- Joined
- Dec 13, 2000
- Messages
- 4,073
here, i don't want to come across like a moany bitter prick. tym had loads of positives as i've said above - the gig listings, collective promotion, helping out with organising gigs, giving a hand and advice with the recording/producing/releasing process. and realistically i think this is all you could expect from such a diverse group of folk.
i think the diversity (not just in musical genre but even in basic attitudes) and lack of concise leadership is what hurt the more ambitious projects and these were the ones that usually involved hard cash (the stall, the distro, the tour). but at the end of it all many people became good mates and ended up doing stuff they never would have without tym, meself included.
i think it's great that someone like clonan there was able to use some of the advice to get stuff done. similarly tym drew on the experience of folk who had been involved with the kids and the hope collective so i think it'd be great to see something similar in the future.
i think the diversity (not just in musical genre but even in basic attitudes) and lack of concise leadership is what hurt the more ambitious projects and these were the ones that usually involved hard cash (the stall, the distro, the tour). but at the end of it all many people became good mates and ended up doing stuff they never would have without tym, meself included.
i think it's great that someone like clonan there was able to use some of the advice to get stuff done. similarly tym drew on the experience of folk who had been involved with the kids and the hope collective so i think it'd be great to see something similar in the future.