Wölflinge
Active Member
Our next Black Sun will take place on August 3rd in the Pavilion, with Mark Durgan (Putrefier/ Nihilist Assault Group/ The New Blockaders/ Birthbiter label). Special guest, Steve Underwood (Harbinger Sound) will be selling records. Experimental film programme by Maximilian Le Cain. Vegan cakes from Sugar Moon. Full lineup tbc.
/// ///
"For the past twenty years, Mark Durgan, known under the Putrefier moniker and his label Birthbiter (1986), is one of the few genuinely curious anomalies operating today. Disassociated with a lot of noise, he is more of a true outsider of this scene, somewhat akin to the older sound poets. Although their realm of art is very different to that of his, comparisons can be made. The lack of concrete documentation, both written and recorded, could be construed as an attempt at mystery, but the reality is that it all comes down to a total ambivalence about having a public persona.
From the influences of Power Electronics and especially early nineties Japanese noise ('Cog Dominance' cassette, 1987 on Broken Flag), his music has developed into different areas of the avant garde spectrum, such as musique concrete, improvisation and electroacoustic music, demonstrated in one of his latest works done with The New Blockaders. Being able to appreciate other forms of experimentation, he takes noise to a different level."
(http://www.pan-act.com/)
/// ///
"For the past twenty years, Mark Durgan, known under the Putrefier moniker and his label Birthbiter (1986), is one of the few genuinely curious anomalies operating today. Disassociated with a lot of noise, he is more of a true outsider of this scene, somewhat akin to the older sound poets. Although their realm of art is very different to that of his, comparisons can be made. The lack of concrete documentation, both written and recorded, could be construed as an attempt at mystery, but the reality is that it all comes down to a total ambivalence about having a public persona.
From the influences of Power Electronics and especially early nineties Japanese noise ('Cog Dominance' cassette, 1987 on Broken Flag), his music has developed into different areas of the avant garde spectrum, such as musique concrete, improvisation and electroacoustic music, demonstrated in one of his latest works done with The New Blockaders. Being able to appreciate other forms of experimentation, he takes noise to a different level."
(http://www.pan-act.com/)