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Check out Soweto Kinch on said show tonight.
From London, IMC Presents Soweto Kinch' s Conversations With The Unseen - Irish Tour
Soweto Kinch-alto saxophone/rap vocals
Abram Wilson-trumpet/vocals Femi Temowo-guitar/vocals
Michael Olatuja-double bass Troy Miller-drums
Extensive Irish tour supported by The British Council for saxophonist Soweto Kinch, regarded as one the strongest personalities to emerge on the UK scene in recent years, with a coherent approach that successfully fuses hard bop and hip hop.
Wed 21 8pm Factory Space, Sligo €12/10 tel 071 917 0431
Thu 22 8pm Mermaid Arts Centre, Bray €15/ 12 tel 01 272 4030
Fri 23 8pm The Sugar Club, Dublin €15 tel 01 670 3885
Sat 24 8pm Garter Lane Arts Centre ,Waterford €12.50/10 tel 051 855 038
Sun 25 8pm Triskel Arts Centre, Cork €18 tel 021 4272022
Mon 26 8.30pm The Trinity Rooms, Limerick €12/7 tel 061 452 170
“Kinch's debut CD, Conversations With the Unseen, demonstrated that hip-hop and DJ culture could mesh with the fluency of contemporary bebop, and makes him the most significant offspring of the black British jazz scene since Courtney Pine.”
- The Guardian Jazz Album of The Year 2003
From London, IMC Presents Soweto Kinch' s Conversations With The Unseen - Irish Tour
Soweto Kinch-alto saxophone/rap vocals
Abram Wilson-trumpet/vocals Femi Temowo-guitar/vocals
Michael Olatuja-double bass Troy Miller-drums
Extensive Irish tour supported by The British Council for saxophonist Soweto Kinch, regarded as one the strongest personalities to emerge on the UK scene in recent years, with a coherent approach that successfully fuses hard bop and hip hop.
Wed 21 8pm Factory Space, Sligo €12/10 tel 071 917 0431
Thu 22 8pm Mermaid Arts Centre, Bray €15/ 12 tel 01 272 4030
Fri 23 8pm The Sugar Club, Dublin €15 tel 01 670 3885
Sat 24 8pm Garter Lane Arts Centre ,Waterford €12.50/10 tel 051 855 038
Sun 25 8pm Triskel Arts Centre, Cork €18 tel 021 4272022
Mon 26 8.30pm The Trinity Rooms, Limerick €12/7 tel 061 452 170
“Kinch's debut CD, Conversations With the Unseen, demonstrated that hip-hop and DJ culture could mesh with the fluency of contemporary bebop, and makes him the most significant offspring of the black British jazz scene since Courtney Pine.”
- The Guardian Jazz Album of The Year 2003