Annoyingly Rubbish Current Pop Songs (2 Viewers)

Em how have Owl City not been sued by Ben Gibbard?

claims he's heard of Postal Service but isn't influenced by them.

Eh... in case you haven't heard

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I know this is old news... still
 
Em how have Owl City not been sued by Ben Gibbard?

claims he's heard of Postal Service but isn't influenced by them.

Eh... in case you haven't heard

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I know this is old news... still




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oh dear, the amount of stars for the Teen Hearts on youtube have really gone down since they became racists.
 
Anyway

no one knows who these virals are for

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and everyone is afraid to get excited in case they're for something absolutely rubbish. Any ideas?
 
one theory

title of the first video: Prelude 699130082.451322

6+9+9+1+3+0+0+8+2 = 38 || 4+5+1+3+2+2 = 17

now: A - 1, B - 2, C - 3, D - 4, etc...

38: CH (3 - C, 8 - H)
17: AG (1 - A, 7 - G)

it's CHristina AGuilera.
 
oh dear, the amount of stars for the Teen Hearts on youtube have really gone down since they became racists.



Aaaaahh now; you know and I know they always had it in them to be exuberant people haters


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ErraticAirwaves (1 week ago) Show Hide
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I wore a long cardigan today because of this. Lol.
I <3 dressing according to what I'm listening to.

sweet-motherfucking-jesus
 
I don't like Since You been Gone and I don't like this either

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it was http://www.thesinglesjukebox.com/ 's song of 2009.



Jonathan Bradley: Swift’s songwriting talent is nothing short of incredible. Though it seems to be effortlessly constructed, “You Belong With Me” is loaded with precise but lightly drawn observations, capturing great depths of character and motivation in a few lines. Her approach is diaristic; the song starts on “a typical Tuesday night,” which means little except that Swift seems to have a fixation with Tuesdays; in “Forever and Always”, she describes meeting a boy on “I believe it was a Tuesday.” The repetition across her oeuvre of these motifs (she is also fond of kissing in the rain) suits the obsessive close reading of relationship turmoil at the heart of nearly all her songs. On this particular typical Tuesday, she’s hanging out in her crush’s bedroom while he argues on the phone with his girlfriend. It’s so natural you could miss how perfectly revealing it is: who else but a high school boy would force his guest to hang around listening to his relationship’s dirty laundry? Later on, Swift captures the giddy thrill of spending time with someone you adore with a few offhand remarks about “worn out jeans” and an amazed sigh of “hey, isn’t this easy?” But I fear the title and the (adorable) video get it wrong: The boy in question does not actually belong with Swift. Listen to her audible inhalation at 2:47, when her breath catches in her throat before she piles on the reasons her object of affection should be with her — Taylor knows his favorite songs, his dreams — delivering them in a rushed, too-insistent torrent, in case he should dare interrupt her with the horrible truth that love is not a legality to be argued in a courtroom, and each certainty of which Swift has convinced herself probably means nothing at all. This is the sound of a girl fighting against the gradual realization that she’s stuck in the friend zone, but it’s also the work of a truly impressive pop writer.

sometimes I feel like people are afraid of pointing out that very successful pop songs* can be awful, as well as good, for fear of being called old.

er, although I wouldn't go as far as calling that song 'awful'. It might make a nice theme tune for a nickelodeon show

*not counting novelty songs
 
I agree, it's no Love Story. I don't know anything about pop music anymore, I never listen to the radio and the only time I see MTV or the like is when I'm staying in a hotel somewhere foreign. So I can fill you in on Dutch boybands circa last December.
 
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