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Former member of Pavement, Stephen Malkmus returns this spring with ‘Real Emotional Trash’ his fourth solo record and the second with the Jicks whose line–up now includes Sleater Kinney and Quasi drummer Janet Weiss. It is released on Domino Records on March 7th
POD Concerts presents
STEPHEN MALKMUS & THE JICKS
Monday June 9th
Tripod– Old Harcourt St. Station – Dublin 2.
Doors – 7.30pm
Tickets €22.50 / 27.50 (inc. booking fee) available from Ticketmaster, Road Records, City Discs, Sound Cellar and usual outlets. www.ticketmaster.ie
www.stephenmalkmus.com
www.myspace.com/stephenmalkmus
"Real Emotional Trash is a fantastic psychedelic feast, full of cosmic guitar crackle and electric piano and batshit poetry. It's the album Malkmus has been driving at ever since he learned how to rip off the Velvet Underground and Quicksilver Messenger Service at the same time...downright glorious."
ROLLING STONE – 4 ½ stars
Real Emotional Trash is Stephen Malkmus’ fourth solo record, his the second with the Jicks. The Jicks line–up now includes Sleater Kinney and Quasi drummer Janet Weiss. R E T was recorded with TJ Doherty whose recent engineering credits include Wooden Wand, & Wilco
It seems like there are more and more lists. Just as the heart worn ramshackle sound they created appears in the charts and tip sheets via Modest Mouse, Blitzen Trapper and Los Campesinos! Pavement have started to appear around the top of a lot of these lists as their influence lingers and solidifies. Far more exciting, especially in the here and now, is the fact Stephen Malkmus’ new album is amongst the most sparkling and mercurial music he has ever made.
Real Emotional Trash marks a departure – for the first time Malkmus has a band behind him whose chops and intuitive ability to run off a cliff in search of a chord progression matches his own. Janet Weiss, whose backing vocals illuminate a lot of these songs, is a drumming sensation. Along with bassist Joanna Bolme she forms a rhythm section whose sassiness is matched only by its heaviness and wig-out confidence; and having clicked, the Jicks really know how to cut loose.
There is a finessed jam feel at work in these tracks. Hopscotch Willie lunges hypnotically. Elmo Delmo suggests new definitions of the term headbanger.
At over ten minutes, the title track echoes such epic jams as Fairport’s A Sailor’s Life, Marquee Moon and Quicksilver Messenger Service’s Happy Trails. It also
highlights Malkmus’ ability to effortlessly turn his guitar into a splintering neon saw one minute, a silver chooglin’ riff monster the next. Whatever else is happening in Portland, Oregon they should build a glass-domed psychedelic ballroom in the near future.
R E T, like a lot of great records, maps out its own wide open space and pushes itself around, shifts in different directions and changes its shape – a group locked together in the same psychic environment.
Scattered across the tracks are snatches of Malkmus’ trademark head-scratching insights: Cold Son finds the protagonist feeling “like a nympho stuck in a cloister”. The title track’s recollection that “down in Sausalito we had clams and dessert / you spilt chardonnay on your gypsy skirt” maintains the eye for social detail that suggest,
had he been born a few generations earlier, Malkmus would have traded baseball cards and peyote tips with Terry Southern and John Updike.
When headlining the closing night of The Green Man Festival in 2007 Malkmus and the Jicks’ set drew heavily on R E T. The songs sounded blasted and psychedelically modern. What a rush that in their recorded state they are even more intuitive, starlit and stretched.
POD Concerts presents
STEPHEN MALKMUS & THE JICKS
Monday June 9th
Tripod– Old Harcourt St. Station – Dublin 2.
Doors – 7.30pm
Tickets €22.50 / 27.50 (inc. booking fee) available from Ticketmaster, Road Records, City Discs, Sound Cellar and usual outlets. www.ticketmaster.ie
www.stephenmalkmus.com
www.myspace.com/stephenmalkmus
"Real Emotional Trash is a fantastic psychedelic feast, full of cosmic guitar crackle and electric piano and batshit poetry. It's the album Malkmus has been driving at ever since he learned how to rip off the Velvet Underground and Quicksilver Messenger Service at the same time...downright glorious."
ROLLING STONE – 4 ½ stars
Real Emotional Trash is Stephen Malkmus’ fourth solo record, his the second with the Jicks. The Jicks line–up now includes Sleater Kinney and Quasi drummer Janet Weiss. R E T was recorded with TJ Doherty whose recent engineering credits include Wooden Wand, & Wilco
It seems like there are more and more lists. Just as the heart worn ramshackle sound they created appears in the charts and tip sheets via Modest Mouse, Blitzen Trapper and Los Campesinos! Pavement have started to appear around the top of a lot of these lists as their influence lingers and solidifies. Far more exciting, especially in the here and now, is the fact Stephen Malkmus’ new album is amongst the most sparkling and mercurial music he has ever made.
Real Emotional Trash marks a departure – for the first time Malkmus has a band behind him whose chops and intuitive ability to run off a cliff in search of a chord progression matches his own. Janet Weiss, whose backing vocals illuminate a lot of these songs, is a drumming sensation. Along with bassist Joanna Bolme she forms a rhythm section whose sassiness is matched only by its heaviness and wig-out confidence; and having clicked, the Jicks really know how to cut loose.
There is a finessed jam feel at work in these tracks. Hopscotch Willie lunges hypnotically. Elmo Delmo suggests new definitions of the term headbanger.
At over ten minutes, the title track echoes such epic jams as Fairport’s A Sailor’s Life, Marquee Moon and Quicksilver Messenger Service’s Happy Trails. It also
highlights Malkmus’ ability to effortlessly turn his guitar into a splintering neon saw one minute, a silver chooglin’ riff monster the next. Whatever else is happening in Portland, Oregon they should build a glass-domed psychedelic ballroom in the near future.
R E T, like a lot of great records, maps out its own wide open space and pushes itself around, shifts in different directions and changes its shape – a group locked together in the same psychic environment.
Scattered across the tracks are snatches of Malkmus’ trademark head-scratching insights: Cold Son finds the protagonist feeling “like a nympho stuck in a cloister”. The title track’s recollection that “down in Sausalito we had clams and dessert / you spilt chardonnay on your gypsy skirt” maintains the eye for social detail that suggest,
had he been born a few generations earlier, Malkmus would have traded baseball cards and peyote tips with Terry Southern and John Updike.
When headlining the closing night of The Green Man Festival in 2007 Malkmus and the Jicks’ set drew heavily on R E T. The songs sounded blasted and psychedelically modern. What a rush that in their recorded state they are even more intuitive, starlit and stretched.
