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This reminds me of Kevin Barry's Beatlebone wherein John Lennon keeps going on about Kate Bush being on a "wiley windy moor", and asking "how can a moor be wiley"... hehe

It's a digital sampling synthesiser apparently Fairlight CMI - Wikipedia, the free encyclopedia

Couldn't agree more. Anyway the best albums always have some parts that don't quite sit or gel; it doesn't make them any less. The good stuff on this lp far outweighs any iffy moments. I take your point too about the 80s production - it sounds of it's time yes, but mostly in a very good way...

If only I'd know that in 1985! :)

Gave this a listen last night for the first time in ages. I'd kind of forgotten all about that Ninth Wave side - the concept side. It says something about her own view of this record that she made that such a centre piece of her recent appearances (which I'm sorry now I didn't get to see). I no...

This was featured at one of those swanky Vinyl and Wine things recently. Sounded great played loud on the oul big speakers.

Good choice