might give that a go. I used to like them until I saw him live and he bored me half to death.
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I despise rick beato. He's the youtube equivalent of someone playing sweet home alabama in letterkenny for 50 years. PLay the hits, feed of the creativity of others and reap the rewards.
Have to disagree. I think he has the best music channel on youtube. He really knows his stuff.
this is true.Thats fine and all, like myself and half the musicians I've worked with can deconstruct stuff like that. We do it when we are drunk sometimes. He just strikes me as someone who is happy to coast on other peoples ideas, and deconstruction is essentially complete bullshit anyways. Like just because a person strings three chords together or uses a certain amp does not imply that the did it in the conscious way that dick beato perceives it or sells it. Probably completely the opposite. 'what makes this song great' is nothing to do with its mechanics, and everything to do with communal and societal environments, social moments, and a million other things like the distinct moments of artists lives that lead them to find direction from mashing their hands on keys and buttons and things. In fact the hardest part about being creative is forgetting you know all that shit and opening up. Dick Beato just rhymes off basic mechanics and brands. He literally never answers the question he is posing. I still say you are as well to nip down the local and watch the someone play freebird as you are to spend time plumping rick beatos cushions for him.
this is true.
And also seems to be the crux of your entire argument. Could he just rename his series?
LOL
Have you listened to that Dissect podcast? Its pretty massive.,a fair few people recommended it to me and I tried it for a while but I couldn't stand it.
It's just hours of some guy telling you all the amazing ways Kanye/Frank Ocean/whoever are amazing at all times and here is every reference they ever make explained and contextualised. Basically Genius.com but audio. Nothing of interest is said or explored, just lots of overexplaining and overpraising and, in all honesty, it kills the art. The worst of music journalism imho
I'd say so, but then so was my mother listening to Gay Byrne on RTE 1 for 20 years when i was a kid.Oh god no, where I work the last thing I ever want to hear in my spare time are people talking about things. I only ever listened to a really boring mythology podcast because it put me to sleep. I've formed a theory that the popularity of podcasts/asmr stuff is a lot to with socially isolated people on the internet just wanting to hear a conversation.
I'd say so, but then so was my mother listening to Gay Byrne on RTE 1 for 20 years when i was a kid.
Thats fine and all, like myself and half the musicians I've worked with can deconstruct stuff like that. We do it when we are drunk sometimes. He just strikes me as someone who is happy to coast on other peoples ideas, and deconstruction is essentially complete bullshit anyways. Like just because a person strings three chords together or uses a certain amp does not imply that the did it in the conscious way that dick beato perceives it or sells it. Probably completely the opposite. 'what makes this song great' is nothing to do with its mechanics, and everything to do with communal and societal environments, social moments, and a million other things like the distinct moments of artists lives that lead them to find direction from mashing their hands on keys and buttons and things. In fact the hardest part about being creative is forgetting you know all that shit and opening up. Dick Beato just rhymes off basic mechanics and brands. He literally never answers the question he is posing. I still say you are as well to nip down the local and watch the someone play freebird as you are to spend time plumping rick beatos cushions for him.
"deconstruction is essentially complete bullshit anyways"
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