HIGH ON FIRE + PELICAN (1 Viewer)

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u:m

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U:MACK presents[FONT=Arial, Helvetica, sans-serif][/FONT][FONT=Arial, Helvetica, sans-serif]HIGH ON FIRE

PELICAN
[/FONT][FONT=Arial, Helvetica, sans-serif][/FONT][FONT=Arial, Helvetica, sans-serif][/FONT][FONT=Arial, Helvetica, sans-serif] TUESDAY DECEMBER 11
WHELANS

[/FONT][FONT=Arial, Helvetica, sans-serif] DOORS 8pm. TICKETS [FONT=Arial, Helvetica, sans-serif]17 FROM ROAD RECORDS, CITY DISCS, SOUND CELLAR & SPINDIZZY & ONLINE AT [FONT=Arial, Helvetica, sans-serif]www.tickets.ie/umack[/FONT][/FONT][/FONT]



High on Fire "Death Is This Communion" available now on Relapse

Pelican "City Of Echoes" available now on Hydrahead

HOFPelican07567.jpg


HIGH ON FIRE
In June 2006, after a long, intense writing process, HIGH ON FIRE entered Seattle's Avast 2 and Soundhouse studios with legendary producer Jack Endino (NIRVANA, SOUNDGARDEN) to record their long-awaited new full-length, Death Is This Communion.

Death Is This Communion is High On Fire's ultimate sonic masterpiece. Matt Pike's unmistakable guitar playing and throaty war cry lead the charge, while Des Kensel's massive drumming takes on a new life and pushes the beast onward more urgently than ever. From the rampaging 'Rumors of War' and 'Fury Whip', through the hypnotic riffs of 'Ethereal' and the album's title track, Death Is This Communion is HIGH ON FIRE's masterwork.

HIGH ON FIRE:
Matt Pike: Guitar, Vocals
Des Kensel: Drums
Jeff Matz: Bass

HIGH ON FIRE website: http://www.highonfire.net


PELICAN
with City of Echoes, a new step in Pelican's evolution is unveiled. However, this new album doesn't depict a shift as much as it exemplifies maturation. Growth is in the sharpened and charged delivery, and the clarity that the band's dynamics are finally afforded. Pelican has always reveled in textured progressions, but this new album showcases more twists and unexpected turns; songs with more of a narrative or lyrical feel. And as evidenced by the post-DC-punk influenced title track, the band's disparate influences are urgently clear - Failure and Jawbreaker are now easier reference points, thanks to a stellar recording by Andrew Schneider (Keelhaul, Cave In, Old Man Gloom). Fans of the band's heavier side won't be disappointed, though, with behemoths like "Dead Between the Walls" and "Bliss in Concrete." And whereas past recordings seemed to push forward Laurent Schroeder-Lebec and Trevor de Brauw's dynamic guitar playing, this album finds the rhythm section of brothers Larry and Bryan Herweg more exhilarating and present than ever before. "Far From Fields," "Lost in the Headlights" and "Spaceship Broken - Parts Needed" - songs inspired by spending months criss-crossing the country in a van - show Larry and Bryan finding exceptional new ways to drive the songs as a whole, rather than simply backing the guitar lines.
 

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