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Insofar as Tournemire's name is now remembered, it is usually spoken of in connection with his biggest composition: L'orgue Mystique, a group of 51 sets of five pieces each (except for Holy Saturday, which contains only three pieces), all written between 1927 and 1932. This collection covers the cycle of the Roman Catholic liturgical year, each set being based on the Gregorian chants for the day. Unlike the symphonies of Charles-Marie Widor, which are usually heard in secular recitals, L'Orgue Mystique was designed for church use.
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