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Haha no not meEgg?
I only listen to 9th wave ska like 100 gecs
We get the music we deserve.I hate it very much
I only listen to 9th wave ska like 100 gecs
PETE.Stop trying to make 100 gecs happen
I only listen to 9th wave ska like 100 gecs
The album is pure mental. They're literally ex scene kids who used to be into BrokenCyde and Attack Attack, went through a period of being embarrassed about it, and are now doubling down and going "no fuck this, that music was the BEST" and they've done a whole album stuff on that level. There's bits on there that sound like people trying to build on Maniac 2000 (or whatever their local version of that was)- taking it as serious music, with the no context-spotify 2019 thing excising it of the genuine across-all-classes cultural phenomenon that that song was.Sounds a bit k/j pop to me in its manicness.
I first heard Maniac 2000 two years ago.The album is pure mental. They're literally ex scene kids who used to be into BrokenCyde and Attack Attack, went through a period of being embarrassed about it, and are now doubling down and going "no fuck this, that music was the BEST" and they've done a whole album stuff on that level. There's bits on there that sound like people trying to build on Maniac 2000 (or whatever their local version of that was)- taking it as serious music, with the no context-spotify 2019 thing excising it of the genuine across-all-classes cultural phenomenon that that song was.
It's the aural equivalent of having 20 browser tabs open at once - it feels awful, it hurts your brain, but due to the seamless nature of modern design you can't turn it off.
The album is pure mental. They're literally ex scene kids who used to be into BrokenCyde and Attack Attack, went through a period of being embarrassed about it, and are now doubling down and going "no fuck this, that music was the BEST" and they've done a whole album stuff on that level. There's bits on there that sound like people trying to build on Maniac 2000 (or whatever their local version of that was)- taking it as serious music, with the no context-spotify 2019 thing excising it of the genuine across-all-classes cultural phenomenon that that song was.
It's the aural equivalent of having 20 browser tabs open at once - it feels awful, it hurts your brain, but due to the seamless nature of modern design you can't turn it off.
It was the only song that the lads in the gaeltacht didn't think it was gay to dance to.
It was the only song that the lads in the gaeltacht didn't think it was gay to dance to.
There's bits on there that sound like people trying to build on Maniac 2000
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