22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Room (1 Viewer)

desertedvillage

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Deserted Village Presents:

UNITED BIBLE STUDIES www.myspace.com/unitedbiblestudies
JOZEF VAN WISSEM www.myspace.com/vanwissem
BOYS OF SUMMER www.myspace.com/munitionsfamily
CIAN NUGENT www.myspace.com/ciannugent


The Boom Boom Room, 34 Upper O'Connell st, Dublin
Wednesday, 22nd April. Doors: 20:30
10 Euro or 15 Euro with a copy of the CD



UNITED BIBLE STUDIES
The new United Bible Studies album is called The Jonah and is out now on Camera Obscura.
See the Camera Obscura Site for liner notes.
The Lowlands of Holland mp3
(Feat. Sharron Kraus & Allison O'Donnell)

"A cornucopia of sonic delights, traversing the spectrum from delicate folk to sprawling progressive rock. Richard Youngs' progressive rock project Ilk provided the impetus for the band to make a "Prog Album" so they started with the everything-but-the-kitchen- sink opus "The Jonah". Running the gamut from delicate acoustic guitar to Sunn 0))) style doom metal & back again, it's an extraordinary feat of the imagination. Around this central track, a range of shorter tracks orbit, typically acoustic or folk-rock in nature with occasional experimental flourishes, they are characterized by glorious melodies & arrangements and a peerless array of guests. Current 93's Richard Moult provides synth & very David Tibet like vocals to opener "The Swallowing", and help out with the space folk piece "A for Andromeda". Ex Mellow Candle singer Allison O'Donnell provides vocals for several tracks, as does Sharron Kraus."
Originally formed as a duo with an unhealthy desire to emulate the incredible string band, UBS quickly evolved into a collective and laid the groundwork for the deserted village label and events. Since their formation in winter 2001 they have played and recorded sporadically-never settling on one recording method, never settling on one line-up.
"The Shore that Fears the Sea" album shows a love of the unadorned beauty of Shirley Collins, Anne Briggs and Vashti Bunyan as well as the work of Current 93, Coil and Sol Invictus. Sparse folk sidles up to a more melodic take on free improv and tales of loss and pagan longing abound. If they could exist anywhere, they would be playing in the green man when Sergeant Howie arrives.
Since their sun worship ritual at The Mór Festival in 2003, the students have increased their activities. The set, which included radical reworkings of of some of their quiet new folk songs has been edging towards a more Pharoah Sanders/ Emperor/ Can hybrid thanks to the new drums and horns helping them to blaze brighter in the northern skye. Live shows throughout Ireland and Britain and most recently the USA (Including Terrastock '08) have seen them wildly improvise with up to twelve members or play straight trad as a trio. Their philosophy is that all paths are equal, all approaches relevant.

JOZEF VAN WISSEM
When Jozef Van Wissem played Dublin for the first time in 2007 it was with UBS and Cian Nugent. His Incunabulum label co-released the set Cian played that night and now he will be recording an album with UBS when he is in Dublin.
"Composer-lute player Jozef Van Wissem is renowned for his unusual approach of the Renaissance and Baroque lute. He cuts and pastes classical pieces, reverses melodies, adds electronics and processed field recordings made at airport lounges and train stations. creating an unheard amalgam of contemporary folk and late Renaissance music. Although Van Wissem uses subtle electronic sound manipulation, he has largely stayed faithful to the particular timbre, resonance and playing technique of the lute. He also composes his own pieces for lute, using palindromes and mirrored structures. His music therefore does not have a traditional linear progression, nor leads to a climax, it rather stays on the same level of intensity. His music is quiet and not so much demands concentrated listening, as it will bring the listener in a state of concentrated listening. Van Wissem runs the Incunabulum record label, and performs extensively around the world. He has worked with Tetuzi Akiyama, Maurizio Bianchi and James Blackshaw. With Blackshaw he has formed Brethren of the Free Spirit ( Important Records)

HYPNOTIC MINIMALIST FIGURES SEEM TO BREEZE ACROSS MUSICAL BOUNDARIES WITH EFFORTLESS FLUENCY' _PITCHFORK
“Jozef van Wissem has been slowly reinventing the lute for the last three decades. Among the slew of fast-picking, fancy-fretting guitar players so prevalent today, his lute’s voice is a quiet oasis, and Stations of the Cross a small masterpiece”. The Wire
Jozef van Wissem - Tijuana Round:
http://www.youtube.com/watch?v=InEMps0ws10


BOYS OF SUMMER
A duo of Andrew Fogarty (Toymonger, Weil Rats) and Ivan Pawle (Sea Dog, UBS, Scented Candle) who have recently been playing with Paul G Smyth (The Jimmy Cake). They play analogue synths and are, at times, reminiscent of Tangerine Dream but traverse much darker territory.

CIAN NUGENT

Talented young guitar player Cian Nugent plays instrumental guitar music with many folk and experimental influences. His exploratory style of playing has earned him comparisons to Robbie Basho and John Fahey. Recently he has toured with Jozef VanWissen and James Blackshaw and will feature on an upcoming compilation from legendary folk label Tompkins Square.
 
Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

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Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

Some reviews of The Jonah:

Excellent new album from Dublin-based collective United Bible Studies who were inspired by Richard Youngs' Ilk recordings to make a prog album. Certainly the album starts off very prog-like with sweeping synth and spoken vocals courtesy of Current 93's Richard Moult. It continues into the incredible 16 minute centrepiece of this album "The Jonah" which morphs from Peter Gabriel-era Genesis to demonic metal posturings to melancholic English folk (Genesis meets Burzum?!!). The rest of the album is full of pastoral loveliness and the Colohan-sung tracks remind me of Roy Harper which is always welcome. Sharron Kraus lends her vocals on a duet for the traditional "The Lowlands of Holland". Highly recommended. - Boa Melody Bar

"Ireland's United Bible Studies have had a short, schizophrenic history, fluxing between a free folk jam band, a primitive drone ensemble and a full blown psychedelic folk outfit. "The Jonah" ambitiously lifts melodies and themes from traditional British and Irish folk traditions while factoring in guest spots from players such as Sharron Kraus and Allison O'Donnell of acid folk legends "Mellow Candle." As is customary with UBS, the list of influences and musical references is fairly long, with nods to Richard Youngs's prog rock outfit Ilk, David Tibet's Current 93 and freak folk groups like Espers. Their overarching ambition occasionally almost trips them up, as on "The Jonah," suite, where the segue from note perfect acid folk into generic death metal gets too close to theatrical parody.But it's hard to fault the scale of the project, and when it does work, as on the haunting, lugubrious cover of "The Lowlands of Holland", the results are genuinely otherworldly." - David Keenan,The Wire

United Bible Studies are a come and go ensemble with many
brilliant moments on their previous, mostly cdr releases. The style was not always the same, but often a folk style inspiration shined through a often more experimental and rather improvised nature. Players for this release are Caroline Coffey, David Colohan, Paul Condon, Shane Cullinane, Scott McLauglin, Richard Moult, Séan Óg, Ivan Pawle, Gavin Prior, James Rider, Richard Skelton, Enda Strautt and singers Alison O’Donnel and Sharron Kraus. Even with so many people participating I have the impression that within a wider range of expressions, one of the male vocalists, Gavin Brior (?) takes the lead in ideas in more of the tracks combining a folk flavour or a partly folk inspiration with also a rather darker nature this time.

On “The Swallowing”, Richard Moult succeeds to recreate, while reciting poetry and playing high note keyboards with rushing wind sounds, a Current 93-like mood to open the score. The title track after this is a reference to James Herbert novel about the story of Jonah, a cursed man who brings bad luck everywhere. This long track has many sections and elements, from guitar and harp pickings with tremblings strings and violin to the swelling of a deep bass sound, a more experimental movement with some noises, then song parts and sad keyboard elements, as fuzz bass, and also one, extraordinary and different section with a deformed voice as if it is created like a sort of dark/heavy metal voice, with a windy noise-over effect, with distorted bass, and wild avant-garde guitar like Heino (!!) more in the background. Also on the last track this sort of avant-gardeness of guitar playing is added, as a last improvisation onto a sad song with wrongly tuning into it violin. Then on “A for Andromeda” we hear some analogue synths, combined with pickings. On “Veil song” these analogue synths, flute-like for some part, add strangely enough successfully its own sort of acidfolkishness. Some of the shorter ideas sound like inspired flashes, of inspirations that happened, just like a coming the coming and going of the wind or its members with their ideas. Some folk songs were especially picked out for Sharron Kraus presence who toured and now also recorded for a short while with the band. “The Lowland of Holland” was sung by her, with backing vocals by Alison O'Donnell. This might be one of the more weird releases of the band, but shows a good range of their expressive possibilities.
Gerald Van Waes, psychedelicfolk.com

'The Jonah' by United Bible Studies is by their own admission a folk-prog concept record which is a rare thing in the year 2009. The title is a reference to the James Herbert novel that tells the tale of the Jonah, a cursed man who brings bad luck everywhere. Grim stuff! The cover is pure sacrifice madness with what looks like some kind of space station landing in some psudo-stonehenge environment. United Bible Studies sound like they are probably from the south east but this might a generalization based on the fact that they invoke the spirit of the twee folk rock of Pentangle. It's pleasant conceptualized stuff with proper dramatic poetry sang in a quintessentially British tweeness that I've not heard on a record made anytime before 1972. But what do we have here....The end of track two has a real nice King Crimson style guitar moment that has plucked my ears up and now it's track three and they've picked up pace a little. Now we've got ourselves a prog rock/krautrock wig-out with dramatic black metal vocalism!! Yes, doomy!! This'll be the sound of the ever oppressive Jonah!!! He sounds like Mum-raa before he clears his throat in the morning after a hefty night out in Plun-darr. OK, now it's calmed down again. I'm enjoying parts of this record but I'm amazed at how regal and twee it sounds. People just don't make records like this anymore and can't decide if that's a good or a bad thing. Basically, if you like 'In the Court of the Crimson King' by King Crimson then you might have some interest in this release. - Norman Records
 
Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

Big Balls Biblestudies killed it last night - really great stuff from those dicks


go buy a jonah - support the scene!
 
Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

pissed to have missed this!!!!

will pop into road and grab a copy over the weekend hopefully.
 
Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

Fuck the duck until exploded!

Great night, really enjoyed playing but I'm really sick of pub venues. I was thinking that the attiude of many venues is that they have a match on the telly in one room and a band in the other and the attitude to both is the same, except tellys are less hassle. Music doesn't even come into it.
 
Re: 22/04 UBS Album Launch Jozef van Wissem, Boys of Summer, Cian Nugent Boom Boom Ro

Thanks for coming everybordy. The other acts we chose to join us all played awesome sets.
We were orignally looking for non-pub venues but it didn't work out. Next time..............
 

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