Lost Film Fest come to Ireland (2 Viewers)

lostfilmdublin

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hey,
the Lost Film Fest will be coming to Ireland [tent.] for 4 days at the end of July. Below is the line up of film's planned to be shown.
if anybody has any ideas about organising the festival here, or wanna help out, please pm me or email [email protected]
thanks.

for more info look at:
http://www.lostfilmfest.com

Lineup: Tour 2003

Anarchy Carpet | (Siketrike)
A carpet roams the streets of Baltimore convincing the kids that a life of egalitarian cooperation would be more fun than living under consumer capitalism.

Anarchy in LA | (Jino Choi)
A primer on the most misunderstood philosophy of modern history, this piece dispels the common myths and misconceptions about anarchism while pointing out its' relevance and influence in the current protest movement. Cameo appearance by the infamous Spock Bloc.


Crowd Bites Wolf | (Guerrillavision) 20 min
Featuring protest footage censored by the mainstream press. The World Bank and the International Monetary Fund met in Prague during late September 2000. The bureaucrats were greeted by a color-coded insurrectionist army, massed to monkeywrench the meeting using a variety of direct action tactics. Despite an unprecedented police mobilization, a united resistance on the streets prevailed.

Eye of the Storm | (Raphael Lyon)
A powerful roughcut of the in-progress documentary. The film covers the rise of argentina.indymedia.org as the popular source of news in that country.

"GET ON THE SIDEWALK!... and if you don't like it, move to Iraq." | (nyc.indymedia.org) 7 min
On February 15, 2003 an estimated 500,000 people took to the streets of New York to protest George W. Bush's war against Iraq. Regardless of the fact that New York City was touched directly by the tragedy of September 11, officials would not issue a permit for a march. The day of the rally, the city gave into pressure from demonstration organizers, and reluctantly allowed people to rally up the street from the United Nations HQ. As thousands of people, young and old braved the bitter cold, police assaulted the peaceful crowds, blocked streets and walkways thus preventing them from joining the rally. A carnival of democratic and artistic expression was greeted by the heavy-handed tactics of law enforcement. Police used pepper spray and mace, trampled individuals with horses, and clubbed people in the head. Protestors were subject to mass arrests though not read their rights. Access to medicine or bathroom facilities were denied as people sat in plastic handcuffs on police buses until the next day. Thousands of people with video cameras documented the abuses. The evening news falsely reported that the day had passed without incident, but the powers that be were in for a wake up call. Working overtime at the New York City Independent Media Center, amateur journalists compiled hours of video footage shot on the streets of police violence. A couple of days later a surprise press conference was held in order to expose to the world what had happened that day. On the web the video was made available and spread virally. This is the actual shocking footage of extreme police brutality on a day when people attempted to march for peace.


Gigi from 9 to 5 | (Joanne Nucho) 8 min
A Post Modern & Situationist inspired musical, "Gigi (from 9 to 5)" is a story about the perils of the endless cycle of work and consumption. Gigi sings and dances her way through her day, trying to keep up with the show. Features Gina Young and members of Black Dice.


GNN [ S-11 (Channel) Surfing the Apocalypse ] | (Guerrilla News Network) 12 min
Culled from over 20 hours of television footage recorded over a one month period and across 13 networks, S-11 Redux is a sound-bite blitzkrieg that challenges the messages we have been fed from our mainstream media and the government it serves. Be warned - this video moves quickly and will require at least two viewings to digest its full impact. You may never be able to look at the coverage of S-11 and its post-impact coverage the same way, ever again. www.gnn.tv


G-Sprout | (Mirha-Soleil Ross and Mark Karbusicky) 12 min
A cyberspace encounter turns into a trans-polysexual-vegan-docu-porno featuring urban veggie lovers speaking out on dating, intimacy, and sex in a meat-centred culture. G-Sprout neatly rolls the themes of sex and death into one. Directors Mirha-Soleil Ross and Mark Karbusicky explore the topic of vegans and vegetarians who only date their own kind. The first five minutes of the doc seem like an elaborate joke, as two online vegans with the handles Tofutits and Soyboy meet in a chat room. Over graphic footage of them having sex, the directors superimpose interviews with vegans and vegetarians explaining their preferences. What the veggies have to say fulfills the stereotype of vegans as crunchy, militant types who waffle on about "sensing and feeling desire without words" and "creating a type of magic" with a non-meat-eating partner. (Meat-eaters in the audience may squirm to learn that they apparently have six pounds of dead animal festering in their gut.) However, the tone shifts midway through the film, as the background images change from oral sex to scenes from slaughterhouses. These kinds of images aren't new, but the directors manage to invest them with fresh significance. G-SPrOuT's jokey tone gives way to a meaningful discourse of the level of commitment -- both political and personal it takes to be an animal rights activist.


The Horribly Stupid Stunt Which Has Resulted In His Untimely Death | (The Yes Men) 16 min
An international law conference writes to Gatt.org inviting WTO Director-General Michael Moore to present at their forum in Austria. Big mistake: It turns out the cyber-squatted site is run by the Yes Men, a loose-knit group of anti-capitalist culture jammers who regularly orchestrate pranks against economic and government institutions.

The Manipulators | (Andrew Jeffrey Wright / Clare Rojas) 2 min
Andrew Jeffrey Wright & Clare Rojas (Space 1026) use their animation superpowers to hijack a fashion magazine and manipulate the images used to manipulate us.

Hatching Beauty | (Amy Hicks) 10 min
Hatching Beauty is a humorous and satirical experimental collage that intertwines live action, stop-motion, and found footage to emphasize our ideas about consumerism, working for a living, genetic engineering, and the amount of control (or lack thereof) we have over our lives. Hatching Beauty is a warped view of what tomorrow might be like and the decisions we may have to face as we cease to be mere consumers, but become consumable commodities ourselves.

Lego Trilogy | (Rob Weychert) 12 min
Three Lego tales told by Bredstik Comedy Troupe's Rob Weychert:
(SIEGE ON THE CORPORATE IDENTITY PLANT):
Militants infiltrate a businessman factory producing homogenized workers, and leave a bomb behind.
(HEAT PART 2): New Jersey is threatened with accelerated global warming. The government's solution= Blow up the sun.
(TWELVE BUCKS): A scathing examination: what are you really doing for 12 bucks an hour?

Maryland 355 | (Ben Scholle) 6 min
A self critical and hilarious activist produced narrative in which Anarchists searching for a meaningful approach to improving the social good, decide to adopt a highway. Featuring Eric Hammar (Frail), author Carissa Vandenberk Clark & Scott Beibin (lost film fest)

Nine News | (Andre Hyland) 8 min
A hilarious remixed episode of nine news out of Cincinatti, OH featuring remixed clips, and added footage from the creator of Presto Majesto.

Piefight '69 | (Sam Green/ Christian Bruno) 8 min Unearthed footage lost since 1969 of the notorious 'pie-fight' incident at the San Francisco Film Festival. Two dozen costumed radicals descend on the fancy black tie & red carpet festival with one fully laden pie truck and six cameras in order to wreak havoc.

Punk Rock Archives: Social Distortion | (CTV) 20 min doc
CNN can only aspire to be as sensationalistic as this piece. In 1988 a Canadian program of "investigative journalism" aired "Social Distortion", a Reefer Madness-style expose that scrutinized the 'threatening lifestyles' of punk rockers. With a straight face, they claim that North American cities are being overtaken by cults of satanic punk street gangs. They attempt to prove their point by interviewing the founder of "Back in Control" (a right wing religious organization), with counterpoints from a 16-year-old suburban kid with a mohawk named "Razor". There's a laugh every five seconds, as the startling "journalistic" conclusions sound more like the clueless punchlines they are.


Unhappy Meal | (John R / Greg R) 6 min
"Unhappy Meal", shot on digital video and film is a multi-media assault that takes a critical and disturbing look at the McDonald's and consumer culture. R room's visual and graphical style come together in one of their wildest videos yet, featuring their very own Evil Ronald. Unhappy Meal is a hard hitting and humorous visual metaphor Intertwined with the twisted breakbeats of Patootihed. It explores all evils of the fastfood giant which opens 2000 franchises a year. This is an average of one every five minutes. Your street may be next.
 
F A Q

What the hell is Lost Film Festival?

1. A big annual events in Philly (next one is April 10-13, 2003)
2. a traveling showcase of truly independent (read: anti-corporate) film
3. Satellite events during larger film festivals like Sundance, Sxsw, CMJ
4. A curator for a series of VHS/DVD's released by Bloodlink Motion Pictures.

What is the touring program all about?

West Philadelphia's Lost Film Festival touring program features scathing and hilarious social commentary in the form of narrative shorts, documented pranks, and hot Riot Porn (amateur footage from protests around the world.)

"This is about breaking the illusions cast by Hollywood & CNN," says festival director Scott Beibin. "You won't see a lot of these at typical indie festivals." Earlier this year, Lost Film Fest featured Sean Connery Golf Project (dir: Sara Rimensnyder / Rhys Southan), the infamous documentary and controversial subject of a current lawsuit, in which two young down-on-their-luck filmmakers infiltrate Sony Pictures studios, steal a screenplay, rewrite it, and return the altered script.

The program is an action packed three hours long, and never drags. Narrated by Beibin, Lost Film Fest happens typically in Mad Max like environs like clubs, warehouses, rooftops, & squats staying true to its guerrilla aesthetic. Throughout the years it's gained enough popularity to regularly appear at theaters and universities. Many of the iconoclastic filmmakers featured in the program make use of Digital Video and Non-Linear editing, producing low to no-budget masterpieces. Their films intentionally fly under the radar of the mainstream. Beibin runs the punk label Bloodlink Records, and was Co-Producer of underground festival favorite Godass (dir. Esther Bell). "What makes the program unique is that he's stuck like glue to his DIY roots and it shows." Beibin will only play to all ages audiences, and feels very strongly about keeping the prices low (A cheap date for cheapskates.) As a result, the festival constantly experiments with presenting images in fresh new ways that could very well be the future of cinema.

Whats the History?

Part 1

In 1999 Skot Beaudoin and Mike Carroll were organizing a film/band event in Doylestown PA. They called Scott Beibin of Bloodlink Records to see if they could get Atom and His Package or Kill The Man Who Questions to play. Scott had been working in film acting and locations managing, so he offered to loan his assistance. Mike Hall, a student at University of the arts jumped on, and a collective was formed. The Doylestown event never happened because the town officials were scared it would turn into Woodstock 99, so it was moved to West Philly at Killtime and Fakehaus for Nov 6 & 7, 1999. Originally it was meant to be a two day long one-shot film/music/puppet show with special guests Timothy Speed Levitch presenting "The Cruise", Physics (gravity records), Shoddy Puppet Company, Windfall, Satellite Crash, Xander Marro, Raphael Lyon, and others. Since so many people came and had fun we set it up for the next month. People who also helped out were Mogota, Ryan Saulsbury, Ani, Joe Gough and others.

The second one happened at Killtime right after Scott Beibin came back from Seattle for the WTO protests. He brought back with him "RIP WTO N30", a short that eventually morphed into "Breaking The Spell". Jeff Krulik was a guest as well, and presented "Heavy Metal Parking Lot". An Albatross played their second show and unveiled "The Truth". Ben Scholle premiered "Maryland 355", a short that featured Eric Hammar (Frail), Carissa Van Den Berk Clark (Screams From Inside, Yours For the Revolution), and Scott Beibin (lost film fest/bloodlink). We decided to take a break after this event.

The first out of town event happened in Lancaster PA at Zoetropolis. It seemed like a good idea to hit the road sometime or another, but it was really rare to find folks with video projectors. An idea was sparked

The third philly event was held at 4040 to a huge crowd on a wintry March day. Ian Mac Kaye came to present "Fugazi: Instrument", Esther Bell showed up for the Philly Premiere of "Godass" (a film Scott Beibin helped to produce), The kids in Zegota staged a fake fight following Jon Foy's doc "Zegota: Wreck Your Life", Jason Shevchuk presented "Ghetto Venue", and Lightning Bolt and Brian the king of Piano Porn Played. The whole event was emceed by Dylan Studebaker, the Punk Magician. Michael Galinsky (Horns and Halos) and Ed Halter (NYUFF) from Insound.com produced a short documentary about the whole event. Bridge Cox and Ryan Salsbury saved the day and did a ton of work.

Lost Film Fest 4.0 happened in July-Aug of 2000 during the Republican National Convention. Things went really well until the Philly police arrested 420 protestors, and held them until the convention was over, some even without charges, and others with ridiculous bails of $100,000 for the equivalent of jaywalking. Some charges still remain. LTC-HTG. The fest featured the philly preiere of Breaking the Spell. Our guests were Jello Biafra, Mark Hosler of Negativland, The Crimethinc Circus, Bob Ray, Rusty Nails, Billionaires for Bush or Gore, and tons of other people. This event was really cool because it was held in the Plays and Players Theater, but a real bummer because the projector we rented was stolen, and attendance was low because everyone was in jail including two of the volunteers.

In summer of 2000 Lost Film Fest kids, Esther, John, Chris Crust, and Beibin went on the road with Godass, Heavy Metal Parking Lot, and Kung Fu Jew. The trip was crazy as it was so hot, the car would only drive 40 mph, and the crew got arrested for swimming in a hotel pool in Gainesville FL. All the shows were lots of fun.

Later we did a show for the Digital Media Expo in NYC at Anthology Film Archives where Fred Schneider (b52's) came to present "Godass", and Brackin, Jessica Rockstar, and Burrow came to do radical cheers. Yay!

Skot Beaudoin stepped away from the fest and started doing the Record label 'When Humans Attack' , working on putting out the first LP for AN ALBATROSS.

Beibin started to take to the road and constantly tour since then. He went to Switzerland to present Godass at ARGOS 2000. He began compiling lists of folks who put on DIY shows that would be willing to host traveling film fests.

Jan 2001 saw the first appearance of Lost Film Festival in Park City Utah during Sundance we were on a roll

Rob Carlsen came and joined the fest, and everything started to get good

Part 2 later..
 
guardian article

guardian link isn't working so here's the article::


Escape from Indywood

Forget Sundance, says Duncan Campbell. You'll find America's best underground cinema in clubs, coffee bars and an old school bus

Monday February 3, 2003
The Guardian

Over the past week, Utah's Sundance film festival has been championing the cause of the small-budget independent film. Although it has generally been reckoned to be a good year for the festival, set up by actor and director Robert Redford, lately it is hard not to feel that Sundance is becoming a part of the Hollywood machine, a chance for the big studios and distributors to poach talent and push their smaller films. Beneath the radar of Hollywood and Sundance, however, thousands of films are being made on tiny budgets and screened in dozens of little-known festivals across the US.
Chaya Kornreich of IndieWire, which produces a daily internet newsletter on independent film, says that there has been an enormous growth in interest in films that are outside even the current definition of independent, and a consequent increase in the number of tiny film festivals. IndieWire has 32,000 subscribers to its daily bulletin, not to mention the tens of thousands more who take information from its website.

"There are probably around 400 to 500 of these small festivals every year," says Kornreich. "Ones that may last only a day or two are popping up all over the country. It's hard to get proper distribution at the moment but you never know who's attending a festival and may see your film."

The standard of films shown is uneven. Some are just badly made and derivative, but there are also some original marvels, comic or serious, that give a far broader picture of the state of the nation than the rather narrow view presented by Hollywood or "Indywood", as the high end of independent film is sometimes called.

Sundance itself, of course, has already spawned many imitators and satellite festivals, some of which take place alongside the main event in Park City, Utah. Slamdance is the best known of these; its discoveries include Christopher Nolan's Following and Mark Moskowitz's Stone Reader. Other satellite festivals now running in the area include Slamdunk and Tromadance.

Nothing symbolises the form of low-budget, guerrilla film-making and distribution better, perhaps, than the Lost film festival, which was set up in 1999 and is currently inviting entries to its annual event in west Philadelphia. "A truly independent film festival should feature films not under the control of major distributors, and also a lot more international films," says its director, Scott Beibin, a 31-year-old New Yorker who had a small part in John Waters's Cecil B Demented and has also worked in the independent music business. "There are films that people would never otherwise get to see. I'd rather see some crazy experimental Brazilian film than some film that is going to be shown in cinemas. There's a whole world that is really beyond the view of the festival circuit and the work is often far superior. It's about breaking the illusions cast by Hollywood and CNN."

The Lost festival is remarkable in that, apart from its annual bash on its home territory, it takes its films on the road for most of the rest of the year. Beibin tours the country showing a sample of the films in warehouses and clubs, on rooftops and campuses; he introduces the films, takes questions afterwards and then usually ends up crashing on a couch wherever he can before hitting the road again. Early underground favourites that he took along included Godass, Heavy Metal Parking Lot and Kung-Fu Jew.

When the Lost festival visited Venice, California, this year, its venue was an old powerhouse recently acquired by another pioneer in the world of independent film, the LA Filmmakers' Cooperative. That programme included an account, backed up on video, of how Beibin and three friends appeared on the Jerry Springer show as a quartet of wonderfully dysfunctional, cross-mating room-mates - a performance that may give a clue as to how many of those tales on the Springer show are actually for real.

Beibin specifically aims for films that defy expectations. "It's a revelation for a lot of people," he says. "Usually when people think about independent film they think of something very austere and artyish." What Lost celebrates is using film as subversively as possible. Some of the films lift footage from real television shows, such as the very po-faced local newscasts, and intercut the sort of naughtiness that no television station could show. Europe will get a chance to see some of the Beiben's work when he comes over in May to visit the Radical film festival in England, as well as travelling around Germany, Austria, the Czech Republic, Sweden, the Netherlands and Finland.

Back in LA, one of many pioneering alternatives to Hollywood is "Doboys" in South Central, which for the past few years has shown weekly shorts made by local film-makers. The venue is a tiny coffee bar and the films could be anything from a documentary made by a young film student about black women and their hair to a traditional thriller set in the city. Sadly, Eugene "Doboy" Williams, who set the showings up and was an inspirational figure for local film-makers and actors, committed suicide over Christmas, but his work is continuing.

"He wanted to provide an outlet for films that weren't being shown at the big film festivals," says Regina Nicole, who is helping to keep Doboys going. She tells of how some features films, like Eve's Bayou, starring Samuel L Jackson, were first shown in shortened versions at Doboys. A tribute to Williams will be shown at this year's Pan-African film festival in LA, itself a notable and under-recognised showcase set up in 1992 to promote films by African-Americans, Africans and West Indians.

While Sundance now has Coca-Cola and American Express as "leadership sponsors", there is little money on the other festival circuit. Ring the Lost film festival and ask if Scott Beibin is there, and you may well receive the reply: "It depends on whether I owe you money or not." But in a way it is that lack of money that defines independence.

Tao Ruspoli, one of the founders of the LA Filmmakers Cooperative, which moved into its home in Venice after spending most of its life in an old school bus, says that there are many original films being produced on minuscule budgets. "There are some gems and of course some awful ones but no more awful than some of the mainstream films."

Lafco's motto is the Jean Cocteau quote: "Film will only become art when its materials are as inexpensive as pen and paper." All over the US, from Austin to Chicago, new shoestring festivals are being laced up every year. They may be short on red carpets and stretch limos but they are slowly taking up Cocteau's challenge.
 
and if your eyes weren't sore enough....

and the new haven advocate article
::::::::::::::


Video Prank & File
The Lost Film Festival.

by Joshua Mamis - February 27, 2003

SHANE MCCAULEY PHOTO

Guerrilla film guru Scott Beibin.

One of the funniest films I ever saw was an early Michael Moore experiment that consisted of the acclaimed documentarian interviewing a man selling Elvis Presley wall-hangings on a semi-deserted street corner. Using a single camera and crude editing, Moore interviewed the seller and passers-by about the fine art of Elvis-on-velvet.
Moore, of course, went on to use similar techniques to create Roger & Me, and, with a much greater budget, the Academy Award-nominated Bowling for Columbine. He didn't invent guerrilla filmmaking--he's just a natural and a master at it.

The folks who contribute to The Lost Film Festival aren't so much his subversive descendants as they are members of the same army. Take a $1,000 digital camcorder, Final Cut Pro and a desktop computer and make a film. Not just a film. A piece of art. And not just a piece of art, but a slamming work of political exposé, a satire, a slice of history. Part pranksters, part visionaries, the filmmakers whose work will be shown at the Lost Film Fest are high-spirited agitators. Their films--tackling subjects as diverse as the World Trade Organization, mainstream Hollywood, fashion magazines, the war on terrorism and the evening news--are as far from homework as they are from the eye candy peddled by Hollywood for mass consumption.

What's the difference between what you'll see at the Lost Film Fest and what you see at the cineplex or via Viacom?

First of all, the films--all shorts--don't suck.

Second, if nothing else, they spark with kinetic, punk-rock passion. They exist because the filmmakers have something to scream about, not because they were trying to get a three-picture deal with Paramount. It's a paradox: By not trying to make films solely to entertain, they end up making films that are far more entertaining--not to mention creative and innovative--than the folks who earn millions of dollars behind a camera or in an editing room.

A preview sampler of the films being shown at Dwight Hall include a few that are downright brilliant: : "State of the Union," a two-minute film in which George W. Bush's mug is superimposed on the Teletubbies' baby-in-the-sky. As the bunnies cavort on the too-bright green hillside, our president eyes them and shoots off missiles, slowly converting the pastoral landscape into a wasteland dotted with oil derricks.

: "Terror, Iraq, Weapons," in which filmmaker Mike Nourse samples images from a presidential speech, like a video DJ, so that Bush is seen uttering the words of the title repeatedly over the course of six minutes.

: "The Fellowship of the Ring of Free Trade," an inspired six minutes of subversion in which actual footage from The Two Towers is shown with new subtitled "translations" of the dialogue, turning the ring itself into a metaphor for global capitalism. The ring must be destroyed!

: "Piefight '69," built upon recently unearthed footage of an inspired prank by a group of would-be filmmakers crashing the opening of a San Francisco film festival in 1969. Yes, it involves throwing pies in faces, and ends with a whimsical image of a woman in clown makeup waltzing with a broom as she cleans the street.

: "The Manipulators," two minutes of animated silliness manipulating and disfiguring the images of models in a fashion magazine.

: "Little Brother Gets Busted," which uses Lego figures to depict police power and the lunacy of this country's out-of-whack drug sentencing mandates.

: The subject matter of the "Sean Connery Golf Project" gets to the heart of the LFF. Filmmakers Sara Grace Rimensnyder and Rhys Southan strike back at Hollywood for making lousy films by sneaking into Sony's offices, stealing a script and rewriting it. (As much as they seem to hate commercial film, there's an unintentionally funny moment when they sneak into James L. Brooks' office--he of Terms of Endearment!--and pause reverently.) The duo successfully doctors the script and returns it. You can't help but admire the chutzpah of the pair--not only breaking the law, but filming it. (They're one step away from "News of the Weird"'s "Least Competent Criminals" section.) Indeed, when word of their documentary got out, Sony hired a private eye to track them down, and the filmmakers face criminal charges.

: "The Horribly Stupid Stunt Which Has Resulted in His Untimely Death," a project of a group of pranksters collectively known as The Yes Men, who happen to own the domain name GATT.org. GATT is the acronym for the General Agreement on Trade and Tariffs, which has evolved into the World Trade Organization. The satiric Web site--designed to look official, with the letters "WTO" spread all around--as recently as last week ran a story announcing the disbanding of the World Trade Organization.

"THSSWHRIHUD" documents the time when an academic in Austria mistakenly invited the Yes Men to speak at a free trade conference. A Yes Man gives a speech advocating, among other things, that corporations increase economic efficiency by skipping the middlemen (politicians, the media) and directly purchasing votes from voters. Amazingly, no one at the conference challenges any of the speaker's outrageous comments.

: A last-minute addition to the LFF will be exclusive, quickly edited footage of police brutality at the Feb. 15 peace demonstration in New York City. (One LFF organizer was arrested at the rally.)

Lost Film Festival Director Scott Beibin travels the country with the films, playing them in rented warehouses and college campuses like a rock & roll DJ, shifting the playlist spontaneously depending on the mood of the room. The event he is hosting at Yale is a road-show version of an annual event in West Philadelphia that features scores more films, appearances by the filmmakers, workshops and sundry other subversions. (This year's event takes place April 10-13.) Some of the films can be found on the Web--it's well worth the trouble downloading them if you have a high-speed connection. Otherwise, save the trip to Philly and head down to Dwight Hall. It might inspire you to use that video camera gathering dust in the closet--or to buy one.

Joshua Mamis can be reached at [email protected].
 
hey
looks like this is now going to go ahead in ireland, maybe for 4 days between 21st of september to the 25th or 26th.


check http://www.lostfilmfest.com again!

I also think there may be a few screenings of Michael Dean's film “DIY or DIE, "How to Survive as an Independent Artist" very soon too!

heres some info:
DIY or DIE is a celebration of the underdog! FEATURING interviews with:
Lydia Lunch, Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), Jim Rose (Jim Rose Sideshow), J.G.Thirlwell (Foetus), Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Asheton (Stooges), Madigan Shive (Bonfire Madigan), Dave Brockie (Gwar) and more. The DVD Bonus section has an interview with Steve Albini (Shellac) and more.

website: http://www.diyordie.org

trailer is here: http://www.diyordie.org/diytrailer2.htm
 
skinny wolves said:
hey
looks like this is now going to go ahead in ireland, maybe for 4 days between 21st of september to the 25th or 26th.


check http://www.lostfilmfest.com again!

I also think there may be a few screenings of Michael Dean's film “DIY or DIE, "How to Survive as an Independent Artist" very soon too!

heres some info:
DIY or DIE is a celebration of the underdog! FEATURING interviews with:
Lydia Lunch, Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), Jim Rose (Jim Rose Sideshow), J.G.Thirlwell (Foetus), Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Asheton (Stooges), Madigan Shive (Bonfire Madigan), Dave Brockie (Gwar) and more. The DVD Bonus section has an interview with Steve Albini (Shellac) and more.

website: http://www.diyordie.org

trailer is here: http://www.diyordie.org/diytrailer2.htm
Mero has DIY or DIE for sale in the secret record store
 

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