.
won the Festival Song prize in 1972 for POMP AND PRIDE. They released their first album for Dynamic, FUNKY KINGSTON in 1973-- a masterful album in every respect and one that helped bolster the group's international audience.
In 1975 Toots and the Maytals signed a worldwide recording contract with Island Records. The following year the group hit the British singles charts with REGGAE GOT SOUL, the title track to their new album. They also toured America, Europe and Britain. The REGGAE GOT SOUL album was a superb showcase for Toots' soulful vocals embellished by fine musicianship from a cosmopolitan studio band that included such talents as Steve Winwood, Eddie Quansah, Dudu Pukwana, Rico Rodriguez and Tommy McCook.
On September 29, 1980, Toots and The Maytals made history when the band played at London's Hammersmith Palais. Less than 24 hours later, a live album from that show was on sale in record stores throughout Britain. It was the fastest live album in recording history and, according to some critics, TOOTS LIVE ranks alongside Bob Marley Live At The Lyceum, James Brown At The Apollo and Otis Redding in Europe as one of the finest live records ever made.
The latest album, TRUE LOVE, finds Toots and the Maytals revisiting some of the band's most classic works with a host of musical friends onboard - Keith Richards, Shaggy and Rahzel, Bonnie Raitt, Jeff Beck, Ben Harper, No Doubt, Marcia Griffiths, Ken Boothe, Ryan Adams, Bootsy Collins and the Roots, Eric Clapton, Jeff Beck, Terry Hall and the Skatalites and Trey Anastasio - for delightful fresh-ear journey through Toots' musical history. Add in the surprise tracks- Willie Nelson and Toots groovin' on Willie's STILL IS STILL MOVIN TO ME, Rachel Yamagata pleading on the newer BLAME ON ME and Bunny Wailer's vocal comradery on the never-before released TAKE A TRIP for an unparalleled reggae joy ride.
Indeed Toots and the Maytals artistry spans every phase of Jamaican music's evolution, earning him the reputation as one of Jamaica's most consistent and inspired performers, and one of the greatest reggae/r&b singers of all time. Generations of fans - old and new- are discovering that Toots and the Maytals were - and are - masters of reggae and the live performance. The combination of great reggae rhythms, heartfelt vocals, and soulful gospel influence remains potent and powerful --probably the most cohesive mix of reggae and soul music ever, and still going strong.
Three Grammy Nominations:
Skafather, Toots in Memphis, Toots Live
Three First Place Festival Songs (and two second places), including the first year of the contest 1966 BamBam, Sweet and Dandy, Pomp and Pride
Record Holder for number one Hit Parade Songs in Jamaica (31)
Record for having two number one songs on one 45 release in Jamaica. (Daddy/ Its you)
Guiness World Record for shortest time between the recording and release of a live album-
TOOTS LIVE at the Hammersmith Palais
***Gold, and number one in various countries for :
Knock Out album (Beautiful Woman number one in Australia/album gold in New Zealand)
Toots in Memphis album
Spiritual Healing 12" (South Africa)
(***still researching, uncertain how many gold and possibly platinum)
The Harder Thay Come - one of Vanity Fair's Top 10 Best Soundtracks of all time- contains 2 tracks from Toots and the Maytals, who were also featured in the film.
