Variations on that structureHis reading of its impact on culture/media is really challenging and thought provoking. His decisions on what is good and bad music less so:
anyone wanna have a go at this?
also an observation:
One thing I remember noticing in retrospect about Britpop was just how written the tracks were. My go-to example is Sale of a Century by Sleeper which contains:
- An keyboard/guitar intro
- A hooky guitar riff played throughout the verses of the song
- verse section
- a bridge section
- chorus section
- after first chorus guitar break
- Middle eight
- Short Guitar solo after final chorus
- an outro acoustic and electric guitar piece
there's pretty much nothing else you can fit into a 4 minute pop song.
The next big NME thing that actually made any kind of impact were the Strokes and their songs tended to give up halfway through the second chorus.
Added sing along outro which could be the best sing along of the 90s.
See also The Man Don't Give A Fuck or Herman Loves Pauline.