Enthusiastic Eunuch presents
Oren Ambarchi
with special guests
The Jimmy Cake
Bello Bar
Thursday May 12th
Tickets €14 + BF available here
https://billetto.ie/en/events/oren-ambarchi-the-jimmy-cake
Oren Ambarchi's works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal.
From the late 90's his experiments in guitar abstraction and extended technique have led to a more personal and unique sound-world incorporating a broader palette of instruments and sensibilities. On releases such as Grapes From The Estate and In The Pendulum's Embrace Ambarchi employed glass harmonica, strings, bells, piano, drums and percussion, creating fragile textures as light as air which tenuously coexist with the deep, wall-shaking bass tones derived from his guitar.
Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Charlemagne Palestine, Sunn 0)), Thomas Brinkmann, Keiji Haino, Alvin Lucier, John Zorn, Merzbow, Jim O'Rourke, Keith Rowe, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, crys cole, Fire! and many more.
Since 2001 Ambarchi has toured Europe, Nth America and Japan regularly and has performed at major festivals such as ATP (UK), Sonar (Spain), Mutek (Canada), CTM (Germany), INA GRM (France), Roskilde (Denmark), Etna Fest (Italy), Festival De Mexico (Mexico) and many more including a recent live collaboration with the Icelandic Symphony Orchestra at the Tectonics festival in Reykjavik. His acclaimed trio with Keiji Haino and Jim O'Rourke performs in Tokyo annually with many of their concerts documented on Ambarchi's Black Truffle label.
Ambarchi has released numerous recordings for labels such as Touch, Southern Lord, Editions Mego, Drag City, Kranky and Tzadik. His solo release Sagittarian Domain was voted #1 in Spin magazine's Best Avant albums of 2012.
His latest release is Quixotism which was listed in The Wire magazine's top 50 releases of 2014.
"His buddy Fennesz gets all the ink as the next generation of guitar, but Ambarchi is the more nuanced and tactile player, still physically invoking that instrument, but making it sound like an abstract noisemaker without the help of a Powerbook. His 'tone' is somewhere between gamelan gong and an ungrounded wire, with subterranean throbs bristling with static and shorted-out crackle. You can feel every touch of his finger, every gesture of his body coming through the strings... retaining a hypnotic effect on listeners". - Dusted
"It's like the weird, beautiful music you think you only hear in dreams".- Q Magazine
"No matter how camouflaged, a guitar is a guitar. Though it may be hard to believe this flickering six-string sunspot emerged from an instrument that established Steve Vai and Yngwie Malmsteen, Ambarchi makes his solo talk without resorting to a single spell-breaking finger-tap, mathy scale, or screeching whammy bar. Wonder what he could do with 'Hot for Teacher' - Pitchfork
"Ambarchi has developed a highly original guitar technique which preserves the instrument's six string warmth even as it owes much to contemporary electronica. Indeed, his music has several affiliations with both post-Techno programming and post-Noise Improv. His compositions move along in a fog of understatement, neither settling into drones nor resolving into a barrage of noise. And for all his raucous avant punk roots, his playing has become positively approachable - he takes feedback overtones from more aggressive settings and re-presents them simply as sound. Exploring feelings of incompleteness, his pieces formulate sequences of notes that seem to require resolution, not only for the composer to withhold it. Notes hang in the air, while angular phrases are eccentrically looped. The softened attack of his notes makes for a mysterious, velvet-textured environment, in which the scenes he conjures up continually dissolve and re-form. This is intelligent, thoughtful, proactive ambience." - The Wire
The Jimmy Cake
Still high off their heads from the release of their sprawling fourth album 'Master', The Jimmy Cake begin a Summer of sporadic activity which they hope will culminate in the release of their fifth album 'Tough Love'. They head for London in May to play with Korean post-rockers Jambinai and watch out for a double headline Dublin show with Mr Charles Hayward later in the Summer.
Oren Ambarchi
with special guests
The Jimmy Cake
Bello Bar
Thursday May 12th
Tickets €14 + BF available here
https://billetto.ie/en/events/oren-ambarchi-the-jimmy-cake
Oren Ambarchi's works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal.
From the late 90's his experiments in guitar abstraction and extended technique have led to a more personal and unique sound-world incorporating a broader palette of instruments and sensibilities. On releases such as Grapes From The Estate and In The Pendulum's Embrace Ambarchi employed glass harmonica, strings, bells, piano, drums and percussion, creating fragile textures as light as air which tenuously coexist with the deep, wall-shaking bass tones derived from his guitar.
Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Charlemagne Palestine, Sunn 0)), Thomas Brinkmann, Keiji Haino, Alvin Lucier, John Zorn, Merzbow, Jim O'Rourke, Keith Rowe, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, crys cole, Fire! and many more.
Since 2001 Ambarchi has toured Europe, Nth America and Japan regularly and has performed at major festivals such as ATP (UK), Sonar (Spain), Mutek (Canada), CTM (Germany), INA GRM (France), Roskilde (Denmark), Etna Fest (Italy), Festival De Mexico (Mexico) and many more including a recent live collaboration with the Icelandic Symphony Orchestra at the Tectonics festival in Reykjavik. His acclaimed trio with Keiji Haino and Jim O'Rourke performs in Tokyo annually with many of their concerts documented on Ambarchi's Black Truffle label.
Ambarchi has released numerous recordings for labels such as Touch, Southern Lord, Editions Mego, Drag City, Kranky and Tzadik. His solo release Sagittarian Domain was voted #1 in Spin magazine's Best Avant albums of 2012.
His latest release is Quixotism which was listed in The Wire magazine's top 50 releases of 2014.
"His buddy Fennesz gets all the ink as the next generation of guitar, but Ambarchi is the more nuanced and tactile player, still physically invoking that instrument, but making it sound like an abstract noisemaker without the help of a Powerbook. His 'tone' is somewhere between gamelan gong and an ungrounded wire, with subterranean throbs bristling with static and shorted-out crackle. You can feel every touch of his finger, every gesture of his body coming through the strings... retaining a hypnotic effect on listeners". - Dusted
"It's like the weird, beautiful music you think you only hear in dreams".- Q Magazine
"No matter how camouflaged, a guitar is a guitar. Though it may be hard to believe this flickering six-string sunspot emerged from an instrument that established Steve Vai and Yngwie Malmsteen, Ambarchi makes his solo talk without resorting to a single spell-breaking finger-tap, mathy scale, or screeching whammy bar. Wonder what he could do with 'Hot for Teacher' - Pitchfork
"Ambarchi has developed a highly original guitar technique which preserves the instrument's six string warmth even as it owes much to contemporary electronica. Indeed, his music has several affiliations with both post-Techno programming and post-Noise Improv. His compositions move along in a fog of understatement, neither settling into drones nor resolving into a barrage of noise. And for all his raucous avant punk roots, his playing has become positively approachable - he takes feedback overtones from more aggressive settings and re-presents them simply as sound. Exploring feelings of incompleteness, his pieces formulate sequences of notes that seem to require resolution, not only for the composer to withhold it. Notes hang in the air, while angular phrases are eccentrically looped. The softened attack of his notes makes for a mysterious, velvet-textured environment, in which the scenes he conjures up continually dissolve and re-form. This is intelligent, thoughtful, proactive ambience." - The Wire
The Jimmy Cake
Still high off their heads from the release of their sprawling fourth album 'Master', The Jimmy Cake begin a Summer of sporadic activity which they hope will culminate in the release of their fifth album 'Tough Love'. They head for London in May to play with Korean post-rockers Jambinai and watch out for a double headline Dublin show with Mr Charles Hayward later in the Summer.
