'the best skateboarding Iranian vampire yet committed to screen' - Hugh McCabe on A Girl Walks Home Alone At Night
Ad Astra desperately wants to be spoken of in the same breath as Kubrick’s 2001, writes MacDara Conroy
'an attack on the senses, a violence towards the audience that targets expectations of beauty, of wholeness, of integrity' - Ian Maleney on Jean Luc Godard's Adieu Au Langage
True-life kidnap drama All the Money in the World is “two distinct films fighting for attention”, says MacDara Conroy
Anchorman 2 'falls victim to the law of diminishing returns' but it's not all bad, says MacDara Conroy
‘The worst that might be said about Annie Mark 2 is that it isn’t Frozen, and that’s hardly a crime’ says MacDara Conroy
'a beautifully shot, well acted, and thoughtful science fiction movie' - Hugh McCabe on Denis Villeneuve's Arrival
'A rare thing: a film that delivers on all of its promises' - Fred O'Connor on sarcasm & explosion-fest Avengers: Age Of Ultron
‘It shouldn’t work - a heist thriller with car chases that’s also a stealth musical?’ - MacDara Conroy on Baby Driver
'The film is a real opulent mess, devoid of any real identity or direction' - Thomas Parkes on Batman V Superman: Dawn of Justice
