sunno)))
+ Final
tuesday oct 17
crawdaddy
doors 8.30
Tickets €17 from road, city discs, sound cellar and
online at www.tickets.ie
www.umack.com
JUSTIN BROADRICK (EX NAPALM DEATH /GODFLESH) HAS JUST BEEN CONFIRMED TO PERFORM AS FINAL AT TUESDAYS SUNNO))) CONCERT!
Listen to Final at www.myspace.com/officialfinal
the heaviest band in the world, sunno))), return to
Dublin on tuesday october 17. This time it's the bar
staff at Crawdaddy who will have their evening ruined
by the subbass violence of men dressed in masks
and capes blasting one note riffs at an incredibly
loud volume. for this performance the band will be
joined by justin broderick, formerly of godflesh and Mark D, formerly of Melvins.
unmissable stuff, for those who have got what it
takes.
SUNN 0))) are Greg Anderson aka: The Duke, Mystik Kiff
(member of: Thorrs Hammer, Goatsnake, The Teeth of
Lions Rule the Divine)
Stephen O'Malley aka : MK Ultra Blizzard
(member of: Thorrs Hammer, Burning Witch, Khanate, The
Teeth of Lions Rule the Divine)
SUNN 0))) is the heavy rock equivalent of an
institutional-size dose of Largactyl; when you finally
get down, you stay down. SUNN 0))) makes sounds of
weather formation size meditations, as monolithic as a
brick of monosludge. SUNN 0))) music is huge and
simple, like a future race of technologists who forgot
how to build microchips so had to return to
factory-sized computers. Its shamanic appeal is
considerably enlivened by the sub-bass disfigurations
caused to all bowels in the immediate proximity,
whilst the lead guitar clings to your torso like a
butter knife spreading Philly Lite first on a piece of
toast, then on the bread board, then across the
counter over the fridge and up the walls into adjacent
rooms. The SUNN0))) mission is to create trance like
soundscapes with the ultimate low end/bottom
frequencies intended to massage the listeners
intenstines into a act of defecation.
The powers that be contracted the heaviest low end
destructors SUNN 0))) to create the most subharmonic
drone recording ever put to tape. A test impossible
for most mortals. Prepare your sound system!
FINAL serves as an undefinable and experimental interpretation of Justin Broadrick's more recognised music ; encompassing the brutal and the dark to the beautiful and the melodic, the term 'ambient' is often used to describe the sound of FINAL, but the music is not at all intended to function purely as background as the term 'ambient' generally implies.....
Before Justin Broadrick was in Napalm Death and way before his Jesu,Godflesh and Techno Animal projects, he had FINAL, this was the first music that he made and the first concerts he ever performed; initiated at the tender age of 13, inspired by the true old industrial music of Whitehouse, Throbbing Gristle, Ramleh and Maurizio Bianchi etc, Justin used his step fathers primitive musical equipment to forge his own sound influenced by the aforementioned artists and attempt with like minded individuals and friends to establish his own sound and vision. Basic recordings were made and this led Justin to form a cassette label in early 1984 (Post Mortem Rekordings) releasing his own cassettes and eventually other artists too, this tape only label lasted from early 1984-86, releasing over 50 cassettes of confrontational hate noise/power electronics and Throbbing Gristle inspired electronic psychedelia.
By the time Justin joined Napalm Death in 1985, he had already become interested in creating music outside of the 'industrial/noise' genre, even FINAL itself around this period briefly became a band using 'rock' instrumentation. Once Justin had become busier with Napalm Death and the pre Godflesh band Fall Of Because, he slowly moved away from what he was doing with FINAL and eventually shelved the project in late 1986.
After the first 3 years of the existence of Godflesh, Justin became interested in wanting to resurrect FINAL, recognising the open ended area FINAL worked in and yearning for more experimentation particularly within an area without the trappings of 'rock' music. Justin began recording new pieces, utilizing guitar,tapes,synths and samplers. The result was the first ever CD release by FINAL simply entitled 'One', this was released by Sentrax in Europe and Bill Laswells label Subharmonic in the U.S.A in 1993. 'One' collected Justins first new work as Final in over 6 years, also included on 'One' was a long piece that compiled small edits of some of Justins earlier work as Final from 1983-86.
The influences on FINAL were now much wider than the earlier 'industrial' influences ; sombre and textural ambient sounds had a huge bearing upon the early 90's incarnation of FINAL, Justins exposure to Brian Eno as a youngster had made its impact. More releases followed - FINAL '2' on Sentrax once more, the full length CD - 'the first millionth of a second' (in collaboration with Godflesh's GC Green) which was released on U.S experimental music giant Manifold, Jesu bassist Diarmuid Dalton also began to collaborate with Justin, both on Final '2' and on the 'Solaris' CDep released on Alleysweeper/Invisible, later re-released as a full length with a 30 min extra track. After two 7" singles and numerous compilation apperances, Justin continued to record FINAL material but without a planned release schedule due to being so busy with other projects.
In 2001 Neurot recordings approached Justin offering to release FINAL '3', Justin set about slowly recording and accumulating material from then until early 2005, some in collaboration again with Diarmuid Dalton. Bringing us to the present day, FINAL '3' is finished and due for release on Neurot Recs. in Feb 2006, its a double CD set compiling various recordings from 2001-2005.
Since forming Jesu, Justin has become very active with FINAL inspired by his new works on '3',recording has already begun for forthcoming releases, and now Justin is preparing to perform as FINAL, his first performances as FINAL since1985. FINAL is more active than ever....
FINAL collaborators from 1983 to the present day - Andrew Swan,Guy Pearce,Nicholas Bullen,Kevin Johnson,Paul Neville,GC Green,Diarmuid Dalton.
+ Final
tuesday oct 17
crawdaddy
doors 8.30
Tickets €17 from road, city discs, sound cellar and
online at www.tickets.ie
www.umack.com
JUSTIN BROADRICK (EX NAPALM DEATH /GODFLESH) HAS JUST BEEN CONFIRMED TO PERFORM AS FINAL AT TUESDAYS SUNNO))) CONCERT!
Listen to Final at www.myspace.com/officialfinal
the heaviest band in the world, sunno))), return to
Dublin on tuesday october 17. This time it's the bar
staff at Crawdaddy who will have their evening ruined
by the subbass violence of men dressed in masks
and capes blasting one note riffs at an incredibly
loud volume. for this performance the band will be
joined by justin broderick, formerly of godflesh and Mark D, formerly of Melvins.
unmissable stuff, for those who have got what it
takes.
SUNN 0))) are Greg Anderson aka: The Duke, Mystik Kiff
(member of: Thorrs Hammer, Goatsnake, The Teeth of
Lions Rule the Divine)
Stephen O'Malley aka : MK Ultra Blizzard
(member of: Thorrs Hammer, Burning Witch, Khanate, The
Teeth of Lions Rule the Divine)
SUNN 0))) is the heavy rock equivalent of an
institutional-size dose of Largactyl; when you finally
get down, you stay down. SUNN 0))) makes sounds of
weather formation size meditations, as monolithic as a
brick of monosludge. SUNN 0))) music is huge and
simple, like a future race of technologists who forgot
how to build microchips so had to return to
factory-sized computers. Its shamanic appeal is
considerably enlivened by the sub-bass disfigurations
caused to all bowels in the immediate proximity,
whilst the lead guitar clings to your torso like a
butter knife spreading Philly Lite first on a piece of
toast, then on the bread board, then across the
counter over the fridge and up the walls into adjacent
rooms. The SUNN0))) mission is to create trance like
soundscapes with the ultimate low end/bottom
frequencies intended to massage the listeners
intenstines into a act of defecation.
The powers that be contracted the heaviest low end
destructors SUNN 0))) to create the most subharmonic
drone recording ever put to tape. A test impossible
for most mortals. Prepare your sound system!
FINAL serves as an undefinable and experimental interpretation of Justin Broadrick's more recognised music ; encompassing the brutal and the dark to the beautiful and the melodic, the term 'ambient' is often used to describe the sound of FINAL, but the music is not at all intended to function purely as background as the term 'ambient' generally implies.....
Before Justin Broadrick was in Napalm Death and way before his Jesu,Godflesh and Techno Animal projects, he had FINAL, this was the first music that he made and the first concerts he ever performed; initiated at the tender age of 13, inspired by the true old industrial music of Whitehouse, Throbbing Gristle, Ramleh and Maurizio Bianchi etc, Justin used his step fathers primitive musical equipment to forge his own sound influenced by the aforementioned artists and attempt with like minded individuals and friends to establish his own sound and vision. Basic recordings were made and this led Justin to form a cassette label in early 1984 (Post Mortem Rekordings) releasing his own cassettes and eventually other artists too, this tape only label lasted from early 1984-86, releasing over 50 cassettes of confrontational hate noise/power electronics and Throbbing Gristle inspired electronic psychedelia.
By the time Justin joined Napalm Death in 1985, he had already become interested in creating music outside of the 'industrial/noise' genre, even FINAL itself around this period briefly became a band using 'rock' instrumentation. Once Justin had become busier with Napalm Death and the pre Godflesh band Fall Of Because, he slowly moved away from what he was doing with FINAL and eventually shelved the project in late 1986.
After the first 3 years of the existence of Godflesh, Justin became interested in wanting to resurrect FINAL, recognising the open ended area FINAL worked in and yearning for more experimentation particularly within an area without the trappings of 'rock' music. Justin began recording new pieces, utilizing guitar,tapes,synths and samplers. The result was the first ever CD release by FINAL simply entitled 'One', this was released by Sentrax in Europe and Bill Laswells label Subharmonic in the U.S.A in 1993. 'One' collected Justins first new work as Final in over 6 years, also included on 'One' was a long piece that compiled small edits of some of Justins earlier work as Final from 1983-86.
The influences on FINAL were now much wider than the earlier 'industrial' influences ; sombre and textural ambient sounds had a huge bearing upon the early 90's incarnation of FINAL, Justins exposure to Brian Eno as a youngster had made its impact. More releases followed - FINAL '2' on Sentrax once more, the full length CD - 'the first millionth of a second' (in collaboration with Godflesh's GC Green) which was released on U.S experimental music giant Manifold, Jesu bassist Diarmuid Dalton also began to collaborate with Justin, both on Final '2' and on the 'Solaris' CDep released on Alleysweeper/Invisible, later re-released as a full length with a 30 min extra track. After two 7" singles and numerous compilation apperances, Justin continued to record FINAL material but without a planned release schedule due to being so busy with other projects.
In 2001 Neurot recordings approached Justin offering to release FINAL '3', Justin set about slowly recording and accumulating material from then until early 2005, some in collaboration again with Diarmuid Dalton. Bringing us to the present day, FINAL '3' is finished and due for release on Neurot Recs. in Feb 2006, its a double CD set compiling various recordings from 2001-2005.
Since forming Jesu, Justin has become very active with FINAL inspired by his new works on '3',recording has already begun for forthcoming releases, and now Justin is preparing to perform as FINAL, his first performances as FINAL since1985. FINAL is more active than ever....
FINAL collaborators from 1983 to the present day - Andrew Swan,Guy Pearce,Nicholas Bullen,Kevin Johnson,Paul Neville,GC Green,Diarmuid Dalton.
